Friday 1 May
Hi there again folks! It's that time of the week again. Sunday
and another update. I'm a bit behind this weekend - normally,
I would start on Saturday morning and finish off on Sunday morning,
but here we are on Sunday afternoon and I'm just starting! It's
been a bit of a gruelling week from a work viewpoint, but a good
one businesswise, so I mustn't grumble. Mind you, these days,
by the time Friday afternoon comes around, my wife and I both
feel and probably look like zombies after the week has taken
its toll - the ravages of Anno Domini become harder to disguise
and anyway, the pace of life is getting faster by the day. Anyway,
in the UK, it's a public Bank Holiday weekend, which means that
we have an extra day on Monday to add to the weekend to give
us a chance to recuperate.
We tend to go out for a walk on Saturdays if the weather and
we are up to it and yesterday was a lovely afternoon - three
hours or so spent walking on the hills and moorland around the
Duke of Devonshire's Chatsworth estate in Derbyshire. Get the
boots on and just walk a few minutes away from the busy car park
and you are virtually alone, apart >from the multitude of
sheep and pheasants which are so tame they mug you for food when
you have collapsed for a breather at the top of a hill. Yet a
mile or so down the hill, the place is teeming with people -
each to their own!
Tonight, we are taking out my mother-in-law for a meal - she
is 89 on Tuesday and fighting fit - fighting being the operative
word. She is one of those splendid examples of aged cantankerous
individuals who would pick a quarrel with Mother Theresa, were
she still alive! For a number of years she has been steadily
getting more and more deaf, but her independent (euphemism for
stubborn) nature mean she will not countenance a hearing aid.
So conversations become very strained because everything has
to be repeated loudly many times - after a while, you just give
up! Her total lack of diplomatic skills also means that she passes
highly embarrassing personal comments about people within their
earshot at the top of her voice - at times, I am not sure whether
it is deafness, ignorance or pure bloody-mindedness or a combination
of all three factors, which controls this behaviour. Mind you,
comments are not the only embarrassing things she passes - in
common with a lot of older folk, she suffers from loose bowel
syndrome, with the result that she will regularly fart loudly
while talking to people, totally oblivious of what she has done!
This is usually accompanied by much highly stifled mirth as we
attempt to stop ourselves soiling our undies! Old age has certainly
given her an excuse for saying the most outrageous things for
which mere mortals would get locked up! A great cabaret act though,
in small doses!
This week has also seen me, in common with a number of other
RATUCSERS, in embracing IRC. No doubt, when I make my appearance
in the bankruptcy courts as a result of the sky-high phone bills
I am probably notching up, I wonder whether I'll be able to send
the bill to Jacq in Canada, where the blame must firmly be laid.
I must admit that I am deeply envious of the phone/cable system
in Canada which allows for Internet access unrestricted by considerations
of cost. I did hear a few months ago that my local Electricity
supply company Norweb, had devised a new system in conjunction
with Canadian telecoms company, Nortel, which will allow internet
access via the electricity supply. An adaptor attached to the
mains box apparently decodes internet signals and is able to
provide speeds about 10 times faster than those available through
conventional modem access at this stage. Roll on for this development
and I hope it doesn't take too long to wend its way out here
in the sticks. Currently, I am very jealous of our Canadian friends
and those with academic internet accounts in the UK, where phone
bills are not a consideration.
The last week has been very enjoyable on IRC making new friends
and discovering existing fans! In particular, it has been really
nice meeting fellow RATUCSERS, CP and our Ruth, both from Durham
Uni. Ruth (the infamous belly-dancing librarian) and I enjoyed
our first public gallop in the small hours of Saturday morning
when we tuned in for the weekly quiz. The best way I can describe
this event is like the Grand National starting 20 times over
in one hour - fast, furious and frenzied - but with a lot more
humour than the horsey event. Anyway, I got the distinct impression
that our Roof was as breathless as I was with all this activity.
Cybersex takes it out of you, you know!
As far as describing any joint activities in which CP and
I may have been involved, I have a reputation to protect - mine,
not his, which is beyond redemption - so I will agree to divulge
nothing further to protect the various parties involved. Apart
from a scary chat last night, with some individual alleging to
be a WWW wrestler who wanted to know the sex of all those on
the channel - I have been imagining the picture of him and CP
meeting face to face and visualising the potential outcomes,
trying to work out who would run away in fright first.
The other joy has been discovering popups and wavs on IRC
- I'm getting quite a collection of these which are really good
fun. I have decided to start collecting wav files of my hero,
Fred Elliott, as played by John Savident. John is a local lad
from my wife's home town of Ashton-under-Lyne - apparently, he
went to the same local Grammar School and was in the same year
as my brother-in-law. I don't know whether it is true, but I
am told that he went into the police force after leaving school
- now that conjures up a picture and a half, him reading the
caution to the local villains. Great character, larger than life
and great fun - one of the major presences on Corrie. The mental
picture of him saying "Hello little budgie" to Mavis'
pet is one of those memories which will bring back a chuckle
to my dying days.
Anyway, onto business. Friday's episode sponsored by Cadbury's
Astros, starts in the back room of the Rovers Return. Earlier
in the week, you will recall that Jack Duckworth saw the hypnotherapist,
Magenta Savannah, to help him cure his smoking addiction. He is
revelling in his success at giving up the weed and extolling to
Betty the virtues of breathing in all this lovely fresh air. Betty
is cynical, a style which she carries out par excellence. He is
free of his habit and goes onto marvel at the lovely perfume on
Vera - when she tells him that it is washing up liquid, Jack carries
on ecstatically doing his Bisto Kid impression "washing up
liquid, eh - think what I've been missing all these years, Betty"
as he goes out to get a whiff of the "Weatherfield ozone"
and we wonder what sort of acid-trip he's been on! We have clue
when we see a smirk on Jack's face as he leaves the room and we
realise that we are witnessing a wonderful wind-up - heaven help
him when the ruse falls apart! In the meantime, enjoy!
Betty is puzzled as to what is going on and Vera tells her
"happen it's worked Betty, love, you know, that Magenta,
I bet she's done it." Nasty Spumante and Orangina enter the
room, to start the day's work. Vera tells Nasty that it looks
as if Jack has been cured following the visit to the hypnotist
and that she had put Jack into a trance and planted the suggestion
that he should give up smoking. Nasty suggests that Magenta should
have suggested that Jack upped their wages, but Vera has other
ideas - if this works, she has a few other things in mind to be
suggested to Jack.
As the girls cackle, Jack comes back into the room. Nastily
asks him whether he has "been out for a puff", but Jack
contemptuously tells her to wash her mouth out and then proceeds
to ask Samantha what kind of washing up liquid she uses, much
to everyone's bewilderment. He asks Nasty what was the score at
the football match last night - she tells him that they lost one-nil.
"Do you know they couldn't find the net even if they were
deep-sea fishermen, you know next time, you want to get Des to
take you to an away game. Still be a rubbish match, but at least
you'll have a day out, won't you!" he advises her. This little
faux-pas blows apart Nasty's little secret as Orangina realises
that her ex, Des and Nasty have been out together. She glares,
daggers drawn, at her colleague - if looks could kill!
We are chez Ashley Peacock - the post has arrived bearing a
letter from the local nick from the guy who murdered Tilly's father
RBrian. You will recall that Tilly got Leanne to write to the
prisoner on his behalf - even though the letter is addressed to
Leanne, when Tilly sees who it is from, he opens and reads it.
He stuffs the letter into his pocket as Leanne comes downstairs
and they leave the house for college and work, respectively.
Ashley also has to go to work. Zoe is still very upset and
doesn't want him to go to work right now. He tells her he won't
be long and reassures her that he will pop back after an hour.
He suggests booking an appointment for him and her to see the
doctor because "you've been under a lot of pressure - a lot
of stress - he might be able to give you something - something
to make you better. You need help, Zoe, we need help. You have
to see proper people, professional people, people who know what's
what."
Zoe tells him that she has had "social workers and psychiatrists
all my flaming life. I've had them talking to me in their soft
snooty voices. Do you think they really care? Do you think they
really want to help?"
Ashley says that he thinks they do, "don't they?"
"Right, well if they do, why did they keep losing my files?
Why did they keep changing my social worker? Why did they keep
swapping me from children's home to foster parents, foster parents
to children's home?" is her plaintive cry.
"I don't know" replies Ashley, helplessly.
"No you don't" is her reply, as you start to realise
the extent of the psychological damage she has suffered. "Go
to work, Ashley, I said, go to work" as she breaks down in
tears. Ashley looks on helpless.
Outside, Tilly is telling Leanne about the letter she's had
from Whately. He reads out the letter. The prisoner thanks Leanne
for writing to him, he doesn't get many letters, he likes her
name, his parole board meets soon and that he would like to meet
her. Leanne looks apprehensive "it's giving me the creeps,
this" she tells him. Tilly doesn't see how she is reacting
- he thinks it is brilliant news. She asks him what he wants to
do next. He looks blank - blank the plank!
Gareh is on his way to work, saying goodbye to Judeh on the
doorstep as Liz passes by in the street. Judeh asks Frizzie how
Jim is getting on. "Still the same" is Liz's response
and she thanks them for visiting Jim. Judeh asks what the next
stage is. Liz tells them that she and Steve are going right now
to see the consultant, so it depends on what he says.
As Liz goes on her way, Gareh remarks to Judeh that there is
something "funny going on, there. Steve's acting odd!"
(Why that should be newsworthy is beyond me - it's a case of "plus
ca change" as far as I'm concerned - since when has Plasticine
Head not been acting odd - at least now, he has a hard hat to
keep in soft addled brain safely inside his cranium!) Gareh cannot
put his finger on the problem, "it's just a feeling I get."
"Yes, like the feeling I've just had" says Judeh
as she feels a twinge >from Mallett Minor, inside her tum.
Gareh wonderws whether the baby is kicking already and puts his
hand on her tummy.
As he does so, Zoe is coming out of Ashley's house - she sees
what is going on. Judeh sees her and pulls Gareh's hand away.
As Gareh shifts himself to go to work, there is a freeze frame
as we see Judeh and Zoe staring at each other across the street,
Judy is embarrassed, Zoe looks upset. At this Zoe, turns round
sharply and goes back into the house.
Steve is leaving Fiona's to go to work - they are discussing
whether they will be able to meet for lunch. At this point, Frizzie
calls on him and together they go off arm-in-arm to visit Jim
at the hospital.
At The Rovers, hostilities have clearly been declared by Orangina
against Nasty Spumante. "So it's right what I hear about
the football" she quizzes Nasty, who confirms that Des did
take her to the match. "No skin off my nose, just can't see
what the big secret's about" is Orangina's huffy reply. Nasty
tells her that there is no big secret, which prompts the Tango
Girl to wonder why Jack is making an issue out of it. When Nasty
disputes that, Orangina says unconvincingly "like I said,
no skin off my nose". "Good" says Nasty realising
that she is in for a bumpy ride ahead.
It is nealry opening time as we see Jack is sampling the ale
- Vera catches him and tells him off "Here, what do you think
you're doing, we're just about to open up".
"What is this, wench?" replies Jack lapsing into
Lusty Jack Johnson in his best Gummidgespeak.
"You what?" is Vera's puzzled response.
"I'll take my ale when I like. 'Tis a fine thing when
a landlord cannot taste the fruits of his own barrel. Now be off
to the scullery before I take thee across my knee."
Then lapsing back into Jackspeak "Nice spot of ale this!"
Ashley has just popped back to see Zoe - he tells her that
he cannot be long as Maude will be waiting. Zoe tells him that
he is really considerate and that she has never met anyone like
that before. He is better than all the social workers she has
had. Ashley asks whether there were any nice words and Zoe confides
that there was a cleaner who was nice to her in her first children's
home. She seeks reassurance that he would never put her into care
and Ashley gives her that comfort. She apologies to him for all
the hassle she has given him and comments on how he has been so
good to her, kind and patient. Ashley wants to put all their problems
behind them and looks forward to a new start. He suggests giving
Shannon's things to Gary and Judy for their new baby, as a gesture.
Zoe agrees but, although we can see that she is very upset, Ashley
doesn't see the signals. As he goes back out to work, Zoe opens
up a pack of cigarettes - it is empty. She opens her purse - she
doesn't have enough money. She throws her purse down dejectedly.
Nasty and Orangina are still not really talking - in an attempt
to warm the icy atmosphere, Nasty asks if there is any news on
Jim. After fencing around verbally, with single word responses
from Tango Girl, Nasty decides to grasp the nettle. She admits
that she went to "a football match with Des, that's it, end
of story". "Well, good, because, lie I said, it's no
skin off my nose" replies TG, with Nasty finishing off the
sentence in stereo with Orangina. Samantha is upset that Nasty
kept the news from her - Nasty denies that was the case, but Sammy
stomps out in a huff.
Enter Lusty Jack Johnson - "why, 'tis young Natalie, a
lass for the taking, I'll be bound." He suggests going to
the stable "while the harridan is still about her duties".
"Jack, what are you on about?" is her puzzled response.
Lusty Jack suddenly snaps back into Duckymode and asks if there
is any more tea in the pot. Nasty looks at him bewildered.
Zoe has come into the Kabin - she asks Leanne for some cigarettes
and opens the pack handed to her. It is clear that she does not
intend to pay for them, as takes a cigarette out of the pack and
lights it up. Leanne asks her what she is playing at, but Zoe
says that Rita will not miss one packet and suggests that Leanne
makes up the money. Leanne is not willing to play ball and asks
for the money - she tells her that she likes the job and wants
to keep it and asks her again for the money. Rita, hearing the
raised voices, comes in from the bag and asks if there is a problem.
Leanne tells her that Zoe has forgotten her purse. "I see,
then I'm sure Zoe will pay us later, won't you" replies Rita.
She then asks Zoe how she is feeling, sympathising because she
has obviously been through a rough time. Zoe becomes increasingly
irritated and snaps at Rita. "What's the matter with everyone
around here? I spend months where no one will even give me the
time of day and then, all of a sudden, I've got prayers and tears
and sympathy everywhere I flaming well walk. Just get off my case,
will you!" as she storms out of the shop. Rita and Leanne
look shocked at Zoe's outburst and Leanne apologises to Rita.
"Oh don't you apologise, love. That poor girl, she's just
a fuse waiting to be lit", replies Rita. "All it will
take is one spark - then God, help us" is her ominously prophetic
statement.
End of part 1
The ads including one from pompous smug git aka Richard Branson
advertising Virgin Holidays to Disney in Florida, a stupid pretty
offensive stereotypical piss-take of Scandinavian people and one
for MFI furniture (my mother-in-law calls them MI5, which raises
an interesting picture in one's mind).
Part 2
Back at the Rovers, it's Fred Elliott asking for "my usual
tincture, please, landlord" to which Lusty Jack responds
to Orangina "wench take his lordship's horse round into the
stables". Vera is realising that something isn't quite right
as Lusty Jack asks for payment for the drinks "two groats,
if you please". "And cheap at the price, tavern keeper,
worth every farthing" is Fred's riposte.
Vera calls Jack - "who calls? 'Tis the shrew. What is
it woman?" he asks. She tells him she'd like him to come
through into the back. "Har, har, har, the magic of Lusty
Jack still works its wonders, do you see?" he proclaims,
"you've gotta wait your turn woman, I've got other wenches
to service, afore thee, but if you go yonder and prepare my victuals,
I might step in shortly".
Rita is telling St. Emilion that she was on the wrong side
of Zoe's tongue earlier on this morning - she tells her that Zoe
flew off the handle simply after being asked if she was alright.
Fred joins the girls.
Rita tells Fred how Zoe has been reacting and about the way
she struck St. Emilion the previous night. Fred is shocked, but
St. Emilion tries to explain it away by stating that Zoe is under
a lot of stress. Rita says she is under stress herself, but doesn't
go round bashing folk. She wonders what would have happened had
Gareh not been around when Zoe attacked St. Emilion.
Jack comes into the back room - when Vera makes a reference
to Lusty Jack, Ducky doesn't seem to have any idea what she is
talking about. She is bewildered and worried - clearly he needs
his head examining. He isn't Lusty, he is hungry and he wants
his dinner - he tells her she needs her head examining!
Orangina asks Vera what is the matter - "It's our Jack,
he's reversed" is V's reply, taking on the mantle from the
Hildas Baker and Ogden. "He's reversed, ever since he went
to that hypnotist, he thinks he's somebody from a byegone age
- he's just... reversed." "Regressed", corrects
our Sammy, "No, you don't think he has".
Leanne has come back to Maison Peacock - she is furious with
Zoe's behaviour in the Kabin. She asks what she thinks she is
playing at and that she could have got the sack because of her.
Zoe is clearly very upset and tells her she wants to be left alone.
Leanne starts to calm down - she is disappointed being asked to
steal by Zoe - mates don't do these things. Zoe clearly doesn't
think the same way, but Leanne points out that times have changed.
"I know, I used to have a baby" is Zoe's tearful
reply.
Leanne tries to reassure her that things will get better, but
Zoe is not convinced "How do you know?" she asks.
"Well, they're bound to.... in time" is Leanne's
naïve reply. (She has obviously not heard of my mother's
maxim "Cheer up, things could get worse, so she did ... and
lo, things got worse").
She tells her that they all care about her, but this brings
about a surprised reponse from Zoe "Care about me? Why?"
With that, she storms out of the house, bumping into Tilly as
he makes his way in.
He is pre-occupied with this great idea he has had regarding
Whately - he tells Leanne that Whately is likely to be released
soon and that Leanne should write to him to find out when. However,
she is upset at the state that Zoe is in and tells him to "Stuff
him" as she races out after Zoe.
Frizzie Lizzie has arrived at the building site. Gareh is shovelling
away at ground level - he calls Steve who asks how she got on
at the hospital. She has nothing to report and Gareh says that,
no doubt, they will tell her more when there is something more
to tell "No news is good news".
Frizzie is curious to find out how the accident occurred and
asks Steve to show her exactly what did happen. Steve gets tetchy
and accuses her of wanting someone to pin the blame onto. She
denies this. "Well, he was drunk, as usual" is Steve's
evasive answer. She asks Gareh whether he can remember anything
more but he is also unable to add to what he has already told
her. He'd heard a crash and then Steve had shouted that his father
had fallen. She wants to know whether he slipped but Gareh tells
her he doesn't know.
Des is at the telling Nasty that he'd like to see her later
but she is embarrassed and tells him that "certain people
weren't impressed by our football match attendance", referring
to Orangina. "You mean, Samantha, well what's it got to do
with her, flaming cheek" he replies, not exactly keeping
his voice down. Sam overhears the conversation, as Nasty tries
to shush him up. As Nasty goes to the cashtill , Lusty Jack passes
by and pinches her bottom.
Lusty Jack then comes up behind Betty at the bar. "Right
my Betsie, it's time we had a roll in the hay" he tells her.
He then pinches her bottom as well - she is not amused and slaps
him around the face while Nasty looks on.
Two mothers are talking in the street - one is holding her
baby - as Zoe walks by. She sees them, stops and then rushes back
into the house, very obviously upset.
In the shop, Kev is telling Lizzie that he would be happy to
take Jim back on. "At least it will give him something to
look forward to" is Frizzie's relieved reply.
Fred has come into the shop. When the customers have left,
he collars Ashley. He asks whether Ashley is aware that Zoe "has
caused Emily Bishop grievous bodliy harm and that she bad mouthed
Rita"? He tells Ashley that Zoe needs more than just a word
- she needs psychiatric help, the Electric Chair! When Maude offers
"You mean ECT" as a correction, Fred's riposte is "I
know what I mean, thank you!" After talking further with
Ashley, the lad promises to sort out the problem. After he leaves,
Maude tells him that he shouldn't have the cares of the world
on his shoulders at his age. He tells her that he'd had a chat
with Zoe that morning and he feels that things will be better
now, but Maude does not look at all convinced.
Gareh and Judeh are at home, about to have their tea. He tells
her how Frizzie had come down to the site earlier in the day and
that she had been enquiring how the accident had occurred. Steve
had got defensive - although Gareh doesn't know what is going
on, he is suspicious that Steve isn't telling him the full story.
There is a loud banging on the door - it is Zoe, whio is shouting
outside. Gareh rushes to open the door.
Zoe is outside with Shannon's pram and the baby's clothes inside
it.
She shouts at Gareh as he comes outside. "I'm helping
you out, Gary, just like you helped me" says Zoe. "Oh,
my mistake, you didn't help me, you used me" she continues.
"You took my baby, you killed her".
Judeh looks upset as Gareh tells her to go inside.
"Go inside" announces Zoe to the gathering crowd
of passers-by, "we wouldn't want the poor mother-to-be to
get stressed out, eh?. Yes, she's pregnant, up the spout, didn't
you know?" She picks up a can of lighter fuel and as Gareh
moves towards her she tells him to keep away from her.
"Zoe, just listen to me" implores Gareh.
A crowd of onlookers is building up, including Fiona, Liz and
Kevin.
"I did that already and where did it get me? I listened
to you and where am I? My baby's dead and you just move on to
another one. What are you, a flaming conveyor belt or summat?"
She gets increasingly upset as Gareh tells her to calm down. She
tells him that she will not calm down until they get what they
deserve. "Ashley wanted me to give something for the baby
and this is what I hope happens to it".
As she speaks she pours the lighter fuel onto the pram, lights
a match and throws it on the pram. She pushes the pram towards
Gareh. He falls while scrambling out of the way and then grabs
Zoe.
As he does so, Kevin who has been watching the unfolding drama,
rushes into the garage for the fire extinguisher, which he promptly
uses to put out the fire.
Meanwhile, hearing the screaming in the street, Ashley runs
out of the shop - he pulls Zoe away from Gareh and holds her.
Gareh is furious and tells him that he is going to call the police.
Ashley begs him not to do so as Zoe is upset. Gareh is not impressed
- he had asked Ashley to control her, but he has been unable to
do so and she is now out of control. Ashley pleads with him and
reluctantly, Gareh agrees to let Ashley sort out the problem -
he warns him that if there is the slightest repetition of her
behaviour he will call the police and "she will end up where
she belongs, banged up out of harm's way".
The episode ends with Ashley hugging a distraught Zoe, desperately
trying to comfort her.
Cue music and credits
Episode written by Peter Mills
Script Copyright ITV Television
Well what a humdinger of an episode! The two extremes, comedy
and tragedy.
The comedy superbly played by Bill Tarmey doubling as Jack
Duckworth and Lusty Jack Johnson! He is a fine actor and it is
wonderful to see him playing the part with such deft skill. Hamming
it up and completely over the top - he's enjoying every minute
of the wind-up. My God, when Vera rumbles him, there'll be fun.
Tragedy played out superbly by Zoe and Ashley. Steven Arnold
is a fine actor as has been commented more than once on RATUCS,
playing his part with great care and sensitivity. Tonight we
have seen an award-winning performance from Joanne Froggatt as
Zoe Tattersall. I have never liked the character before, but
tonight, you got underneath the skin and understood for the first
time, with real raw emotion, why she is the way she is. You cannot
help but feel sorry for this poor girl, who is so badly damaged
psychologically by the previous events in her unhappy childhood.
This is acting of the finest kind, when you can forget your prejudices
and preconceptions - when you can swing from disgust and anger
to love and pity. I have misjudged this girl.
For those who criticised the storyline when it was first trailed,
perhaps you will agree that it is a harrowing story, but brilliantly
and sensitively portrayed. We live in a world of increasing crime
and while deprivation is no excuse for crime, perhaps if we take
the trouble to understand the deep-rooted social causes and try
to attack them in our war on crime, then we will be tackling
the real culprits and not just the symptoms. We all want to be
wanted and need to be loved and the failure to satisfy those
basic needs can have tragic consequences.
Phew... stiff drink time....
And that's about it for now - see you same time, same place,
a week from now.
Take care now....
Regards, Alan
Sunday 3 May
Squadron Leader Biggles sat in the officers' mess after the
debriefing. His men had all returned safely from the latest mission,
bar one. An air of gloom and despondency hung over the room as
the brave aviators pondered the fate of their colleague. In the
pitch of battle, they had all been too busy to notice whether
he had been shot down, or simply got lost on the way back.
Suddenly, Algy jumped to his feet. "Quiet lads",
he shouted, "what's that sound ?". They rushed to the
window, peering through the gloom of the early evening mist.
The noise grew louder, the irregular beat of a misfiring Merlin
engine sounding like music to their ears as the battered airframe
appeared from the mist and touched down on the runway.
"Hurrah !". "Tail-end Charlie" Laird was
back, low on fuel after getting hopelessly lost before finally
finding his way back to the RATUCS squadron HQ, Corriedays. He
was grounded for a month until he had learnt to prepare his mission
briefing *before* taking off. Sorry, sorry, sorry !
We'd better press on...
Act 1
Leanne and Nicky are just leaving Ashley's house. [No doubt there
was some snippet of conversation prior to this, but ITV sent out
Sunday's episode about two minutes early again. That's it - a
letter's going off off to the ITC complaints people about this.]
Ashley tells Zoe he is worried about her not having eaten anything
for nearly a day. She is not interested in his concern and tells
him to go to work, but he wants her to go with him to the shop,
and to the Mallett's house as well. Her response is a forceful
"no way !". She doesn't care what people think about
her, saying "I'm a nasty piece of work, me.". She was
quite pleased at the frightened look on Gary's face as he shoved
the blazing pram at him. Ashley tells Zoe he is going to see the
doctor about her, as she needs help. Sorry, "'elp".
Natalie and Betty arrive at the Rovers to start work. They
complain to Vera about Jack's behaviour the previous day. Vera
suggests he is not responsible for his actions, having regressed
to a previous life [in which he did no real work either, it would
appear !]. She goes on to tell them how she doesn't know what
triggers the appearance of "Lusty Jack". [It's every
time you mention work, you daft bat !] Jack is brought in for
questioning. He appears shocked at the allegations of impropriety
behind the bar, claiming to have no memory of harassing Natalie
and Betty. As his Worzel Gummidge impression takes over again,
Vera hussles him back out of the bar.
Ahh! A cosy little family scene at Fiona's flat, with her and
the baby, and the Ungrateful Undead, who is on the phone to Liz.
"I've got a business to run !", he tells her, cutting
her off. He tells Fiona he is fed up with seeing his Mum at the
hospital, she keeps treating him as if he has something to hide.
Fiona backs this up - she tells him he is definitely behaving
in a strange manner. [Good God, he's not acting, is he ?] Steve
punches the angry button, announcing he is not a liar. Fiona moves
in for the kill, wondering if she had made a mistake taking him
back and asking him to move in ? [In the background, we hear the
radio playing "Big Mistake" by Natalie Imbra... Natalie
Imroo, Imm, oh bloody hell the sexy sultry one from Neighbours.
Someone's having a lot of fun with the background music these
days !]
Ashley is talking to Maud, telling her that he cannot persuade
Zoe to see a doctor. [Maud's response will appear in the summary
at the end.] Maud asks him if he has sought Martin's advice. On
cue, Martin walks in. He tells them Zoe is probably past counselling
- he thinks she really isn't well. He suggests the poor girl could
be sectioned, if necessary. "Locked up ?", asks Ashley.
Well, in a hospital, for a few days, before being allowed to leave.
Martin says there is always something can be done. ["Nurse
! Bring the electrodes..."]
Back at the Rovers, Lusty Jack is bemoaning the loss of his
trusty mares. No, no, not Betty and Natalie ! He tells a bewildered
Vera that he needs twenty guineas from the till before going to
see a man about a horse. [Lucky Man, 3.30 at Weatherfield ?] Des
arrives in the bar and immediately starts chatting to Natalie,
under Samantha's venomous looks. He asks Natalie out that evening.
We see Jack arriving at the bookies.
Quick flip to Des' house, where Natalie is asking him what
he is playing at, is he rubbing salt in Samantha's wounds on purpose
? Is this his only motive for taking her out ? He tells Natalie
he genuinely likes her, and that they're doing nothing wrong at
all. They agree to proceed with the evening's plans.
Ashley returns home, to find Zoe sitting at the kitchen table,
idly cutting off chunks of her own hair. She stares at him, blankly.
Intermission
Boring. Condescending to Italians. Overblown. Irritating. Unfunny.
Trainspotting [raised a chuckle that one]. Very boring. Fortunately
for me, I can fast-forward, and you can simply page down to...
Act 2
No sooner have we seen Zoe's attempts at home hairdressing than
a female doctor arrives at the house. Ashley is worried how Zoe
is going to take this. "Let's see, shall we ?" replies
the doctor. She tries to engage Zoe in conversation about her
unusual hairstyle [needless to say, it has the makings of something
a little more interesting than the lank style of old]. Zoe is
dismissive of this small talk, saying there is no need for Ashley
to be worried about her, and asks the woman to leave. The doctor
persists, suggesting that Zoe might be trying to punish herself.
Zoe looks straight at Ashley - angry that the doctor knows what
has happened. The doctor tells Zoe that she needs help, a few
days in hospital. Her social worker has been informed, and agrees.
She goes on to say that if Zoe won't go voluntarily, she can be
made to go. Zoe looks at Ashley and slowly shakes her head at
him.
At the hospital, Steve is sitting with Jim, as some strange
gurgling noises come from the big man's throat. [What's that,
a pint of your finest, Sandy ? Maybe not.] Steve panics and calls
for the nurse, just as Liz arrives. Liz tells him to calm down,
telling him this has happened before, it's just the tube in Jim's
throat blocking slightly. Steve is alarmed - he had thought his
Dad was dying. Almost emotion !
Zoe has packed a bag, but refuses to leave the house with the
doctor if Ashley is coming with them. He tells her he will visit.
"Don't come near me. In fact, I don't ever want to see you
again !", she replies. Poor Ashley.
Jack is returning from the bookies as the ambulance draws up
outside Ashley's house. As Zoe gets in, she stares at Ashley,
who looks sick. [This look inspired no doubt by standing outside
Maine Road as the light blue supporters realise that Man City
are going down again next season, to entertain the likes of Macclesfield
Town. Ha ha !]
Jack enters the bar, telling Vera he has been unable to buy
any horses, and has a quiet smirk to himself. Oh my God, he has
been fooling us all the time ! [Since about 15 seconds into the
scene in the hypnotist's in fact...]
Nicky is doing his best to console Ashley, who is gutted. Ashley
worries that this is the first proper home that Zoe has had, people
have trusted her, and now what is going to happen ? He leaves
to relieve Maud, who has been on her own in the shop all this
time [Ashley, you are genuine star !]. Leanne arrives, to be told
of Zoe's new accommodation, "what, the loony bin ?",
she asks. Nicky asks her is she has written the next letter for
Darren in prison. She sighs meaningfully, and disappears.
In the battlezone, Natalie is applying her war-paint. Samantha
is interrogating her about Des. They bitch uninterestingly.
Leanne has written the letter. Nicky thinks it is a bit too
short to get Darren's attention. [I hope you appreciate the effort
I have to go to to think up new innuendo for both buses !] Leanne
is nervous about revealing too much. Nicky has a bright idea and
fishes out a recent photo of his wife. "That'll really get
him interested !" he says. "Forget it", shouts
Leanne, and strops off. Unfortunately, she doesn't take the photo
with her...
Lusty Jack is in the back room, marvelling at the "picture
box". Vera attempts to explain electricity to him, but gives
up, telling him that she and Betty will manage behind the bar.
Both Jacks smile as she leaves the room. Vera apologises to Betty
for Jack's absence. She is going to see the hypnotist again.
Steve and Fiona are falling over themselves apologising to
each other for the things they had said earlier. Obviously feeling
guilty, Steve asks Fiona to sit down while he tells her about
the scare at the hospital when Jim was apparently choking. Steve
says that as he left the hospital, he had half-hoped that his
Dad *had* died, and then no-one would have found out the truth
about the accident. "Go on" says Fiona. As he tells
her about Jim's arrival and drunken behaviour at the building
site, Fiona guesses that they had been fighting again. She realises
Jim's accident wasn't all it seemed to be.
This episode was written by Mark Wadlow.
Quite a lot of serious stuff tonight. The Lusty Jack joke
is wearing very thin. Tension is mounting as we wonder what is
going to happen next to Zoe and Ashley, whether Jim will wake
up and/or everyone finds out that Steve more or less toppled
him off the scaffolding, what fate is about to befall Leanne,
how will Vera exact her revenge on Jack ? We don't care about
Natalie and Sam and Des though. On the romantic front, the question
of the day is: when is Hayley returning ?
Overall rating (out of 5 stars): ***1/2
(Half a star for Steve and Fiona actually managing a small amount
of believable make-believe.)
Best line: On hearing that Zoe won't go to a doctor, Maud
replies "A doctor ? An exorcist, more like !". Cruel,
aren't I ?
Best scene: Pick any scene with Ashley and Zoe. These two
are doing so well, they often don't need any dialogue at all
to convey what they feel.
Toodle pip !
John
Monday 4 May
Life at Dewey Towers has been uneventful of late, apart from
a little flurry of excitement on Sunday; but nothing to write
home about really. In fact I won't mention it again. This is
a Coronation Street Newsgroup - perish the thought!
Seriously though, thank you to everyone who mailed and posted.
Now I really won't mention it again.
OK. Cut the waffle Dewey. What happened in Weatherfield on
Monday 5th May 1998, and on a similar date in the mid 1700s? Plough
on, dear reader, and you might enjoy this episode as much as I
did.
Ashley is distraught. He believes he has betrayed Zoe by being
instrumental in her departure at the hands of 'the caring profession'.
Leanne tries to comfort him, tries to reassure him that he did
the right thing, and that one day Zoe will thank him. Tearfully
he leaves to go to work.
As Ashley leaves, the void is filled by Nick. Or perhaps not.
He reminds Leanne about his plans for her to write to Darren Whately,
and that because he thought she had forgotten, 'here's one I prepared
earlier' (That one's for UK viewers!). Leanne is horrified to
see that the letter, which he expects her to sign, has her photograph
clipped to it - 'you haven't listened to a word I've said, have
you? I don't want to do it.'
Above the salon, Fiona is giving Steve the third degree. Why
didn't he tell her all this before, instead of bottling it all
up? He explains that he though that 'everybody would think he
did it because he hates his father'. Fiona thinks that she is
to be considered as something above 'everybody'. She wants the
truth, Steve is insistent that he didn't cause Big Jim's fall
deliberately, but he had to retaliate against Jim's belligerence
- he did push him. Fiona tells him to explain this to Liz, Steve
quickly scotches this idea - it's between the two of them. He
explains why - if Jim ends up permanently incapacitated, he, as
the site contractor, will be liable - he'll be ruined. Fiona is
horrified - Jim's the one who is ruined, but if he does come out
of his coma, he's going to be the one to tell the truth. Steve
hadn't considered that aspect.
Leanne is still trying to tell Nick that she won't be Darren
Whately's penfriend, she's angry that Nick has taken no notice
of her feelings - and demonstrates by tearing up the letter. She
asks him to drop the whole idea, which he reluctantly seems to
agree to.
In the back room, she was everybody's darlin'. No, not Candy
from Miami FLA, but our Vera, stirring a pot of tea. Jack enters
with a lecherous look on his face, and a pint in his hand. So
early in the day, Jack? Uh-oh, he's in Lusty Jack mode. He extols
the virtues of good old English ale against that upstart foreign
drink, tea, finishing with a 'God save the King' and suddenly
becoming our Jack again. Vera is getting frightened by these dual
personalities, and she should know because she's sure she's been
reincarnated. Jack reckons there's nowt to this reincarnation
lark, but if there were, knowing his luck, he'd probably come
back as a Man City supporter.
Chez Natalie, she and Sam are getting ready for work, but Sam
rejects the offer of a lift in Natalie's car. Sam's being deliberately
awkward, accuses Natalie of wanting her out, and eventually states
that she will look for somewhere else to live, and move out as
soon as she can. Natalie seems quite content at this.
Fred Elliott enters the bar with a cheery cry of 'Innkeeper???'
Jack comes over in fake Lusty Jack mode, and they both chuckle
over how he is still getting away with this harmless jape.
Betty (you remember her, Betty Williams) and Sam are both at
the till. Natalie comes over to use the till and Betty senses
friction. Sam tells her that Natalie has told her to move out,
find someone else to live. Betty, the class snitch, goes straight
to tell teacher, Mrs Duckworth. Jack, in Jack mode, calmly says
that she can move in to the spare room at the Rovers, because
he wouldn't see her out on the streets. Vera very firmly puts
that idea out of his mind!
Nick arrives home at lunchtime, and is pleased to find the
house empty. He has prepared another letter to Darren Whately
on the college WP, and is now looking for an old Christmas card
from which to copy Leanne's signature. Oooh you rat, Nick! He
finds another photo of Leanne and seals the envelope up.
We're back in the Rovers, and Vera is telling Jack to pull
his weight and collect glasses. Natalie is putting Betty straight
on the 'Sam's moving out' story. And look! There's Roy at the
far side of the bar! Jack is collecting glasses, as instructed,
when suddenly Lusty Jack gets an attack of kidney stones, and
tells Vera that the Apothecary told him he must rest. She hurries
him off to the back to rest.
Roy has seen this, and Vera explains about the Magenta Savanna
regression. Roy is excited, because Lusty Jack's reminiscences
of life in Weatherfield in the 1700s could be a mine of information.
Taking his notebook from his trusty shopping bag, he says he must
see Jack 'while he's in this state'. Vera says she doesn't want
him 'in this state' and suddenly gets the idea to go off to see
Magenta Savanna herself. Roy still wants to get to Jack because
'Mrs Duckworth, we could learn so much about the past'. 'Beggar
the past, I want me husband back'. A wonderful comic moment follows,
Vera says 'He keeps waking me up in t'night, kicking me out o'bed,
slapping me backside, saying 'get back to the village', <pulls
Dame Edna Everage face> 'well I've 'ad enough'.
Now. How long is it since Jim's accident? Liz is talking to
him, hoping he can hear, and he hasn't even got the five o'clock
shadow he would have had at the time of the accident, let alone
several day's growth. Do they shave you in hospital? Nurse Platt?
Where are you? I think this mystery should be cleared up. She's
telling him how wonderful he was when they were first married.
Is it a flicker of recognition? His eyelids flutter and he moves
his head. 'Nurse, Nurse screams Liz, oblivious to the conditions
preferred in Intensive Care.
END OF PART ONE
Nursey comes to investigate, but soon disabuses Liz of the
idea of improvement. Apparently 'Involuntary Muscle Action' is
not uncommon in coma patients. Where is Nurse Platt when you need
him? What a bedside manner that man's got. Liz still holds hope
because he /did/ move his head.
Vera arrives at Magenta Savanna's consulting rooms to find
a new shiny brass plate on the front door advising 'Magenta Savanna,
Tarot Reader'. She's in full Gypsy Rose Lee garb. ''Ere, I thought
you were an hypnotist', says Vera. 'Hypnotherapist' corrects La
Savanna, 'Wednesdays and Fridays. Mondays and Thursdays I do readings
from the cards and peeps into the crystal ball.' This woman could
have been scripted by Victoria Wood - 'Mmmm. You'll not always
be where you are now....I'm seeing a bungalow <smile>' Wonderful
stuff!!! Vera wants to know what she's going to do about Jack's
past.
Jack's present is taking full advantage of the apothecary's
instruction to take it easy. He appears to be asleep while Betty
ushers Roy and his notebook into the back room. Conveniently,
he wakes up, in Lusty Jack persona, and asks who is there. Realising
that he knows it's Roy, he says 'I know 'ee, 'ee be the pox doctor's
clerk. There is no pox in this house'. Betty gets a better line
than usual - ' ohhhh, he's with the pixies is this one, I'll leave
him to you.'
Roy introduces himself to Lusty Jack Johnson. He wants to talk
about life, state of the Nation, and so on. Lusty Jack wants to
talk about women, so if Roy wants to talk, they can go into his
tavern and Roy can wet Jack's whistle.
In the Street, note the snow lying, Nick posts his letter to
Darren Whately.
In the Kabin, Leanne is troubled. She asks if Rita knew Brian.
Rita did, of course. Leanne has to tell her everything, about
the life sentence meaning release in a few weeks, the original
correspondence between her and Whately and Nick's plan to write
again with a photo. Rita is horrified.
Vera is trying to get her money back from Magnolia Soprano,
who is suggesting that she should by rights be charging for this
interview. And anyway, this Lusty Jack sounds far more fun than
the feller she brought in for hypnotherapy. Magnolia starts to
work on Vera, she tells her she gets a feeling for people who
would be good regression subjects, and Vera is certainly one -
'I would say,......., that you've been a Queen in your time'.
'Well between you and me...... <sotto voce, looks round>
I've got Royal blood'. A triumphant Magnolia beams 'I knew it!
Get on the settee and I'll give you the session at half price!'.
''Ang about', says Vera, 'I came here about our Jack. You were
supposed to stop him smoking'. 'And has he?'. 'Well, yes, but....'
'Well there you are then! Now just lie down and relax........Has
anyone ever told you...you've a look of Cleopatra?'. 'Well as
a matter of fact, they 'ave. It were a feller. He told me to lie
down and relax an' all.'
Under the watchful eye of Fred Elliott, Roy is questioning
Lusty Jack about life in Weatherfield 250 years ago. He wants
to know what the popular sports and pastimes are in these parts.
'Wenchin' and quenchin'' apparently. Man goes into the woods 'Wenching'
and then comes back to the tavern very thirsty, so he needs quenching.
Natalie confronts Sam about the 'Natalie has chucked me out'
deception. Sam retaliates that 'It's what you wanted isn't it?'
and adds that it doesn't matter, she's found somewhere to live,
she's moving back into Curly's. And he wasn't even in the episode!
Sam reminisces - she thought Natalie was a real friend, but then
she stole Des from her. 'Stole him?' questions Natalie, 'you gave
him away. And not so long before you were trying to avoid marrying
him, and then you had it off with Chris Collins'. Sam encourages
Natalie to ask Des why Sam is 'the way she is'.
We're back at the history lesson. In the background we see
Fiona leading Maxine from the bar. Surprising, because Maxine
does not speak in this scene, nor appear elsewhere in this episode.
But the beauty is Roy's next question just as the aforementioned
vegetables leave the bar:
'So. There has been no shortage of turnips in Weatherfield
these past few years then?'
Magnificent.
Fred is trying to help out here, but Jack affirms that there's
been a positive glut of turnips. To Roy, this means that Lusty
Jack's Weatherfield is after the Great Turnip Blight of 'the hungry
thirties', so this must be 1742, 1744 perhaps? Lusty Jack asks
why Roy doesn't know what year it is - it's 1746. Even better,
says Roy, because that means Lusty Jack must have memories of
last year's great events. (Hmmm thinks Dewey. 1745. Battle of
Culloden?) Jack is lost, but Roy reminds him that the Scots army
marched through Weatherfield on their way to London.
Fred senses this getting out of hand, and calls for some more
beers.
Lusty Jack can't out-bluff Roy on history, and gets his Bonnie
Prince Charlie hopelessly confused. Fortunately, in the nick of
time, Jack Duckworth reappears. Phew, that was close! - ''Ello
Roy, didn't see you come in, son'
In number 4, Nick is berating Leanne for involving Rita. Rita
sticks up for Leanne, and tries to talk sense into him. What was
he hoping to achieve? What was he planning on doing if he met
up with Darren Whately?
We're back in Emergency Ward Ten, where Liz rounds on Steve
and tells him that this was his fault. All he had to do was make
it up with Jim, or offer him a job when he first asked. This doesn't
please Steve, who reminds her that she is as much to blame for
Jim's previous state, what with sleeping with his best mate, making
his life a misery, divorcing him. 'You, more than me, made him
end up like this - he may as well be dead'
Nick is still moaning about it not being fair that Whately
gets out soon, but his Dad's dead. Rita is still pushing to learn
Nick's intentions - he admits he wanted to set a trap, and that
Leanne would be the bait. She wonders what would happen if Whately
knew Nick was playing games with him - we all know what he's capable
of, don't we? Leanne thinks it that it's all over now, but Nick
then admits that he signed a second letter, with her photo, and
posted it an hour ago. And it's got No4, Coronation Street, as
the reply address.........
And that, as Nigel Worsfold would say, is your lot.
Episode written by John Stevenson, with, I rather fancy, a
little inspiration from Victoria Wood.
Dewey
Wednesday 6 May
Dear Update Readers,
It's been a funny old week, all things considered. So much
so that I don't really know where to start.
Yesterday saw an important milestone: C and I celebrated our
second anniversary. No, I can't believe it either: two whole
weeks together! Who would credit it? (Don't think I'm joking
either: on this bus - Dewey take note - anything longer than
one night signals serious commitment, believe me). It's one in
the eye for certain friends of mine who said it wouldn't last
- especially those who still think I'm only with him for the
free taxi rides. As if!
The second bit of news is that last week I came into some
money. (Yes, I know there's a smutty joke in there somewhere
about soggy £5 notes, as Ruth Carey was quick to point
out). But I'm serious. I rarely have anything wonderful in my
life to boast about, so I'm making no apologies for broadcasting
this. If you've got it, flaunt it, as Glenda would say. Okay,
so £12,000 ain't exactly a fortune, and I won't exactly
be able to hand in my notice and retire to the Maldives, but
it's better than a smack round the head with a wet haddock and
it will keep me in Oil of Ulay until well after the Millenium.
The only snag is that I can't touch it until my birthday - August
31st - which thus rules out any chance of my buying a round at
the Ping come the 16th of this month. And before anyone asks,
I'm not going to the Blackpool bash in October! And besides,
there are some important charity donations that I have to consider,
among them the QMHRRB and the Royal Society for the Prevention
of Birds.
The third snippet of news is that my mother rang me at the
weekend to tell me that she is planning a trip to Lourdes. "Lourdes?!"
I screamed. "But you don't even like cricket!" This
went straight over my mother's head, and at this point my father
grabbed the phone from her and shouted: "I don't know why
she's going to Lourdes either; after all there's nothing wrong
with her. Nothing apart from her respiratory problem anyway."
"What respiratory problem?" I asked. "The fact,"
laughed my father, "that the silly cow won't stop breathing!"
My mother shouted: "I'll phone you later", and the
line went dead. (My mother is not the world's greatest joke lover,
and she only ever attempts to tell them herself when she's half-cut
on Tia Maria. And even then she butchers them beyond recognition.
The last one I recall was her attempt at a Mae West one-liner,
which eventually came out as: "Are you going to shoot me
or is that an erect penis in your pocket?", or words to
that effect). Anyway, half an hour later she phoned back. The
upshot was that she wanted to know whether I'd like to accompany
her to Lourdes. "But, touch wood, there's nothing wrong
with me either," I said. "Why should I go to Lourdes?"
"What about your migraines?" she said. "I don't
get that many these days," I replied, "and besides,
knowing my shitty luck, I'd probably go there to cure my headaches
and come back paraplegic." "Well," she said, "you
know that it's not only *physical* ailments that people go to
cure..." I guess that I should have seen this coming, I
know, but the temerity of the woman left me momentarily speechless.
Fumbling for words, I told her that it was out of the question.
"Anyway," I said, "I'm not a great fan of Saint
Bernadette. I much prefer Joan of Arc. In fact, I'd quite like
to *be* like Joan of Arc." "What do you mean?"
she said. "Oh, you know," I replied, "chained
and bound on top of a load of faggots!" And then it was
my turn to put the phone down. Needless to say the offer of a
free trip to Lourdes was withdrawn shortly afterwards.
But easily the most momentous happening of last week was,
without a doubt, the clatter and bang of a closet door bursting
open as Peter 'Dewey' Dewhirst made a mad dash for that other
bus. And how the messages flooded into RATUCS, each one an encomium
from the heart. I've never met Dewey, and up until three weeks
ago I'd never spoken to or corresponded with him either, which
is why I feel so privileged to have been the first 'in the know'.
I have spoken to him quite a lot since, however, and can attest
- along with all those who have actually met him - that he is
a lovely chap, and one whom life has been shortchanging for far
too long. Let's hope it all changes for him now. And that's all
I'm saying on the matter. (I know Dewey's going to the London
gathering on May 16th, and I'm trying to get Terwur to come too.
At this rate there'll be more old queens at the Ping than you'd
find at a royal wedding!)
But enough of this banter! On we go to the update:
What medication, exactly, is Tilly taking? OK, so the oestrogen
supplements we know about, but what else is he popping? He's been
married no more than a month or two and already he's sending photographs
of his wife to a known murderer; I thought you only did that when
you'd been married for a few years and felt like a radical change
of direction. Anyway, there's a method in his madness; not much
of a method, but it will do. He's using Leanne as bait to trap
Darren Whately, the guy who put an end to RBrian all those years
ago. (I don't know about twenty years, but I'd have given the
poor sod a medal). Anyway, Leanne's consternation at this prospect
is such that Tilly has now been forced to phone the prison and
ask the guards to intercept the letter before Whately receives
it. The episode begins with Tilly doing just this, but to no avail:
the letter is on its way to Whateley and nothing can stop it.
Understandably, Leanne is shitting bricks, for Whately is due
out of prison any day now. Tilly sighs and simpers and minces
about a bit, arms folded, in an attempt to look both frustrated
and contrite. (He's also wearing a black T-shirt, which sets of
his 'Miss Pears' blond tresses beautifully. Blonde on black is
always I winner, I think, and especially in Tilly's case: after
all, the light gets absorbed by the black and then doesn't have
a chance to bounce off his zit like it usually does). At the end
of the scene, Ashley descends the stairs to announce that he is
off to work and planning to see Zoe in his lunch break. Tilly
and Leanne both ask him to give her their regards.
In the backroom of the Rovers, Vera is serving breakfast to
"Lusty Jack Johnson": four rashers of bacon, three eggs
- and a mug of ale, brought in by Betty Williams. Vera wants Jack
to hump some crates, but since he's in "Lusty Jack"
mode there's no chance of that. (Now we know Vera is not the brightest
of bunnies, with an IQ barely higher than room temperature, but
given the number of scams that Jack has pulled in the past, hasn't
she realised yet that all this Lusty Jack business is simply a
ploy to avoid work? Even Betty Williams has twigged, and she makes
Forrest Gump look like Plato). Vera asks Betty whether she'll
hump the crates instead, whereupon Betty replies that she can't
hump anything, not at her age anyway. Lusty says that he thinks
he'll have a bath, which Vera asks Betty to run for him. "How
about if I run him a cold bath and push him under?" Betty
asks. "I could do *that*"
At the Weatherfield Home for the Eternally Bewildered, Zoe
is in some kind of day room, looking out the window. The door
opens, for it is Ashley. Zoe is pleased to see him and smiles
affectionately. She tells him that she's been looking at the bird's
nest in the tree outside her window; she thinks it's a blackbird,
and it's been pulling up worms. (I'm sure that there was meant
to be something deeply meaningful in this, but I couldn't quite
get it. Answers, please, on a postcard). Anyway, the good news
is that her section will soon be over and she will be released
within a day or two. She also asks whether Ashley thinks Judeh
would come to see her once she's out. For Zoe is now a remorseful
little poppet with some apologising and explaining to do. (Hopefully
she'll also get her hair seen to, although I have to say that
even in this dire state it is probably better than anything that's
ever emerged from 'Hair by Fiona').
At the hospital, Steve is keeping vigil by Jim's bedside -
you know, one of those vigils where you sit next to someone in
a vegetative state and read the paper. Before long, La Mouton
appears. (This was a priceless moment in our house, for just as
La Mouton appeared on the screen, a car alarm in our street went
off and C shouted: "Trollope alert! Trollope alert!' No?
Well I suppose you had to be there.) Anyway, La Mouton wants to
know what's happening. "Has he moved or made any sound? Has
anyone been in to see him?" she asks. "Only the nurse
in blue with the curly hair," says Steve. La Mouton can't
stand it any longer; she wants to know what's happening, and what
chance Jim has of recovery. Steve, ever the optimist says: "Well
it doesn't look very good to me." He then proceeds to cast
aspersions on the comatose brickie's integrity. "Maybe he's
not in a coma at all," Steve suggests. "Maybe he's just
putting it on, just to get his own back." (Priceless line
this, coming from someone who acts as though he is actually in
a coma while pretending to be conscious). Liz is incensed at the
very notion. "What have you been saying to him?" she
screeches. "Nothing," says Steve. "Since he's in
a coma, I didn't think there was any point." Liz can stand
the uncertainty no more and goes off to find a doctor who can
put her mind at rest.
At the Mallet residence, Ashley is telling Judeh all about
his visit to see Zoe. Both of them admit to feeling just a tad
guilty, with Judy claiming that she also holds herself partly
responsible for what has happened. Her face light up, however,
when Ashley says that Zoe wants to see her when she is released
from hospital.
Back at the hospital, La Mouton has buttonholed a consultant
and is grilling him on Jim's chances of recovery. The consultant
says there is no reason why Jim should not make a full recovery.
He cannot promise anything, however. (All I'd want to know if
I were La Mouton is "If Jim recovers, will he ever say 'so
it is' again? Will he call Alec 'Sandy', or Gary 'Scooby'? And
will he ever wear that manky old tank-top again? If so, pull the
sodding plug out now!"). The consultant says that it is early
days, and that they're doing everything they can for him. La Mouton
wants to know what will happen if Jim stays like this forever,
and that she needs to be prepared for the worst. "Nothing
will be done without your consent," says the consultant.
"You mean, turn off the machines?" asks Steve, hopefully.
La Mouton ignores Steve and asks the consultant whether Jim's
memory will be affected. (This is an obvious side-swipe at Cadaver
Boy, whose only wish, if Jim has to survive at all, is that he
do so with total amnesia). The consultant says that there is no
reason why Jim's memory will be affected. (How tragic! I mean,
would you like to come out of a coma and remember that you're
an alcoholic brickie with no job and even less dress sense? Poor
bugger - stay where you are, mate, you've got more going for you.)
Anyway, the consultant says that they should be prepared for anything,
and that if it does come down to turning off the life-support
machine, it will be a decision for Jim's next-of-kin to make.
Steve looks at La Mouton, and La Mouton looks at Steve. "That's
you," she says. "It's *your* decision."
Back at the Rovers, Natalie tells Vera that the bitter has
finished and the barrel needs changing. Vera asks Jack to do it,
but naturally at this very moment he regresses back to Lusty Jack
Johnson. Lusty, of course, does not know the meaning of the word
'work'; moreover, he feels faint and needs fresh air. Slyly stuffing
a packet of fags into his pocket, he announces his decision to
go walking 'on the heath'. As he leaves, Vera asks Natalie to
change the barrel. "If I break my ankle doing it," says
Natalie, "I'll sue that hypnotherapist". (Funny Natalie
should mention breaking her ankle, because Ruth Carey twisted
hers badly yesterday, sliding down a barrister).
At this point, our old mate Roy walks in, bag in hand. He's
come for a bottle of cider, but not to drink, oh no. Out of his
trusty bag he fishes a cookery book ("How We Used To Eat")
of ancient recipes, one of which - Port Wellington? Pork Wellington?
- is cooked in cider. "It's a dish they used to eat in Lusty
Jack's time," says Roy. "I'm sure he'd know it."
Roy then throws caution to the wind and asks Vera whether she's
convinced that Lusty Jack is a real character or just a Jack Duckworth
scam. "Oh yes," says Vera, "he's in a time warp
alright!" Roy points out the fact that when he quizzed Jack
on certain historical facts - such as the nationality of Bonnie
Prince Charlie - Jack gave all the wrong answers. Vera wonders
why, given that the aforementioned Prince passed through Weatherfield
only last year to open the new abattoir. "No, not Prince
Charles!" says Betty, "but Bonnie Prince Charlie, from
hundreds of years ago." Gradually Vera twigs on that Jack
has been lying all along, and that Lusty Jack is just a figment
of his twisted imagination. "I'll take that," says Vera,
snatching the recipe book from Roy's hand, and disappears into
the backroom to cook up a storm.
Back at the hospital, Steve is wolfing down loads of humble
pie as he shows contrition for pushing Jim through the scaffolding.
"I'm sorry, forgive me. I didn't want it to work out like
this," he says. "How was I to know that the scaffolding
would give way and you would fall?" Jim lies motionless,
as we have come to expect. Steve, who is not used to apologies
of any shape, size or colour, is exasperated at his father's silence:
here he is, begging forgiveness, and no-one can hear him. "Can't
you just twitch or something to show me that you can hear me?"
he says. (Wonderful! "Can't you just twitch"? Who does
Steve think is lying there, Martin Platt?). And then, with no
further ado, Steve gives up the apologies as a bad job and reverts
to type. "Anyway, what did you think you were doing, climbing
up that scaffold full of booze? What do you expect? You were looking
for trouble! And now you're putting me through all this! Well,
I'm not to blame - it's all your fault, do you hear!!" By
this time, Steve is ranting, and when La Mouton appears, as she
does towards the end of Steve's diatribe, she is furious. "What
the hell is going on?" she screeches. The McDonalds are wonderful,
aren't they? Tragedies like this usually unite them, but not so
with the McDonalds. And I thought *my* family was dysfunctional!
Christ, the McDonalds make the Borgias look like the Osmonds.
Back at the Rovers, Vera is making a mysterious phone call.
All I'll say is that it involves feathers...
(And no, it wasn't a kinky phone call. Feathers aren't kinky,
they're just erotic. The difference between erotic and kinky?
Well, using a feather on your lover is erotic; using the whole
chicken is kinky).
Lusty Jack, meanwhile, is getting ready for a night of "drinking,
wenching and the dogs" (so he's taking Sam and Natalie, then?).
Vera, however, has other plans. She plays along with him, humouring
him as much as she can. She tells him that she hopes he'll enjoy
his night out, but not before he has had his tea. "By the
way," she says, "when you're out tonight, you might
bump into Bonnie Prince Charlie. You know, the Young Pretender."
Lusty Jack nods. "As opposed to the 'Old Pretender',"
says Vera, with a thinly-disguised snarl in her voice. And then
she places a plate in front of Jack, filled to the brim with some
kind of meat pie and potatoes. "It's an ancient recipe,"
she trills, "given to me by Roy Plomley. Tuck in; it's a
banquet!" Jack tucks in and licks his lips in appreciation.
"It's delicious," he says, "what is it? Rabbit?
Pheasant?"
"No," screams Vera, "it's PIGEON!!"
Out in the bar, Natalie is trying her hardest to be nice to
Sam, but it is an uphill battle. Natalie says: "Why don't
you go and have a cup of tea; I can manage on my own." "Clever
you!" snarls Sam, flouncing off to the till. "You're
blowing this all up out of proportion," says Natalie. "Really?"
says Sam. "Well, I know you, and I know Des, and I wasn't
born yesterday." (Oooh, get *her*! This is handbags at ten
paces territory, and no mistake). Later, when Des comes into the
Rovers and Natalie invites him over for the weekend, Sam ostensibly
does an about-turn and actually brings over three drinks: one
for herself, one for Natalie and one for Des. "Here's wishing
you both everything you wish for yourselves," says Sam, with
a falsely saccharine smile on her face. Natalie and Des thank
her and return the smile, but as Samantha retreats to her place
by the till, a look of pure venom fills her face. Natalie and
Des sip their drinks (red wine, ominously), and Natalie remarks
that it's funny how Des waited until she'd had a sip before chancing
it himself. (I don't think that being poisoned by Sam was what
made Des hesitate. No, I think he was fast-forwarding his lecherous
little brain to the weekend, and his rendezvous with Natalie.
And how he'd better get a move on before the shops shut so he
could buy a pound of bananas and start practicing throwing them
up the High Sreet).
Also in the Rovers are Gareh and Judeh. Judeh tells Gareh about
Ashley's visit to Zoe, and says that Zoe wants to see her when
she comes out. Gareh doesn't think that it's a good idea. "I
don't want you being upset," he says. "Not in your condition."
(So is it Judeh's future refusal to see Zoe that precipitates
next week's canal incident? I wonder.)
Out in the yard, a distraught Jack is standing by his pigeon
coop, which is totally devoid of pigeons. Lots of feathers over
the place, but not a pigeon in site. Yes, Mistress Vera has used
the pigeons to make Lusty Jack's pie, which is now about to make
a reappearance, if Jack's bilious countenance is anything to go
by. "You took them all? he says. "Yes," gloats
Vera: "tiny little things they were; hardly enough to fill
a pie!" "Murderess!" cries Jack. "Con-man!"
screams Vera. And as Vera storms off, the Lusty Jack farce comes
to a merciful end. (And for those of you with sensitive natures,
I assure you that stunt pigeons were used in this scene).
And finally, La Mouton and Steve discuss Jim's coma ... zzzzzzzzzzzzzzzzzzzzzz..
AS I SEE IT
I'd love to regale you with more hot gossip from the wilds
of Durham, but I must rush. Glenda's surprise guest has just
arrived and I am off to speak with that person on the telephone.
I'm so excited - and there's not even a man in the room!!
See you next seek,
Love, CP
Friday 8 May
Hi there again folks!
Friday seems to come round so quickly - I can't believe that
it was a whole week ago, there I was knackered out of my skull
after a hard week (don't get excited CP!) and here we are at
the same point one week on, wellied again. It's been an extremely
tiring fortnight - I've spent virtually all day at my biggest
client's doing the annual pension review for the workforce -
it's pretty intensive work but very satisfying and enjoyable
nevertheless. Anyway, now comes the tedious bit, the consequential
sorting out of the tons of paperwork which follows these meetings
and that's something which I never look forward to..... I must
admit we're ready for our short break in a couple of weeks and
I'll be pleased to get away from the paperchase.
Another nice week on the net, getting friendly with the folk
on the #coro_street chatline - they really are such a nice bunch.
As Greggy said in one of his kind postings on RATUCS, it doesn't
take long for you to be accepted as one of the regulars on there.
I thought his comment regarding the Canadian National inferiority
complex was an interesting statement - obviously the Canucks
have to contend with the issue of a large dominant neighbour
alongside. Of course, that was the same sort of problem experienced
by the Poles (no cracks, CP!) - maybe this is one of the reasons
why the Poles always had such a great affinity for Canada - only
they had two dominant powers to think about, namely, the Krauts
and Ruskis (no offence intended as regards the Germans, although
I reserve my position as regards the other lot!!).
My dad was actually born in Prussia in 1907, before Poland
rose again after the First World War - even though the family
was Polish, the old country had not existed for over a hundred
years, so his first language was German - consequently, it was
only after the war had ended that he started learning his native
tongue, Polish. After the Second World War, he was faced with
learning another language, English, as he was a refugee fleeing
from the Russian advances from the east - he had a choice of
Canada, USA, or UK to emigrate to and I often wonder what would
have happened, had he chosen one of the other two options. As
he met my mother in the UK, no doubt, someone else would be doing
these updates, as they never would have met and I would never
have been born - wonderful is fate, isn't it!
At home, with both parents being Polish, that was the language
we used, although I would listen to the radio, quite oblivious
of the fact that I was listening to something in English. That
situation subsequently led to some amusing consequences, though
I didn't quite see it that way at the time!
Primary education in the UK starts at the age of 5, whereas
it was at age 7 in Poland. Consequently, when I was about 6,
there was a knock on the door and standing outside, there was
the schools inspector, asking my folks why I wasn't at school
- "because he's not 7, that's why" was my dad's helpful
reply. Well, the following week, amends were made when I presented
myself at the local primary school. I can still remember very
clearly, the teacher asking me a question on the first day -
I understood her perfectly well. However this was more than my
class could say about me, because, apparently, my response consisted
of a totally random mix of Polish and English words - now, ask
yourself, how was *I* to know there were two different languages?
It certainly didn't help my childhood shyness when the class
just fell about in laughter as I made an unwitting prat of myself
in front of them all.
Remember, in those days, I was Zbigniew - as I keep telling
CP, there's a "BIG" Pole in me (certainly in the middle
of my name) - Milewczyk, so not only could they not understand
what the hell I was talking about, but they couldn't pronounce
or spell either my first name or my surname. By the time a couple
of years had elapsed, I'd had enough - I decided to adopt an
English name, so I chose Alan, just to make it easy for the linguistically-challenged
Brits. Alas, they still can't spell my name and I now get all
sorts of variations including Allan, Allen, Alun, etc. etc. At
times, you wonder why the hell you bother!
Anyway, following this kind of experience, I guess the national
insecurity to which Greggy refers is something I can relate to
- not that the Canucks have anything to worry about, as far as
I'm concerned - as I said earlier, what a tremendous friendly
bunch. Partway through typing this update, I joined the Friday
night weekly quiz for the second time and thoroughly enjoyed
myself even though my cybermate Roofy had deserted me and had
decided to have an early night - you missed out on a good 'un
R Kid. And CP (aka as Seepi), your ears must have been burning,
if nothing else - by the way, I do hope the rash clears up soon!
Forget your "Friday nights in" (ahem... ) with your
boyfriend and get a real life, CP, join us - you'll enjoy it
and I know that your presence will be appreciated and enjoyed
by the others... Must be far better than the pleasures of the
flesh to which you regularly succumb!
It was also good to spread a few Fred Elliott wave files across
the net during the session and to extend my collection of wave
files at this end. As some of the people out there were also
fans of Father Ted and Red Dwarf, that was another of life's
added bonuses!
One thing I must have a gripe about though, is that one of
the joint winners of the quiz was our own anorak, Graham Allsopp
- I am convinced it was a fix, through and through and always
thought that the management and staff were not allowed to partake
in these competitions! Anyway - well done, G and PK!
Yes, there was a real party atmosphere and I can thoroughly
recommend anyone wanting a good time to tune in to the #coro_street
channel on Dalnet Saturday morning at 0100 UK local time (Friday
night 2000 Eastern Time). The climax of the evening was the girls
treating me to a cyberspace initiation ceremony during which
I had my pants removed and all sorts of unmentionable things
done to me - they got me dressed in some skimpy outfit and dolled
me up with garish lipstick, etc. etc. - now poncing about on
a Friday night looking like a tart out for business isn't what
I normally get up to, but, no doubt, CP would have felt very
at home! That apart, suffice to say, I'll be back next week for
more! In case, you are wondering, my wife missed it all as she
was asleep snoring away on the room next door, only briefly woken
up by a thunderstorm partway through the night - it is with good
reason that she is called Snora Batty in this household - bless
her!
The following night, I finally got round to something which
I've been meaning to do for a while. I set up NetMeeting - this
programme is part of the Internet Explorer 4 suite and enables
you to talk to someone through the net - talk as in telephone,
except you use a microphone to speak into and plug in a headset
or loudspeakers. What prompted me was that the perfidious Perfidia
(aka as Kathleen McBride), whom regulars on the corrie channel
will know very well, had mentioned to me that she'd set it up
on her system. Well, she's the first to admit she's technologically
challenged (her quote about PCs was "wow - sound out of
loudspeakers!"), so I thought that if she can get it going
then it really was time I made a move. Pleased to report that
all went swimmingly and in no time I was talking to the Sex Goddess
herself.
Together with ICQ, which makes the connection process easy,
this is a great way to talk to someone while you are on IRC.
The only thing was that, periodically, I lost my Internet connection
and found that I was unable to play sound waves but that's a
minor problem really. I do hope those of you in IRC land will
get a microphone and hook it into your PC sound system and join
us - you do need to have a reasonably powerful PC, around Pentium
150 or upwards, running Windows 95. Although you are restricted
to just two parties at any one time in this type of conversation,
you can switch between others in the group. Many thanks, incidentally,
to Yukon Mike, for his technical help on Sunday night. We certainly
had a great time and NetMeeting has added to the quality of the
experience - for heaven's sake, Kath, don't let Woody find out,
as I am in enough trouble with my wife for having the sound system
on at 1 o'clock in the morning and I really don't fancy having
my teeth punched in by a jealous husband as well ......
Anyway, onto business. Friday's episode sponsored by Cadbury's
TimeOut.
The episode starts with Tilly being woken up chez Maison Peacock,
by Ashley - he has spent the night on the settee downstairs after
being a real plonker and exposing Leanne to unwarranted risk.
You will recall that he is obsessed with entrapping his father's
killer and, unbeknown to Leanne, had sent a letter under her name
to Prisoner Whately, enclosing Leanne's photo - she had previously
written to Whately, at Nick's inisistence, saying that she felt
sorry for him and the prisoner had subsequently written back all
friendly like, also saying he didn't get many letters. Anyway,
Leanne wasn't too chuffed and he spent the night in the doghouse,
well, on the settee, anyway. Ashley tells him that Zoe is due
out today and that she doesn't want any aggro, not to see Tilly
and Leanne scrapping. Tilly is surprised that Zoe is being let
out so early, but Ashley comments, in an exasperated manner, that
they have obviously been too preoccupied to notice what's going
on. Anyway, in his own masterful way, R Ash tells Tilly to "get
it sorted, right?" Then, pulling out a trick from the housewife's
book of "Really letting you know that you're in the doghouse",
Ash puts on the vacuum cleaner, much to Tilly's annoyance.
We move to The Rovers, where Orangina is telling Vera that
she owes Curly a large drink, as Curly was nearly ready to come
round to the Rovers with a shotgun and give Vera a taste of her
own medicine, after Jack had spent the night on Curly's sofa,
sulking. She explains what's been happening to Nasty Spumante,
who has just come in - you will remember that Jack had "enjoyed"
pigeon pie the previous evening and was convinced he had eaten
his own pigeons, apparently, duly slaughtered by Vera after she
rumbled his "Lusty Jack" ruse. "Shocked him out
of his trams, you should have seen his face" is V's jubilant
recollection of when she told Jack what she'd done.
Nasty asks what V really did with them, as Jack enters, on
cue, "that's what I want to know." "Oh, look what
the cat's dragged in" is V's greeting to which Jack replies
"beware Vera, you are drinking at the last chance saloon"
- this said with a fag in his mouth (the British type not the
North American). Vera comments on his lapse, likens him to a beagle
and suggests that he might want to put one in each ear. He tells
her that he'll need tranquillisers and reckons that, surely, even
she could not be so callous as to have slaughtered the pigeons.
Vera comes clean - they are with Jamie and Ray - now those names
are blasts from the past! She suggests that they will have no
problems finding their way back "they'll just follow the
smoke signals" referring to Jack smoking again! Jack says
this is not the end of the matter and storms out, while Nasty
comments that he needs to watch his step otherwise he'll spend
another night on Curly's sofa. Orangina expresses her horror "God,
I hope not, he snores worse than........ you do!" "Hey,
you cheeky mare, and here's me thinking you and me were mates
again" is Spumante's reply. "We are" maintains
Orangina, "it's the type of thing only a mate would tell
you" to which Nasty interjects "like BO or spinach in
your teeth". She then thanks Samantha for buying her and
Des a drink last night, but Sammy makes light of the gesture and
when Nasty says she wants things back to normal between them,
Orangina agrees that this is what she wants... why do we get the
feeling though, that there is a hidden agenda somewhere here?
R Ash is chez Middleton telling her that Zoe is due back and
he wants her to feel normal again. He explains that Zoe has cut
her own hair - Frosty Fiona doesn't actually grasp the full meaning
behind the statement, thinking that it was just a trim of the
"wonky fringe syndrome" or something like that, but
Ash disabuses her of this notion. "Well, we all like a challenge,
don't we, eh?" is her euphemistic reply when she realises
the scope of the creativity which she will need to bring into
play. She reassures him that Zoe will be in safe hands. She tells
him that Zoe is "a lucky girl, you know, Ashley... to have
you, I mean". At this point, it suddenly occurred to me that
Ashley is actually the Street's male equivalent to St. Emilion
- supporter of deadlegs and lost causes and someone who won't
say a bad word about anyone.
As he goes out, Muppet 2 aka Mattress Maxine, begs Frosty not
to make her do it, but Fiona insists that all Maxine has to do
is to cut Zoe's hair and she will give Zoe a manicure herself
when she's finished doing Vera - Max suggests a swap but Fi turns
her down, saying that Zoe is just another customer. "But
she's not though, is she?" is Max's reply "She's Zoe.....
Mad Zoe!" in what is the night's most cutting bitchy remark.
Fi points out that Zoe's daughter has died, she's had a week away,
but when she comes through the door, they are going to treat her
like any other customer. "All right! All right! Kind of limits
the conversation, though, doesn't it, been anywhere nice on your
holidays?" is Max's riposte, which has got to be the funniest
parody of the conversational limit of the hairdressing fraternity
I've come across in a long while. When Fi slaps her down and tells
her that she is serious, Max knuckles under and tells her that
she will be "sweetness and light". Maude Grimes is having
her hair done and comments ruefully "Now that, I'd like to
see!"
Des comes into The Kabin - Leanne is on her own, as Rita has
gone to the wholesaler's. He jokingly suggests that she capitalises
on her bit of peace, saying he'd have his feet up and his face
full of sweets, if it were him. Leanne tells him that she can't
because you never know who is going to walk through the door.
He tells her to look on the bright side, it might be Brad Pitt
and she comments sardonically that now she realises the reason
for taking the job!
As he leaves the shop, Tilly comes in with humble pie, actually,
with a bunch of flowers! She tells him not to waste his breath
but he is full of remorse - he tells her that he just didn't think
- now, for any parents of teenage sons, this will come as little
surprise, it's their normal state of mind! For girls, we all know,
are light years ahead in the maturity stakes at that stage in
life, so when Leanne replies "yeah and you're not thinking
now, so you can take these... and stick 'em" and throws the
flowers back at his, you realise that Lesson One in "How
to soft soap your partner" failed miserably and, it going
to have to be a case of "back to the drawing board"
for our Plank! "I could be murdered in me bed - a bunch of
poxy flowers won't protect me" she continues. When Tilly
accuses her of exaggerating and asks her why would Whately want
to murder her, she plays the ace by telling him "'cos it's
what murderers do!" He tries to reassure her that Whately
is in prison and could be there for years, but Leanne suggests
that equally, it could just be days, it has to be soon, otherwise
they would not have let him visit his college. Tilly continues
to try to make his case, suggesting that he might not come after
her, that it was an old photo, but she points out that he just
hasn't grasped what's been going on - he could come after her
and she hasn't the faintest idea of what he looks like. She is
very upset and tells him to leave.
We are at Weatherfield General and its the Reverse Lobotomy
department - donor Steve "Plasticine Head" Hamburger
comes in to join Frizzy Lizzie by Yer Wee Mon's bedside. She tells
him that he was wrong about her last night - however, he doesn't
think so, but she continues to try to persuade him otherwise telling
him that she was upset. She doesn't want them to fall out, commenting
that they are all Jim has got. Quite honestly, if I were in that
position, I'd beg them to pull the plug, but there is a storyline
to get across somewhere here, so the writers resist this piece
of malicious temptation. In response to Steve's enquiry, Frizzie
tells him that there is no change in Jimbo's condition. She then
gets into sloppy sentimental mood recollecting how she first met
him and the first thing she noticed about him swaggering down
the street was his moustache - presumably the fact that he was
allegedly hung like a baboon followed later. She reminisces about
the twinkle in his eye - no twinkle, I think, I'd be reduced to
tears if I espied La Mouton, but this, presumably, was when she
was just a lamb! In a strange statement from a strange woman,
she comments that he looks smaller, shorter, thinner, everything
about him (presumably she's looked there as well).
The sick bowl is then passed around the room, as she asks Steve
what was the first thing he can remember. You think he's going
to tell her that Jimbo was obviously the character upon which
Father "Drink!" Jack was based and his recollection
of pa being permanently smashed, but we get the schmalzier version.
He recalls him and Andy at the age of 4, playing horsey and the
time when they went to Ireland for Christmas - when Jim and Uncle
Bill fell into the Christmas tree. Frizzie tries to convince Steve
that Jim was a good dad "you won't let yourself believe it,
will you?". Steve tries to tells her that all he was doing
was recalling his first memories - he's not slagging him off,
adding that it was one of the best Christmases they had ever had.
"But the only thing you can remember is him getting drunk
and acting daft" is her annoyed response. He tells her that
he is merely recalling what he remembers of him and that he is
not trying to make him into a saint, but comments that, after
all, she did divorce him "as you were so keen to remind me."
She tells him that she's not going to let a piece of paper make
her forget the good things - it brings to mind Dean Martin's statement
on the biggest joy of life being the morning's bowel movement
followed by the paper.... (well, I added the bit about the paper,
anyway, just to complete a cheap jibe)..... Anyway, after this
dose of saccharine, she points out that Steve and Jim had been
at each others throats so much, even if he is Jim's next of kin,
he is the last person they should be talking to about pulling
the plug.
Ashley has brought Mad Zoe back home. She has had a personality
transformation, obviously regressing back to another life and
is cheerful and smiling. Tilly makes small talk as he welcomes
her home, commenting that Ashley had been cracking the whip all
morning to get the place tidied up. Ashley sees Tilly's flowers,
the ones rejected by Leanne, and wrongly comes to the conclusion
that Tilly has bought them for Zoe. He really is a saint, that
lad, never a bad word for anyone. Leanne pops in from the Kabin
to join the welcome party, commenting that she thought she heard
the van, as Zoe takes on a sense of humour - "seen the men
in white coats, as well?" she asks. Leanne corrects the reference
explaining that it was St. Ashley's van to which she was referring.
She asks how Zoe is - she comments that Zoe has lost weight and
asks whether "they've been feeding you properly" which
is the sort of mumsy thing that mums say to their sons after they've
left home and got married. "Well, it's better than your cooking"
is Zoe's jestful reply - I dunno what she's on, but I'm having
some of that! Leanne suggests that Zoe might like to lie down
but Zoe doesn't want to. She then asks what Zoe is going to be
doing in the afternoon - Zoe's reply that she has taken up basket
weaving, so she'll probably do a bit of that - this completely
throws Leanne, until Zoe makes it clear that it was a joke. How
we laughed! Leanne tells her that she must go back to work, suggesting
that Zoe and St. Ashley must have lots of catching up to do, but
Zoe clearly doesn't and asks what their news is..... pause for
embarrassed silence as Leanne tries to skirt round their problems
by laughing nervously and saying "oh well, you know! ....
Nothing much!"
Back at "Fringes by Fiona", Vera is planning her
revenge for Lusty Jack's stunt. She tells everyone she feels like
Carole Lombard - she is told by Mattress the Muppet that she looks
a million dollars and she replies that she needs to do so, where
they are going tonight. "It's nine pound fifty for a starter...
our Jack won't know what's hit him when he gets the bill in the
morning...still, I'm owed it" is her determined statement.
When she leaves the salon, Fiona tells Zoe that she has put
some conditioner on her hair and while they are waiting for that
to work miracles, Maxine will sort out her manicure. Mattress
is busy picking her nose, well, any excuse to get out of dealing
with mad Zoe - Frosty buys the excuse. She decides to do the biz
herself and brings Morgue (great name for a kid) over in his carrycot
alongside Zoe. It's little things like this that make you realise
that Frosty is a couple of sarnies short of a picnic as the happy
duo go into baby talk mode. We then leap into banal manicure mode
as the virtues of Cuban Jelly as well as the fine points of Quantum
Mechanics and Particle Physics are explained to Zoe by Frosty
with the recommendation that she needs to start looking after
herself "even if it is just for Ashley's sake". Morgue
is purring and simpering and whimpering and slowly coming to the
boil - it's feeding time, so Frosty asks Mattress to take over
while she takes Morgue upstairs to prepare his bottle, leaving
Zoe in the care of Mindless Muppet.
"So, do you think you and Ashley will get a holiday this
year" is the Mattresses opening gambit in her second classic
one-liner of the night.
We are in The Rovers - Fred, I say, Fred, Elliott comes in
and offers to buy Des a drink, oblivious of the fact that Lusty
Jack has been rumbled. "Now then Tavernkeeper, a formian
flagon of your finest ale for this trusty young vagabond... and
a drop of Bonnie Prince Charlie's favourite for myself.. and at
1746 prices, if you can see your way clear" is Fred's order,
as Jack tries to bring him up to date. "Fred, there is a
polite notice up there, that says 'Please don't ask for drinks
at 1746 prices because a punch in the mouth often offends'"....
He tells Sam to serve a bewildered Fred "while he still has
a full set of teeth".
Back at "Fringes by Fiona" it's coffee time - they
are out of milk and Frosty decides to go out and get some. Mattress
asks if she can get a doughnut while she is out, prompting Frosty
to comment on her uncertainty as to who is actually the boss in
the place. She offers to get something for Zoe, if she wishes
.... Do I hear paraquat, deadly nightshade, arsenic, anyone? Ah
well, never mind! Zoe's not bothered - but then she never was!
Frosty temporarily leaves the shop, as Mattress has just finished
putting on the undercoat, which now needs ten minutes to dry.
Presumably, when the damp has dried out, we'll be ready to put
on the wallpaper, or maybe even a paper bag round Zoe's head.
She offers her something to read while the paint dries.....the
phone rings. Mattress answers it to find that it's Mogadon Man,
aka as Greg. "Long time no see - 24 hours without you, that's
a century in my book." She turns her back on Zoe and starts
discussing the finer points of shagging and whose turn it is to
deal the cards in the next round of Strip Poker. She recommends
an aromatherapy massage to clear the worries of a stressful day
"the full works.... me, of course" is her reference
to whose fingers will be doing the talking and walking. "Hey,
people travel miles for my massage, well, actually, old biddies
with chillblains... ohh Grrreggg, I'll pretend I didn't hear that"
is her response to what is presumably an enquiry as to what optional
"extras" are available from Mattress the Masseuse. She
suggests a lovely Orange and Geranium Oil she could use, which
appears to be particularly efficacious for those who have had
a stressful day. She then whispers about the other potent options
including one which is an aphrodisiac! You have to remember that
she's a real goer and there's probably not many men that wouldn't,
even if it wasn't particularly stimulating intellectually, but
then, you know what they say about looking at mantelpieces and
debating the finer points of Greek mythology, while stoking (or
was it, poking) the fire. Anyway, during all of this, The Mad
Zoe has been eyeing up Morgue. She picks him up, holds him and,
after a few seconds, with Mattresses back still turned, she takes
him out of the salon.
End of part 1
Nothing of any note here, but I must just mention probably
the worst advert for years - this is the ad for Danish Bacon,
featuring Peter Schmeichel, the Manchester United goalkeeper.
Footballers have never been noted for their singing skills, but
this particular Great Dane stars in what is probably the most
painful example that I have had the misfortune to hear for years.
Now my wife reliably informs me that he has one of the best backsides
in football and when you get someone whose taste in men is as
finely attuned as CP's, who am I to argue? It certainly explains
an item regularly on her shopping list, i.e. a pound of best Smoked
Danish Back... BTW, I would point out that just because my wife
fancies me and Peter, I wouldn't want CP to show any similar interest
in me. But, anyway, this advert is truly dreadful and must rank
among the all-time grates (yes, I did spell that correctly)! It
is worth seeking out, just to see and hear how awful it actually
is, but something like kaolin and morphine is needed to settle
the stomach first.
Part 2
Maxine is still on the phone gently working herself up to orgasm
(so this is what telephone sex is all about?) as Frosty comes
back. Being a particularly observant sort, Frosty notices that
no aardvarks were involved in accidents on the M6 motorway today,
but that "Morgue is Missing"! When she turns round,
Mattress realises that something is seriously amiss - well, it's
Morgue and he's not a Miss, he's a Master and he's missing - well,
you get the drift anyway... She slams the phone down in what must
be one of the most painful examples of coitus interruptus ever
witnessed on television. Cut off in mid flow, as it were... poor
Greg! Well, you know what I mean, fellas!
Frosty rushes out into The Street closely followed by the Mattress.
It's the first question in the Intelligence Test "Where are
they, Max?" and, yes, you've guessed it, Max fails miserably.
She says she just turned her back on them for a moment, explaining
she was on the phone to Greg. "Stuff Greg" is Frosty's
frosty response. Maxine could and would give any opportunity and
will, but clearly, not right now.
We are at the canal. Mad Zoe has Morgue in her arms. This is
the place where Samir met his grizzly death, probably even the
place where Des set fire to his boat, after being jilted by his
ex-wife. The place carries the warning notice "nasty horrible
things happen here to people and here comes Zoe who is going to
do even more nasty horrible things because she's gone Lala into
Tellytubbie Land". At this point, I must just mention a bright
spark at my wife's Primary school who talked about enjoying Tellytubbles
for his dinner - they didn't know whether it was his vegetables
he was referring to, or Tellytubbies or what - obviously an inmate
at Dame Edna's School for the Permanently Bewildered! Mad Zoe
is rabbitting on about how much better it is here away from that
stuffy shop - she is going to take Morgue to Shannon's favourite
place. They are going to look at the ducks.
We are at Peacock Mansions - the two Muppets have burst in
demanding to know whether the Mad Axewoman is, but Tilly, Leanne
and Ashley don't know. Yep, the three wise monkeys "Hear
no evil", "See no evil" and "Speak no evil"!
Candidates for MENSA all three... Ashley says that Zoe wouldn't
hurt Morgan. Mattress is saying that they can't have just disappeared
- now when you know that this is exactly what has happened and
that this statement is a load of crap, such a statement is bound
to get you worked up - which it does. "Will you stop saying
that" snaps Frosty as she decides to call the Police. St.
Ashley is convinced that Zoe wouldn't harm the baby. Leanne adds
to Zoe's character witness but Frosty doesn't quite see it that
way. Accosting a baby is not fine in her book. She rings the Police
to explain what's happened. She knows who took him "it was
Zoe Ta..ersall", she explains in classic Manky glottal stop.
Maxine is in auto-prat mode repeating statements that have previously
caused upset - and guess what, she does it again! Frosty has had
enough and after a further outburst of emotion, attributes the
blame firmly at Mattresses door - she then rushes out into the
street to look for said son. The remaining cast of the Famous
Five stand around contemplating their navels and decide to join
the hunt - St. Ashley panics as he realises that they need to
find Zoe before the Police do!
Des is being served by Orangina, who is ever so polite and
friendly. Des is, naturally, suspicious and, out of earshot asks
Spumante whether Orangina had a bang on the head this morning.
Alan laughs out loud at another classic witticism to be proposed
for the "Quip of the Day" award. We know she's up to
something is Tango Girl, but what? "You tell me" is
Nasty's puzzled reply as Des explains "she's talking to me
as though she likes me". "I know, hard to believe, isn't
it?" is Nasty's riposte. She goes on tell Des that TG has
given them her blessing "me and you". "But there
is no me and you" is Des' reply. "Yes, I know... but
it's not what she thinks" says our Nasty obviously deciding
that you might as well be hung for Mutton as lamb. "Obviously!"
concludes our testosterone-packed stud as he starts weighing up
the possibilities.
Tilly rushes into The Rovers and accosts R Gareh and R Judeh
- he tells them that Zoe has escaped - Judeh asks if she's done
a runner from the hospital but Tilly explains that she was let
out this morning. The police are on their way, but he needs to
know whether Zoe had any mates or any special places she went
with Shannon. Gareh, ever the masterful man, when his wife will
let him, tells Judeh to stay there while he joins the search.
We are at the canalside again. Mad Zoe is explaining to Morgue
that this was one of Shannon's favourite places - we know this,
dear viewers because Shannon told us this herself!
Meanwhile St. Ashley is reunited with Leanne, Tilly and Gareh
and they discuss where else they could look for Morgue. St. Ashley
is still in "Speak no evil" monkey mode - he is upset
that Zoe is being painted as if she were a baby batterer. Gareh
is rattled with this and accuses him of making excuses for her,
but St. Ashley denies this. "She's sick, they should have
kept her in hospital" Gareh tells him. Leanne points out
that squabbling will not help find Morgue and asks where they
used to take Shannon. Ashley mentions "the park feeding ducks,
the canal, I suppose, sometimes..." "You two take the
canal, me and Nick we'll take the park" says R Gareh. Meanwhile
St. Ashley's "She won't harm the baby, honest!" hit
record is well and truly stuck in that familiar groove. "Let's
just hope you're right" says R Leanne.
The police are at the Salon asking for the most recent photograph
of Morgue. Frosty is exasperated because she's left three messages
on his mobile for Plasticine Head and no reply. She explains to
the Police that Steve is her partner, but no, he is not Morgan's
dad. Now if you have followed some recent real-life cases where
children have been murdered, quite often it has been by the mother's
partner. You wonder whether we could just bribe the scriptwriters
so that Steve goes down for this heinous crime as well, but, alas,
this is Corrie and that sort of miracle is just too much to ask
for! Frosty explains to the Police that the dad was one of "your
lot" but declines to elaborate as it is "a long story".
Mattress suddenly has a brainwave - well, there's always a first
time in your life - how about contacting the hospital because
Steve will be with Jim? Hurrah! However, too little, too late
- no forgiveness from Frosty. "I'm sorry!" grinds on
Mattress endlessly. "The words, they're like are silly little
words rattling round that brainless little skull of yours"
says Frosty as we recall similar conversations with our beloved
son, who is equally fond of that word, judging by the amount of
times it occurs in his vocabulary without any subsequent behavioural
change. Frosty tells her in front of all and sundry that if Zoe
harms Morgue, she will swing for her... and that when she's finished,
she'll coming looking for Maxine. The point hits a bullseye! "Get
out of my face" is Frosty's parting shot.
We are back at Weatherfield General again, so we are.. yep,
Jimbo is still alive and Frizzie and Plasticine Head are maintaining
their vigil. Frizzie tells her darling son that it's obvious that
he doesn't want to be there - taking this as his cue with the
quip that "one martyr's enough in the family" he takes
the opportunity to leave. He lashes out saying that what angers
him is that he is obviously being blamed for the accident - she
says that they have been over and over this and it was an accident.
He decides to come clean, sort of... he says that there wasn't
a bolt out of place, it was Jim "he comes out of the pub
drunk, comes up the scaffolding spoiling for a fight, he throws
a punch at me, I back out of the way, I mean what else would you
do and then he slips over the edge. Didn't even need a helping
hand." Lizzie refuses to accept this rewritten piece of history
but he insists it was exactly like that. He then makes out that
he didn't want to tell her. He maintains that even though she
thinks that he hates his father's guts, in reality he doesn't
- there is just one thing which sticks out in his mind, if it
wasn't Jim, it could be himself lying in that bed. Would that
this were the case....
We are at the canalside. Zoe is talking to Morgue about him
being cold and hungry and taking him back soon. She tells him
that she wishes she had his pram. She lifts up the baby. Across
the bridge we see Leanne and Tilly - they think she's going to
drop the baby into the water and shout out to her not to do it.
As the police sirens wail, we see a policeman running towards
Zoe, with Gareh and Tilly close behind
Cue music and credits
Episode written by Phil Woods (so it said... but apparently
not.) [Cock-up with the New Deal Credits trainee, and they played
Wednesday's credits again. The writer was actually Jan McVerry
- Graham]
Script Copyright ITV Television
Well, how was it for me? Well, first of all, some awards to
hand out, namely:-
Bitchy Comment of the Week to the Mattress for the "Mad
Zoe/holidays" theme. Runner-up award to Des Barnes "Bang
on the head" reference to Orangina.
Bad acting award to The Plank, aka as Nick Tyldesley. He never
fails to disappoint.
Vomit Bowl Award for Personal Looks to Frizzie Lizzie (permanent
winner of this award).
Personality of the decade (not) to Steve "Plasticine
Head" Hamburger (permanent winner of this category).
Services to Humanity (not) to the makers of the hard hat that
the above uses to keep his brain inside his skull - wish they'd
do us all a favour and just let it float away into the ozone,
taking his peanut sized brain with it.
Mean woman of the week - Vera for making out that she'd served
up Pigeon Pie as revenge for Lusty Jack's exploits.
Star of the Decade - Fred, I say Fred, Elliot, just for being
him and brightening up our day. We could do with him being prescribed
on the National Health as a cure for depression.
Cow of the week - Orangina - as false through and through
as her tan, she cannot accept she screwed up her relationship
with Des by screwing Studley and is now intent on wreaking havoc
on Natalie and Des, in some, as yet, unknown way.
On a serious note, some fine acting from Joanne Froggatt as
Zoe, flipping again in the mental health stakes - I might have
made light of some situations in this episode, but as someone
who has recently recognised that he is suffering from depression
and has been for some time, I recognise that we all hang onto
life and sanity by a slim thread at times. She plays the damaged
individual exceptionally well - fine acting from the young actress,
ably and sensitively supported by Steven Arnold as Ashley. Couple
of fine young 'uns there.
How did it rate? Not bad at all, some drama, while not top
notch stuff, all pretty well done and with some nice bits of
humour in the episode.
And that's about it for now - see you same time, same place,
a week from now.
Take care now.... Love and kisses from The Mad Polak
Alan (ICQ UIN 10440270)
Sunday 10 May
So, there I was at the weekend, all fired up and ready to
get this update done on Sunday evening, straight after the show.
And what happens, me and the good Mrs L go out to see a date
movie. Heavens, nearly 13 years married and I am still wooing
the woman ! To save embarrassment, another couple come along
too, but fortunately the cinema is not terribly busy, so I am
spared a couple of hours in the presence of young lovebirds.
Phew. Mind you, this is all a splendid excuse to spend a fair
while pondering whether Gwyneth Paltrow is, as alleged, simply
*too* beautiful. The answer is no. Trust me, I know what I'm
talking about. Hurry along to see "Sliding Doors" if
you get the chance - especially if you are currently exiled and
need an update in genuine British swearing.
I tried again Monday night too, but this time the video was
occupied taping the second half of "The Bodyguard".
What drivel. SWMBO has only seen this about three times already,
but no, we had to record that bit after the news that was on
too late. I think she made me do this because I said "what's
the point - we know the sister did it !".
Last week was local election week here in the UK. The way
this works is that local government close down most of the primary
schools and pay themselves extra salary to officiate therein,
in order for 25% of the electorate to vote and the party officials
to get all worked up about the significance of the results. To
the average parent, it means an unpaid day off to child-mind.
As the weather looked promising, we decided we'd both take the
day off and take the kids to Alton Towers - that downmarket Disney
World as described by CP last week ! Surprisingly, it was really
quiet and everyone had a fab time. With hand on heart, I can
now truthfully say that I have met my Nemesis, but did not feel
inclined to try a ride into Oblivion. I also now know what it
feels like not to take a single breath for over 30 seconds !
As they say, you should try everything once.
Our man high up on the slopes of Everest is not having much
luck with the weather. Over the weekend, their advance camp blew
away. It's easy to forget just how high 29,000 feet is - nearly
6 miles vertically upwards. This is well into the jetstream,
at the height commercial airliners fly at. So we wait to see
whether they will be able to carry on, or have to return home.
Speaking of which, there was a rather grim tale of a middle-aged
Japanese climber who died last week, and the attempts to carry
his body back down - see http://www.independent.co.uk/everest/everest.htm
if you're interested, it's not something for the faint-hearted.
So, we come back to Weatherfield for another Sunday showdown.
Bear with me as I watch this for the first time, while trying
to scribble notes in my own illegible shorthand.
Act 1
Zoe is standing on the middle of a bridge over the canal,
holding baby Morgan, while Leanne and Ashley, and Gary, Nicky
and a policeman arrive at either end, begging her not to harm
the baby. Edging closer, the policeman asks her to put the baby
down on the ground and to step back. She is obviously confused
at their sudden arrival, and all the shouting, but sees Ashley
nodding to her, and lays Morgan down, all the while telling everyone
that she has done nothing wrong, and that the ground is cold and
wet. The policeman rushes forward to pick the baby up. Zoe again
protests that she has done nothing to harm him, and suddenly climbs
onto the bridge parapet.
We cut to Fiona's salon, where the dozy Maxine has arrived
back with the news that Mr Patel has sold a pack of nappies to
a young blonde woman with a baby, "so she can't be meaning
him any harm !". Fiona looks at her as if she is as stupid
as she appears. Judy has some recent photos of the baby and (I
think) Zoe, which she shows to a policewoman who is staying with
Fiona.
Back at the canal, Zoe goes for the triple tuck with a forward
roll. Splash! And disappears from sight. While the judges decide
on scores, and Ashley points out that Zoe can't swim, Gary leaps
in after her. He drags her to the bank, where she is dragged out,
and Nicky puts her into the recovery position. The policeman has
been rather useless throughout.
Meanwhile, in Weatherfield General, Martin is talking to Liz,
who is worried about how little the nursing staff are telling
her. She is also concerned about the likelihood of the doctors
switching off life-support for patients who might have recovered
later. Martin reassures her that these things only happen in the
tabloid press, otherwise there'd be hordes of lawyers chasing
every doctor about. There are plenty of checks, apparently. [They
give the monitor a good bash on the top just in case the flat
line is a wonky tube.] Anyway, Martin tells her that Jim is responding,
which is a good sign. How much faster he would respond if they
moved his bed to the Rovers Return, is something we may never
know the answer to.
Back at Hair by Fiona, everyone is chipping in with their tuppence-worth
about mad Zoe. Judy tells the policewoman how Zoe had stayed with
them after Shannon was born, and Maxine points out how she had
run off with a baby then. We hear that Zoe had no family to speak
of, and how Ashley had taken her in, before her own baby died.
The policewoman asks Fiona if she thinks it might have been a
personal thing between her and Zoe. Everyone then proceeds to
argue over whose fault it really was. [The Muppet, the Muppet
!]
At the canal, Zoe comes round and coughs up half the canal
after Nicky has presumably helped to resuscitate her. [Twenty
Rothmans would've done the trick too... splutter, hack.]
News of Morgan comes over the PC's radio in the salon. He is
OK, but has to be taken to hospital for a routine check-up. Fiona
leaves, as Maxine once again tries to apologise, unsuccessfully,
and blubs. Yawn, look, just clear off with Greg and don't come
back. Ever.
Des enters the Rovers, and finds Natalie on t'other side of
the bar for once, having a quick drink before she is off to the
pictures. Samantha offers to get their drinks, and Des tells her
to get one for herself too. As she brings the drinks over, there
is a strange look on Sam's face. And it's not the fake tan, either.
[Methinks we're in for some Fatal Attraction stuff soon, we'd
better keep a careful eye on the contents of Betty's hotpot.]
Sally and Janice appear, and hear of the snatching. Sally is shocked
as this brings back memories of Rosie going missing. They are
told that Zoe was responsible, as Steve arrives, oblivious to
everything, wanting some drinks to take out. Vera presumes this
is by way of celebrating Morgan's safe return, but as she starts
to say so, Steve realises that all is not well, and rushes off
to the salon to find Fiona.
Ashley is comforting Zoe, but he is also angry and confused
at what she has done, and wants to know why. Zoe continues to
protest that she meant no harm. As Ashley gets angrier, Leanne
tells him to leave Zoe alone. An ambulance arrives to take Morgan
and Zoe to hospital.
Intermission [Isn't technology a wonderful thing ?]
Act 2
Steve arrives at the hospital to find Fiona watching Morgan. A
doctor tells them that the baby is unharmed, and that they are
free to go home whenever they like. A big "family" hug
ensues.
The doctor is now talking to Ashley, who is trying
to explain the background to the current problems. The doctor
tells him that Zoe is physically fine, but mentally distressed,
and that she has been sectioned again. Ashley pleads for her to
be treated with some sympathy. Turning to go, he bumps into Steve
and Fiona. He apologises for Zoe's behaviour, saying again how
she had meant no harm. Fiona tells him to "wake up",
and see what Zoe is really like. She would be happy to see the
girl locked up. Ashley responds with "You've got your baby
back - she'll never see hers again". In the background, Zoe
is led away by the police.
Greg has arrived at the salon, and Maxine is explaining
what has happened. She is worried about being sacked as a result
of her stupidity. She professes "I'm pathetic, immature,
irresponsible, and vacuous !". Better still, she goes to
say how she had had to look up "vacuous" !! Nonsense,
says Greg, "you're lovely !", and gives her a kiss.
[Huu-gh. Ra-lph. Where's those airline bags when you need them
?] Steve and Fiona and Morgan arrive back. Greg tries to take
responsibility as he had kept Maxine on the phone, but Fiona is
uninterested. Two-fifths of what little charisma there is gathered
in the salon, leaves.
Liz is still blethering away to Jim about Andy, still
lost in Spain. As she hold his hand, we see his fingers contract,
but she doesn't notice. She goes on to tell him about Steve and
Fiona and the baby, and how this reminds her of family life when
the twins were young.
Sally and Janice are discussing the drama, and how
Leanne was trying to help Zoe. Gary and Judy arrive in the pub
- he is ready for 10 pints of Vera's finest ale, to take the taste
of the canal away. Janice gives him a big smacker by way of congratulations,
and Sally joins in too. [Fortunately, Kevin is nowhere to be seen,
or we would be in for more hours of moping !]
Natalie is still drinking with Des. By now, she has
missed the start of the film, so Des offers to take her himself
later in the week. Samantha is looking on, and remarks to Vera
on how there is no spark left in Des any more.
Judy cannot understand why Zoe threw herself into the
canal. Maud suggests that Ashley should use the situation to cut
himself loose from the lass.
We see Ashley returning home, having walked all the
way back from the hospital. Leanne offers to get him something
to eat, but he is not hungry. He is shocked at what has happened
- Zoe is going to appear in court in the morning. Leanne wonders
if maybe this isn't for the best, being away for a while to let
everything return to normal. He and Zoe can make a fresh start.
Ashley is starting to think that he has nothing left inside, and
that maybe he would be better off without her. Leanne begs him
to continue to help. "She needs something to live for, and
I don't think I'm it", he concludes.
As Liz is leaving Jim's bedside, he suddenly stirs,
and his eyes open.
This episode was written by Jan McVerry
A strange episode tonight. I feel curiously uninvolved
and unmoved. Perhaps it's the juxtaposition of the interesting
characters with the undead ! Actually, I think it's because I
only had the chance to watch it all through once, stopping and
starting, so that's clearly not working. There's no chance of
me being out next Sunday as well as this week, so look forward
to more a normal update next week. Not fair to make a heap of
awards on the back of this, so:
Overall rating (out of 5 stars): ***
Best line: Did Maxine really describe herself so well
?
Nanu nanu ! John Laird
Monday 11 May
Here we are in Ping Week, and the weather has taken
a turn for the better. It really seems like Spring now, could
well be 25 degrees in London on Saturday.
We'll drink a toast to absent ratucsers on Saturday,
and hope you can join us in Blackpool in October.
It's Friday lunchtime, and I,ve just completed Monday's
update. CP won't be posting Wednesday's until Monday earliest,
so there'll probably be a flurry of update activity on Tuesday
as we catch up.
Apart from some good Les lines, I couldn't get excited
by this episode - I hope I've done it justice though.
We open in Weatherfield General, where Liz is talking
to a still comatose Jim. The consultant is doing his rounds, and
stops to look into Jim's eyes with one of those magnifying torchy
jobs. Liz is excited that Jim squeezed her hand, he must be coming
round. Doctor agrees with her that there is definite improvement.
Postman delivers to the Platt's, and then pauses to
check his remaining deliveries while Leanne looks anxiously from
the window. But it's OK, there's nothing for her in this delivery.
Nick isn't much help, he's cooked bacon and egg, but
Leanne can't eat it because she's eaten up by worries over when
and if a letter arrives from Darren Whately. Rita has been sympathetic,
and has allowed her a couple of hours off. Leanne pushes away
the plate, and a row brews.
Ashley comes in, just at this awkward time. He's going
off to open the shop, and then going to see Zoe later.
We're off to Hair By Fiona, where Audrey seems to be
a fixture now. Fiona is off out with her Mother for the day. She
asks Audrey to bring Morgan through. Maxine hastily offers, but
Fiona ignores her. Maxine tries to apologise again, but Fiona
won't listen, she states that she's never going to leave Morgan
alone with anyone else ever again - where she goes, he goes. As
Fiona leaves she reminds Maxine that the phone is for business
use only, and that Audrey is in charge.
Ashley arrives at the Weatherfield home for the Temporarily
Bewildered. Lovely line as he climbs over an inmate - "I
do apologise, and I really mean that". He finds Zoe looking
vacant, and gives her a full inventory of the food and personal
effects he's brought her. Zoe appears to be feeling remorse for
the incident with Morgan, she tells him that she was gentle with
him, she would never hurt a baby. Ashley tries to make her see
that abduction is serious, and won't bring Shannon back. He rises
to go, and tells her that he still loves her, in spite of everything.
We're in the Rover's, and Les is asking Greg about
his Mother, the mysterious (and allegedly wealthy) Moira Kelly.
He wonders if she still drinks lager and lime by the pint. Greg
says that she's a VAT woman now - Les promises to remember that.
Greg can't recall whether she still likes red roses, Les spins
some unintelligible yarn about roses, caravan site and stable,
and wonders if Moira still remembers?
Judy and Gary are drinking at the bar, and she asks
how he is feeling after his impromptu dip in Castlefield Basin.
Strange that she should ask this question here in the Rovers,
rather than say, in bed, or at breakfast. He says he's OK, no
lasting after effects. He's thinking about lifting Zoe out of
the water, like lifting a child. He doesn't know who he feels
more sorry for - Zoe or Fiona. Judy reassures him that Fiona will
get over it in time, and fortunately Zoe has got Ashley - she
wouldn't stand a chance on her own.
Back at Les and Greg, Les has this idea that it would
be great to see Moira again, now that she's recently widowed in
that big house, and perhaps Greg could sound her out? Only I wouldn't
want to go putting my nose in where it weren't wanted?, Greg doesn't
think it's such a good idea.
Maxine and Audrey come in for lunchtime drinkies. Maxine
sees Greg, but chooses to stay with Audrey as he's with Les. She
asks Audrey if I've passed, because you'll be reporting back to
Fiona on whether I've been pulling my weight or not,. Audrey says
that of course she has - she doesn't want to get her the sack.
Audrey promises to have a word with Fiona, because Maxine doesn't
want this to be a permanent falling out with Fiona.
Audrey is pleased to be the bearer of glad tidings,
that Jim has taken a turn for the better. As this news is shared
with Sam, she mysteriously begins to feel queasy, so Vera sends
her into the back for a liedown. What is that Sam up to?
Zoe is still wallowing in despair and self pity, looking
fragile and distressed. Ashley is still there, telling her that
he understands how losing Shannon has knocked her for six, but
she's got lots of friends around her, her domestic situation is
a million miles better than twelve months ago with Liam, but she
will get over it, things can only get better. Zoe begins to cry,
and asks why they didn't just leave her in the canal, then it'd
all be over by now.
END OF PART ONE
Liz is still excited in Weatherfield General - she
tells Jim to squeeze, and he does just that to her hand. He even
manages to lift his arm for her - she tells him that she'll have
him in the Rover's, presumably lifting the drinking arm again,
in no time. Steve reminds her of the Doctor's instruction not
to tire him. Inside the breathing apparatus, Jim is trying to
speak - he appears to be saying Kev,, so Liz, excited again, assures
him that Kevin says the job's there when he's better. Steve asks
the doctor if Jim will also remember everything about the accident,
the doctor says that sometimes patients remember only up to the
point of the accident. Steve won't be happy about that!
Ashley is still trying to show Zoe how much he cares,
but she again makes out that they would be better off without
her. Ashley tells her how empty the house is without her, and
how there's the summer to look forward to. He's more tearful than
she is when he asks "Doesn't it mean anything that I love
you?"
Nurse Vera has administered a drink of water to a malingering
Sam. Sam hasn't eaten today, which doesn't please Vera, so she
offers a sandwich. Sam tells her that she felt a bit grotty, this
morning. I don't know owt about these things, but are we supposed
to be thinking pregnancy here? Either real or imagined? Sam confirms
that she's been sleeping OK, and that she and Natalie are the
best of pals again. Jack comes in to find out what's wrong with
Sam, and Vera mouths Woman's troubles,. Oh, right, Exit Jack.
Vera offers Sam a couple of days off to recover - Sam
smiles conspiratorially to herself.
Nick has gone round to his old home, while Martin is
fetching a book that Nick had left in his old bedroom we see Nick
admiring a framed photograph of himself as a child. In a different
body. Nick tells him that he and Leanne have had a bit of a row
- I know I'm right and she's not going to come round. Martin suggests
the old cook her a meal, ploy, because it has been known to work
for him. Gail enters just when Nick is trying out the idea of
buying chocolates instead - and thinks they'll be for her. He
puts Gail right - they are talking peace offerings.
Greg is buying the drinks in the Rover's, including
one for Vera. Vera thanks him, suggesting that he must take after
his Mother. Les asks why she says that, to which Vera replies
that "cos you're a right stingy devil", and adds that
his Mother must "be right good lookin". Janice, who
is standing between Les and Greg, is not pleased when Les states
that Moira is "very good lookin", "ere, pass us
that photo", snatching Greg's wallet. Janice comments that
she loves her husband particularly for his tact.
Sam comes in to ask Vera if she can take those couple
of days off as suggested. Vera encourages her to go home, but
Sam wants to defer it to a couple of days off next week. Although
Vera accepts this, Jack comes over and tells her that Sam is malingering,
it's all a put-on. Vera reminds Jack how he was behaving similarly
only last week with his Lusty Jack Johnson routine.
Rita, the Big Red Wig, bless her, comes in for a Vodka
and Tonic. Les suddenly has an idea, which brings the best laugh
of the night:
He insists on buying her a drink, because he wants
advice on behalf of a mate, who fancies a woman recently widowed.
Of course, Rita has been there, seen that, bought the T-shirt
several times.
Les: It's this mate o' mine ye see, e fancies this
woman, only er usband's just died, and e's wondering ow long e
should wait, like, before e goes steamin, in.
Rita: (taking a step back) Ow the eck would I know?
Les: Well you've got form, you're a widow, a double one at that!
Rita: And what's it got to do wi' you?
Les: Well, he was wondering, like, when your usband dies, is it
like fallin' off a horse - the only way to get over it is to get
back on?
Rita: I beg your pardon?
Les: No, not you, me mate, e's wonderin, ow long e should wait?
Rita: I don't believe I'm hearing this!
Les: Well it's like if you've got a bike. If you don't ride it,
then it's just goin, to go rusty i'n't it? If you get me meaning.
Rita: I'm shiftin, now, otherwise your teeth are going to be tasting
this bag.
Handbags at point blank range!!!
As Rita moves away, Janice asks what he's done to upset
her. "Last time I buy er a drink, stuck up cow", says
our loveable boor, Les finishes the drink which Rita had left.
Gail is trying to get Nick to tell her about his differences
with Leanne. He is adamant that he can't tell her, so Gail thinks
it's about herself. He tells her it's not, and that he doesn't
think it can be resolved. Gail goes into I told you so, routine,
saying that she knew life with Leanne wouldn't be plain sailing.
Nick is cross about this lapse into I told you so,. He insists
that he and Leanne still love each other.
Audrey is sweeping up, having let Maxine go early,
just as Fiona and Morgan arrive home. Audrey starts praising Maxine,
and saying how badly she is taking this fallout with Fiona. And
I suppose you're suggesting I have a word with her? asks Fiona.
"Well", says Audrey with a smile, why don't you?".
Fiona doesn't answer and takes Morgan upstairs.
We're back with Janice and Les, where she's trying
to find out what he said to upset Rita. He's always upsetting
folk. She's got the hump too, which Les reckons must be because
he said that Moira was good looking.-Anybody can be good looking
if they've got a rich husband, Les rounds on her Oh, so it's my
fault is it, the way you look? Well that's a good un!, Janice
thumps him and then turns away, arms folded. Go on girl!!
Gail and Martin are in a booth, wondering how they
can find out what's troubling Nick. Gail remembers that he's been
off, since he started asking about his Father. Martin hopes that
is unconnected because he doesn't want that dragging up again.
This attitude doesn't please Gail.
At the bar, Sam is questioning Gary about Judy's health
- does she feel sick in the mornings etc? After she's gone, Vera
comes over, wondering why Sam is suddenly so interested in babies?
In the kitchen of number 4, Ashley is telling Nick
about his visit to see Zoe. He's at the end of his tether, he's
fed and clothed her, he had been up all night with Shannon when
Zoe was out with other blokes, he's hurt that the relationship
has been so one sided. He can see that Zoe needs someone, but
he's not that someone. He still loves her, he doesn't mind making
sacrifices for her if it would do any good, but it won't. Nick
tells him not to run himself down, but Ashley insists that she
needs to lead a life of her own, and to let him lead his. He's
done everything he can, he's got nothing more to give, and he's
decided. Decided what? We don't know because we cut to Steve and
Fiona in the flat.
As Fiona pours the white wine, she is pleased that
Jim is out of danger, and that Steve hasn't got his death on his
conscience. She criticises him for apparently looking pleased,
but Jim might yet remember what really happened. Steve realises
that if Jim does remember, he'll be after him, compensation, the
lot, and will try to finish him off.
CLOSING CREDITS
Episode written by Phil Woods
Dewey
Wednesday 13 May
Dear Update Readers,
I was born in Birmingham, and so I know bad taste
when I see it. Which is why the staging of this year's Eurovision
Song Contest - the celebration of tackiness par excellence -
in my home town was more than apt. And like all things tacky,
camp and over-the-top, Eurovision always gets pride of place
in my diary. When the old "Fanfare for Europe" sounds
out, I simply have to drop everything. I often think that on
Eurovision night, even if Denzel Washington, Christian Slater
and Matt Dillon were lined up outside my bedroom ready for a
game of "Sardines", I'd have to send them packing.
I've watched the competition for longer than I care to remember.
Indeed, my first memory of television was as a five-year old,
glued to the box as a barefooted Sandie Shaw sang "Puppet
On A String" in some exotic, faraway European capital. I
still remember the tinny echo of foreign voices as they came
down the wire with the votes of their national juries, and the
fabulous frocks worn by Katie Boyle as she switched from English
to French and back to English again with consummate ease. (Katie,
as it happens, was the subject of the very first joke I told
my mother. It was a joke I'd heard at school, and although I
didn't have the faintest idea what it meant, I laughed because
everyone else did. "Mum", I said, "Do you know
why Katie Boyle is having a baby?" "No", said
my mother, "Why is she having a baby?" "Max Factor,"
I replied. I stood there, waiting for the response. But instead
of raucous laughter there was a sudden thwacking sound as her
slipper met my head. "I'll give you 'Max Factor', you bugger!"
she screeched, before frogmarching me up the stairs for an impromptu
session of several hundred Our Fathers and countless more Hail
Marys. I still can't see Katie Boyle on TV without reciting the
entire rosary). I had a special affinity with the Eurovision
Song Contest right from the outset, and in a sense we both immatured
hand in hand: as it got louder, glitzier, more camp and more
outrageously over-the-top, so did I. My chief ambition in life,
apart from becoming the second Dusty Springfield, was to compere
the contest. My plan was a simple one: join RADA, break into
light entertainment, and then audition for Eurovision armed with
my O-Levels in French, German and Italian. I used to mince around
the sixth form common room shouting, "Pays Bas, un point!
L'Italie, douze points! Good evening, Lisbon, can we have the
votes of the Portuguese jury please?" until I was blue in
the face and everyone was convinced that Katie's days as compere
were numbered.
But of course it was not to be. My father would have
no truck with the theatre ("all loose women and bumboys")
and threatened to disinherit me if I joined RADA. Then, the day
after I sat my final A-level, I ran away with a man twice my
age and, taking the Orient Express, headed East. (I still have
the diary I kept of my exploits, which I've always longed to
publish under the title "Back Passage To India"). Hugh
was everything I'd ever wanted, but by the time we'd got to Istanbul
I realised that I was nothing more than his mid-life crisis.
He returned to England and got married while I, bitten by the
travel bug, carried on east. Most of what has happened to me
since I attribute directly to that spur-of-the-moment decision
to run away with Hugh. And so not only was he the indirect reason
for my fall from grace, but he also stymied my Eurovision plans
once and for all. Which is a shame, because I think I'd have
made a better job of it than Terry Wogan does: my jokes are better
than his and I don't wear a greasy syrup.
Anyway, together with the Oscars, the Eurovision Song
Contest is usually one of the best dates in the calendar. (The
main difference this time round was that we taped it and watched
it the following evening. No matter that we'd already heard who'd
won: after all, it's not the winning that matters, it's the taking
people apart!) Carlo worked his usual culinary magic (sic) and
produced a takeaway Balti for three, while Mark, my ex-flatmate,
came up trumps with half a dozen bottles of red and two bottles
of Mercier. And then, catty comments and bitch remarks at the
ready, we were off!
However, I must admit that it wasn't the best Eurovision
I've ever seen. There was something about it which didn't quite
hit home like it usually does. But it definitely wasn't the fault
of the songs: they were as delightfully dreadful as ever, ranging
from the usual sub-standard imitations of that same Italian beat
ballad from the early Seventies that seems to have served as
a prototype for all Eurovision composers ever since; through
songs which evoked scenes in a Bond movie; to feeble attempts
at dance music.
But Eurovision is not about music; it is about high
camp, and I'm afraid to say there wasn't a great deal of that
on the show this year. The most ostensbibly outrageous performance
was by the German entrant, Guildo, a middle-aged man in turquoise
velvet (sic) who looked and acted like a cross between Russ Abbott
on speed and some sleazy old paedophile, cavorting about the
stage as though he had a fire-cracker up his arse. "Guildo
loves you too," he rasped, while touching up the nearest
available young men in the audience - proof, if any were needed,
that Care In The Community simply isn't working. Knowing that
it was pure parody - that some of the entrants themselves have
finally realised what a shambolic affair the whole thing is -
turned the event rather sour, robbing us of the vicarious pleasure
of seeing other people submitting themselves unknowingly to ridicule,
which is, after all, half the fun.
There were some countries, however, that still seemed
to be taking the competition seriously, but their entries emerged
as though from a time warp: most of the East European entrants
performed their dire little ditties with an earnestness that
was a joy to behold, their women wearing frocks so awful that
the UN should have passed resolutions against them. The Polish
woman, for example, seemed to be wearing a badly sewn green curtain
that looked as though it had just been ripped down from the rail,
while the Rumanian girl looked as though she'd been through the
remnants basket at Oxfam with her eyes closed: the Ray Charles
approach to accessorizing, I think they call it. She certainly
gave 'mix and match' a new meaning. The worst costume of all,
however, was worn by the Maltese entrant, a rather large lady
who had plumped for an ankle-length grey smock, totally shapeless
and featureless, which gave her the demeanour of a Victorian
prison wardress. The poor poppet's hairdo was just as dire, which
was a shame because her song was possible one of the best on
offer.
As you no doubt know by now, the comptetition was
eventually won by the Israeli entrant, a transsexual called Dana
International. ("I prefer the 'real' Dana," my mother
said, before proceeding to warble several choruses of 'All Kinds
Of Everything' down the phone to me. "At least she could
get through a good song without having to strap her 'tea and
sugar' to her leg." I tried to explain to my mother that
since Dana International was a male-to-female transsexual, she
didn't have any 'tea and sugar', but trying to explain that to
a woman of her limited experience would have been totally pointless,
so I didn't). Anyway, the winning song was an anodyne little
dance number entitled "Diva". That it will probably
be very big in Fuengirola this summer says it all, really. I
preferred the vastly superior "Where Are You?" by the
UK entrant, Imaani, and indeed actually went out and bought it.
(I'm nothing if not totally honest, you must admit, even if it
does mean risking a severe drop in street cred as a result).
The final mention must go to the Estonian pianist, far and away
the hunkiest hunk of the night. (I wish I could play like he
did, but then I've always suffered from pianist envy).
But enough! Enough of this Eurovision banter and on
with the show:
I'm afraid this is going to be something of a 'quickie'
(no change there, then?) because (a) I'm doing it from memory
(no change there, then?); and (b) I have only forty-five minutes
left before I am being picked up. (Isn't wonderful to know exactly
when and where you'll be picked up? Puts a whole new light on
the concept of forward planning, no?). Plus my memory has been
damaged severely by several nights of drinking and debauchery
since last Wednesday, including the Ping, about which I shall
write in this week's Wednesday update.
Anyway, the episode opens at the House of Elliot, where
there is a letter from Leanne. Thankfully, both for her and Nick,
it's a bill - and not a "See You Soon" card from Darren
Whately. Ashley can't understand why they're both so overjoyed
to receive a bill. "What's so good about a bill, unless it's
less than you expected?" he croaks. "It is," says
Nick cryptically. Leanne asks Ashley whether he's going to see
Zoe. He isn't. Leanne offers to go in his place. (There, you didn't
think I could 'do telegraphic', did you?)
Cut to the Battersby skip, and Janice, applying copious
amounts of pink lippy. She is also sporting a new haircut and
now looks nothing like she first did when she arrived on the Street,
which was something akin to one of those undersea baddies in Stingray.
Les, looking resplendent in his vest, is covered in shaving foam
and hunting for his razors. Janice, meanwhile, is trying to woo
him with her new look. "Have you noticed ought?" she
says, pouting. "Only that you smell," he says. "I'm
trying to look nice," retorts Janice. "Well get a face
lift, then," snaps Les. (I wonder whether he ever got his
money back from that charm school? You know, the Bernard Manning
Academic of Civility and Good Manners. Actually, talking of Bernard
Manning, I heard the other day that he's marketing his very own
brand of shampoo. You know, similar to the one you use when you
don't want to take two bottles into the shower. It's called "Wash
And F*** Off").
At 'Hair By Fiona', the eponymous owner takes Maxime
aside and apologises for ripping into her over the Morg affair.
"I shouldn't have given you such a hard time," says
Fiona, "but I was just in shock." Maxime appreciates
the apology and says that she is just happy that Morgan is safe
and sound. (Safe and sound? With a name like that? Just wait till
he goes to school).
At the hospital, Jim 'So It Is' McDonald has had the
tube removed from his throat and can now talk a little, even if
his words emerge in the form of bad 'Father Jack' impressions.
"Shoop, shoop," he croaks. (No, it's not the McDonald
version of "The Shoop Shoop Song", but the ex-comatose
brickie's request for Cadaver Boy, who is in attendance, to feed
him some tomato soup, in one of those dinky little toddlers' mugs
with the dribble-free lip on). Steve quizzes Jim on the latter's
memory, hopeful that the accident is still a total blank. Jim
obviously can't remember a thing, which is just how Cadaver Boy
likes it. Later, Steve speaks to the doctor, who says that the
longer the amnesia lasts, the less Jim will remember about the
accident. (That last line sounds suspiciously like a tautology,
but I'm sure that's what he said.) The doctor says that Steve
can help his father by reminding him of what happened. "Keep
prompting him," says the doctor, "and it will help him
tremendously." (Steve makes a mental note to fill an audio
cassette tape with subliminal prompts and recollections to play
as Jim is falling off to sleep. "Listen, dad, it was your
fault; you were drunk; it had nothing to do with me; you're just
a sad Irish brickie who deserved to fall through some scaffolding;
yer tank top stinks and your moustache needs cutting; you're a
loser and you're never going to walk again; and it's all *your*
fault...")
Cut to a room filled with people: a man in a stripey
shirt, pacing the floor worriedly; a girl scribbling on a pad
as though scribbling were going out of fashion; another girl in
tears; a man smoking as though his life depends on it; and everywhere
an atmosphere of total gloom and depression. No, it's not the
Eastenders scriptwriters' conference, it's the Weatherfield Home
for the Terminally Bewildered, where RZoe has been sectioned,
destined to do pottery and weave raffia and play endless games
of Scrabble, while nurses who are far more in need of psychiatric
care than their patients spend all their time reading The Sun
or beating up schizophrenics. The TV is on, but with the sound
down. (Must be "Through The Keyhole", then). Leanne
appears, with a bunch of flowers and some chocs for Zoe. Zoe is
on a downer, convinced that no-one likes her, while Leanne tries
to convince her that everyone is rooting for her, and that Ashley
positively adores her. Zoe's face registers no response. And why
should it? As she herself says, "All you do in here is sit
around and take medicine." (Sounds like a typical weekend
at my mother's). Anyway, Leanne says everything will be better
when Zoe eventually comes out. (God, not another one! Dewey, what
the hell have you started?) But Zoe doesn't want to come out.
(Loonybins *do* that to you, really).
Cut to the Rovers: Les and Maxime at the bar. Maxime
asks Les whether he's seen Greg. "Why?" grimaces Les,
"are you desperate?" Les tells her that she shouldn't
hold too many hopes, for surely a boy of Greg's charm (sic) will
be playing the field. Maxime retires to Audreh's table. Audreh
has overheard Maxime's enquiry re: Greg and tells her sardonically
that she has "handled that beautifully". "Now Greg'll
think you're a right pushover," says Audreh. "You've
got to play it cool, Maxine. Treat 'em mean, keep 'em keen!"
At this point, Greg walks in. Does Maxine play it cool? Well,
Pavlov's dogs probably salivated less. "Don't let him see
you've noticed him come in," whispers Audreh. Now Greg may
be stupid, but he's not blind and he can recognise a puddle when
he sees one. He knows full well that Maxine has noticed his entrance,
and he goes over to her to ask her out. "Are you free on
Friday, Maxine?" he asks. Before Maxime has a chance to answer,
Audreh tries to help by suggesting that no, Maxine is not free
on Friday, because on Friday Maxine has a date with Wayne, the
guy who 'works for the financial adviser thingy'. Maxine agrees,
hoping that Greg will swallow the bait. "Okay," says
Greg, "maybe some other time." At which point Maxine
comes clean that she isn't really busy and would love to meet
him on Friday. Greg departs, a knowing smile on his face. Audreh
is gobsmacked. Speechless even. "Words fail meh," she
says, "after a performance like that." But then Audreh
has only herself to blame; after all, Audreh giving Maxime lessons
in subtlety is like Rose West lecturing on the advantages of taking
in lodgers.
At this point we get a sudden close up of Natalie's
ring. I kid you not. There, as large as life, on the Rovers bar.
And do you know what happens next, children? Well, that naughty
Orangina creeps up and pinches Natalie's ring. Just like that.
Natalie had obviously put her ring on the bar when she washed
her hands. What do you think Natalie will say, children, when
she finds that some naughty naughty person has pinched her ring?
Will she be angry, children? I would, wouldn't you? As angry as
I would be if some silly producer decided to axe someone and,
as a pretext for turning all the viewers against her, got the
scriptwriters to portray her as a psychopath. Now isn't that childish,
children?
Well, much of the rest of the episode centres on Natalie's
ring, and the farcical attempts to find it. "Has anyone seen
my ring?" says Natalie, to a crowded Rovers bar. (Oh come
on, do you expect a serious response to a question like that?
I've cleared dancefloors with less). The obvious answer ("Half
the male population of Weatherfield") is not forthcoming,
so Natalie tries Les Battersby - at Orangina's behest, of course.
Les is mortified - but not surprised - to think that Natalie could
accuse him of such a heinous crime and tells her in no uncertain
terms to "shut your flapper and pull me a pint!" Orangina's
plan to alienate Natalie is clearly working, although I'm sure
that Natalie won't mind being alienated from Les Battersby - the
man whom even street canvassers avoid. Vera and Jack join in the
search. "Maybe it went down the sink?" offers Orangina,
keen to take them off the trail. This precipitates a hilarious
scene with Jack stuck under the sink with his hand in the crud
of the U-bend. The two-minute scene is ramjampacked with innuendo.
When Jack initially refuses to look in the U-bend for Natalie's
ring, Vera orders him to "get under there and start screwing!"
Jack is reluctant to put his hand up the U-bend. "Just stick
your fingers in and poke about a bit," trills Vera. What
with Jack's "I've been on my knees half my life trying to
rescue something precious", the dialogue in this scene sounded
like every one-night stand I've ever had; all we needed was a
reference to an extremely innovative way of improvising shaving
gel and it would have been complete.
The rest of the episode is taken up with Nick, Leanne
and Ashley, discussing Zoe's dependence on Ashley, and about how
good Ashley is for Zoe. There is also another short scene in which
Les Battersby continues to level insults at Janice. The episode
ends with the doctor telling Liz and Steve that Jim may never
walk again.
Sorry that last bit was rushed, folks, but my lift
has arrived and I must fly. I hope you won't be too disappointed
that there is no "As I See It" this week; I promise
you an extra long one next week when I tell you all about the
London Ping. Yes, folks, there's lots of beans to spill and dirt
to dish, and I'm going to give you all the lowdown on exactly
what Glenda, Ruth, Mike P, Annie, Graham, Tracy, Dewey, Bazza
and all those other degenerates got up to down in London. I heard
tomato ketchup, flour and whipped cream were involved, so watch
this space!
Love and hugs,
CP
Friday 15 May
Here we are again... Sunday morning, but not a fun
start to the day.. switching on my PC this morning, I accidentally
reset it partway through the boot up and ended up trashing large
chunks of the C drive. After abortive attempts to try to salvage
the situation, the only option was to reformat the drive, reinstall
Windows 95 and then restore from my tape backups.... However,
the system is still restoring as we speak and I've lost about
4 hours of time so far that I could ill afford.
Of course, none of this would have happened had I
gone to the Ping in London yesterday. I would have had a sore
head and, no doubt, some great memories of meeting the RATUCS
crowd for the first time. Alas, not to be.. just a hard drive
in need of file restoration. As the week has gone on, I have
progressively begun to regret more and more my inability to be
present - we're going away next weekend and I have lots of work
to do on the caravan before that happens, but by the time, I
sort out the computer I'll be way behind.. and probably not much
more than if I'd gone to the ping.
We had some Pingers popping up on the IRC #coro_street
channel last night after the do and it sounds as if a good time
was had by all. It was at that point that I was told that the
gang had tried to contact me on the phone - unfortunately, they
called my business line, so I never heard the phone ring and
the answerphone took the calls. The first call timed at 20:19
coincided with me doing the barbecue.. the second at 21:39 after
we'd eaten - sure enough, when I dug into the system, I found
a couple of boozy messages left by Roofy and Dewey and a raucous
greeting from the gang. What a shame I missed the calls, but
you lot certainly sounded to be having a good time - I love you
all, gang, and am touched that you remembered me during the do....
Enough of these regrets, I have decided that I WILL
go to the do at Blackpool in autumn... life is too short for
regrets and I want to meet the rest of the friendly family I
have been getting to know over the last few months. Not sure
whether my wife will think it's some sad anorak thing, but that's
another issue.....
It's been another good week on the IRC channel, meeting
more of the lovely folk there - nice to see more RATUCSERS finding
their way there. I also look forward to seeing some traffic in
reverse as well, with IRCers dropping into RATUCS.. we're just
different branches of the same family, so do drop by...
We have been making more moves on the Netmeeting front
and it has been a great pleasure voice talking to Perfidia (Kathleen),
PeterC, Greggy and Bazoooka, RAnnie and others. Some people are
still having problems, so while I was able to establish computer
contact with RLisa and RDoris, I couldn't hear them, although
they could hear me.
We are building up our knowledge base on NetMeeting
and I have decided to make an up-to-date version of a draft FAQ
available on my web site at the following URL: www.prosper.demon.co.uk/netmeeting.htm.
This will be updated regularly and notification of updates will
be through RATUCS and my Friday updates. Anything you can add
to this, please do not hesitate.. we are all on a learning curve,
learning fast, cutting our fingers in the process, but these
technological developments are but a taster of things to come..
exciting days! For those who have not tried this, the difference
is that RATUCS can be compared to a fast open post system, IRC
is immediate and interactive and NetMeeting is just like talking
to a friend on the phone. Do try it.
On the subject of web sites, during the week there
has been some cruel conjecture comparing me to one of the Teletubbies....
well, to dispel these vicious rumours, I finally got round to
getting some my mugshots done. Very kindly, Roofy (Ruth Carey)
has scanned them for me, so I've finally got a piccie up on my
web-site at www.prosper.demon.co.uk - thanks Roofy for ya help...
I have also taken the liberty of posting a Teletubbie
file put together by Chris Lines aka The Rattler - hopefully,
this will enable this fatuous comparison to be shot down as a
myth, once and for all. Just to knock the nail in the coffin,
this scurrilous story also put about by The Rattler, comes from
the same guy, who, you will recall, maintained that Jim McDonald
was a Scot, not an Ulsterman.... just put that down as a marker
of the quality of his judgement! Anyway, who am I to bear a grudge?
I may not be Lala but Dollally, certainly... The file is a bit
of a long one to download at over a meg, but all good fun and
worth a laugh. BTW, Chris, I've got some Teletubbie wave files
to throw at you next time you're on IRC.
I've also decided that I am going to start a page
on my site with piccies of Update readers, RATUCSERS and IRCers,
so please e-mail them to me and I'll get them up on the site.
What else.. oh yes, yesterday, I found a great program
for recording and editing wave files called Cool Edit... been
playing around with that a bit, so we'll have some new wave files
for you on IRC over the next few days. Incidentally, do try,
if you can, to join us for the Weekly IRC Quiz, Friday nights
2000 Eastern Time, Saturday morning 0100 UK local time - it lasts
an hour and is great fun.... like a really nice family reunion.
This week, Magyanne won with a score of 11, which I am told is
some sort of a record - well done M. I ended up going to bed
around 04:30 having got up at 06:30 the previous morning... this
lark certainly wreaks havoc with your sleep patterns.
Finally, thanks again, for the continuing e-mail support
regarding these updates... as I've said before, although they
take some time to put together, I thoroughly enjoy doing them
and it is very rewarding to get your notes of encouragement...
keep 'em coming....
Anyway, onto business. Friday's episode sponsored by
Cadbury's Marble.
Steve "Plasticine Head" McDonald meets up
in the Street with dear mamma, Frizzie. They have been told by
the hospital that Jim "So it Is" McDonald may not walk
again, following the accident. Frizzie asks whether Steve has
any bright ideas as to how to break the news to Jim. Now in a
previous conversation with the doctor, Steve was told that he
should encourage his father to talk about the accident to help
his father to regain his memory - that, of course, is the last
thing that Steve wants, so he tells his mother to leave things
as he might not want to hear the news. Lizzie is concerned that
Jim will start asking questions and wonders how they will field
these. Steve tries to reassure his mother by saying that the doctors
only said "he *might* never walk again" and that this
might be the way to play it - Liz says that "if he thinks
it's definite, it's gonna kill him". She realises, though,
that the prospects are not good and wonders that they are going
to do. "We'll find a way" is Swivel-Eyes' response.
We are at the shop with Maude Grimes and Ashley Peacock.
Maude asks whether Zoe is any better.. Ashley has looked depressed
all morning. He tells Maude that he has decided to finish with
her. He tells her that he has done all he can for her and that
he cannot help her any more. Maude tells him that if this is the
way he feels then he should break it off, but it is clear that
Ashley is racked with guilt. Maude tells him "you don't go
out with people to help 'em, you do it because you love 'em..
and that's a word I haven't heard you mention just lately".
Ashley maintains that he does love her but when someone is like
she is all the time, they are never going to change, you give
up in the end, he tells her. Maude asks when Ashley is going to
break the news to her, but he isn't sure as the state she is in,
it makes it very difficult for him - she had told Leanne the previous
day, that Ashley was her only reason for living. "Then you
have got a problem" advises Maude "if you tell her now,
it's kicking her when she's down, if you leave it until she's
better, then she thinks she's been lead on". "Not much
of a choice, is it?" replies Ashley. "You wanted my
advice, so here it is", says Maude, "if there's one
thing, people in her state don't need, it's insincerity. I'd do
it now! Don't give her false hopes." You can see Ashley agreeing
but wondering how to break this bombshell.
We are at "Fringes by Fiona" - Fee comes
down and panics, momentarily when she cannot see Morgan. Audreh
tells her not worry, as she has moved the baby out of a draught.
Greg aka Mogadon Man comes in to chat up his bird and
see whether she's still on for tonight. Mattress Maxine enters
into a futile "depends on whether I get better offers"
type of conversation. He suggests going to the Viagiatore about
7 - "sounds good" she says, "In the Rovers?"
"Where else?" is his reply.
After he's gone out Fee, Audreh and Max discuss where
this place could be... Audreh surmises that it's the new Italian
place in the precinct. "They say, it's dead posh... I keep
asking Alfeh to take me, but he pretends not to hear" says
our Aud. Maxine is concerned whether she will have to dress up
and Audreh advises that "you can't go looking like summat
the cat's dragged down". At this Mattress goes into the "I've
got nothing to wear" routine that us fellas are pretty familiar
with.. "I'm skint this month, as well", she adds. Audrey
suggests hiring something and tells her that it's all the rage
these days and there is a shop in town which hires out second
hand designer clothes. "In fact, when there's a do at the
Town Hall, you can hardly get in that shop for councillor's wives"
she tells a clearly underwhelmed Maxine.
R Gareh has come to visit Jimbo McD in hospital - he
bumps into Steve, who tells him that his father is not very well
and tells him that they've had some bad news - that Jim may never
walk again. Gareh is shocked. "And even if he does",
continues Steve, "he's gonna need a wheelchair." He
tells him that his father is oblivious of the position. Steve
agrees to Gareh seeing Jim, but warns him not to discuss the situation
- he then tells Gareh that Jim's memory has still not recovered,
that he doesn't know about the accident yet and that he should
not mention the subject, "just in case it upsets him!"
- what a heart <sarcasm mode off>! Gareh agrees to bear
it mind.
We are at The Rovers. Orangina is wiping some glasses
and deliberately drops one, which smashes on the floor. Nasty
Spumante offers to get a brush to clear the broken debris, but
Tango Girl says she'll do it herself.
Rita is propping up the bar and asks Ashley how Zoe
is doing - he tells she's better and that he's on his way to see
her. "Well it must make a difference, knowing she's someone
like you to look after her" clangs Rita. Ashley says that
he isn't so sure. "Don't you kid yourself!" replies
Rita "You come on, leaps and bounds, when you feel cared
for, like that. She's a lucky girl." Guilt plagues Ashley's
face.
Tango Girl has got brush and pan out and is sweeping
up the broken glass. She places Nasty's missing ring into the
debris. She makes out she has cut her finger on the glass and
then feigns discovery of the ring. "That's brilliant! Where
was it?! exclaims an overjoyed Nasty. "Dunno, it was shoved
somewhere at the back there..." bluffs Samantha. All are
delighted with the result as Sam pulls off her con.
We are back at Weatherfield General. Gareh is in with
Jim, whose voice is hoarse. For a minute, you think you are watching
the Godfather, with Mafioso Jim. He is upset because he has no
recollection of the accident which brought him to the hospital
- Gareh tells him he fell off some scaffolding on one of Steve's
sites, but he is reluctant to go any further as Steve had felt
it might upset his father. Jim cannot remember much but recalls
that he and Gareh were drinking partners and he remembers the
Rovers Return with Jack and Vera, and the episode where they removed
the Dockworth's staircase. That was a laugh and he tells Gareh,
he's looking forward to having more laughs when he gets out of
hospital - Gareh is faced with making a non-committal noises.
Les is eyeing himself up in the mirror. He picks up
a beer mat with Moira's telephone number on it - you will recall
she is the mother to his son, Greg. He checks that the coast is
clear and phones her. He introduces himself - he is getting in
touch with her after Greg had turned, telling her "that's
he's the best thing that's happened to me for ages. You've done
a good job there, Moira, bringing him up." He angles for
a meet-up, playing it low key deliberately, "I'm in no rush
like. We'll do it sooner if you want, I didn't want to impose.
Well, I've got a window free next Friday!"
This comment makes me grimace, as I recall a similar
line when I were a lad - after my divorce in my mid-twenties,
I had a whale of a time, partying it up, catching up on lost time...
in fact there was a period of a couple of years where I only had
three nights in during all that time and that was purely because
I was ill! You're only young once, which probably explains my
frazzled highly-lived state these days! Anyway, I remember asking
this girl out for the evening, explaining to her that I was only
free on Wednesday and Sunday - now I certainly wasn't saying this
from the viewpoint of an inflated ego, more just a pure factual
statement. I was hardly a rival to Casanova in the women-chasing
stakes, but just enjoyed a rather busy social life, for those
few memorable years. Of course, in those days, I knew nothing
of the Ladies' Jungle Telegraph, where this sort of news soon
spread round. Suffice to say, a while later, another girl friend,
Trude, whom I subsequently married, once relayed this same story
back to me as part of a leg-pull, as she'd heard it from a friend
of a friend of the girl concerned.... Mind you, 'er indoors isn't
so lily-white herself - I can remember our first date taking her
to Chatsworth for the day. I didn't realise why, as the day went
on, she seemed to be anxious to get home - it was purely because
she had previously arranged a date with another fella the same
evening... now that sort of stunt, I've never pulled before.
Anyway, they agree to meet on the following Monday
and he is chuffed to be asked round to her place. She asks him
about transport and he replies "Of course I've got a car,
a lovely motor. I've done well for myself, as you will see."
He writes down the address and fixes a date for 8... as he puts
the phone down, he is overjoyed "she's gagging for you up
there in Warrington, Leslie.. she just can't wait!"
End of Part 1
Nothing of any interest here, so it's onto
Part 2
We are at "Fringes by Fiona" - Mattress Maxine has bought
a dress for her soiree with Mogadon Greg and is doing the "do
us a twirl" bit for Fee and Audreh. Quick fanfare as Max
makes her entrance looking pretty stunning and delicious - she
is a hit with all concerned. Audreh asks her whether she hired
the dress after all.. "well, sort of!" is Maxine's reply.
She then goes onto say that really the dress is free, because
she bought it today and will take it back tomorrow, saying she
didn't like it so she can get her money back. Audreh is quite
horrified, mind you, I'm sure she's done much worse in her time,
but she maintains that she wouldn't have the nerve. "It's
quite simple, Audreh" says our Max, "you just turn up
and join the queue behind everyone else!"
We are in the Mental Hospital - our Ash has come to
visit Zoe. She looks a lot better, on which he comments and she
replies chirpily that she feels it. She apologises for her state
the previous day, but Ash will have none of it. She tells him
that she didn't think she'd see him again... he is somewhat taken
aback... she has given him nothing but trouble and she wouldn't
blame him if he wanted to get rid. "Forget all that",
says our Ashley and he asks what the doctor has said. He is pleased,
Zoe tells him, he wants her to go to group therapy. She tells
him that Leanne coming yesterday has helped her most of all, she
has something to live for, namely our Ash... somehow, I don't
think this is the moment that he will choose to break off their
relationship. Gulp! "That's good" he says. She apologies
for the fact that she has repaid his kindness by just dumping
on him.. she maintains things will be different when they get
out, she'll make it up to him, she promises.
Gareh and Steve meet up in the Rovers. Steve asks how
Jim was. "Alright, considering!" is Gaerh's reply. Steve
is concerned that Gareh might have said more than he should have
done. Gareh tells him that he informed Jim that he'd had a fall,
but Steve is annoyed at this. Gareh asks him what he wants him
to do, to lie, he makes it look as if he has something to cover
up. Steve tries to make out that it's better if his father remembers
for himself, in his own time. Gareh reassures him that this was
all he said and Steve is suitably placated.
Modagon Man espies Maxine in the pub... she is dolled
up to the nines, whereas he is casually dressed. She asks for
confirmation that their date was for tonight. He applies in the
affirmative and, noticing she is all dressed up, he comments that
she looks sensational. She is flattered by this. "Would have
made more of Han effort myself, if I'd known" he says, as
he orders a pint.
We are Maison Battersby. Toyotah is trying to watch
the TV, but is disturbed and irritated by Les rattling through
a magazine. He tells her he's reading and she quips "I thought
I could see your lips moving" in the night's snappiest comment.
He tells her that the country watches too much TV and that we
are breeding a nation of illiterates. He is looking at the fashion
section of her magazine and asks her "is this what men of
today are wearing, skimpy tops and goofy glasses? They look right
wazzocks". He sees a photo of a reefer jacket and comments
that he wore one of those in the 60s and that they went out with
the Ark - Toyotah tells him that they have been back in fashion
for ages. "So, are you saying, if I dressed up like this,
I'd have women falling all over me." In the look of disdain
which only teenagers have mastered, she suggests that he sticks
to his best suit.
Back at the pub, Greg orders another drink. Maxine
thinks they ought to be moving on, as planned, to the restaurant,
to Viagiatores. He twigs what has happened and says that he was
wondering why she was all dressed up. "Only, it's not a restaurant,
it was just me being stupid, it's Italian, it means traveller,
or Rovers.... I should have explained." "Yeah, well
we can't all speak Italian", she replies, as she realises
they are not going anywhere - they have arrived at their destination.
He explains that it was the name of a company for which he worked.
"A simple misunderstanding, I suppose" says a crestfallen
Maxine. In an attempt to make up, he suggests that they can always
go for a pizza - you can really tell that she is impressed...not!
Nasty has come back into the pub - she is pleased that
Samantha has found her missing ring and brings some flowers in
for Sammy as a thank you. Des is perplexed and asks what she is
playing at. She says that she was grateful to Orangina for finding
it and was being polite.
Greg has pangs of guilt regarding the faux pas and
asks whether she bought it especially .. she lies and denies this.
He is relieved and says that she must have some amazing clothes
... she flutters her eyelashes and does her "I do my best"
routine. Party-pooper Les moves in to kill the atmosphere and
asks if they mind him joining them, maybe they could have a game
of darts. "Wow, Maxine! You look fan-tastic" he drools
"ooh, I hope you're taking her somewhere nice, son".
Greg tells him that they may be going for a meal later... Les
suggests that he might tag along. He asks whether Greg contacted
his mother, but Greg tells him he doesn't think it's a good idea.
"So you think I'd be flogging a dead horse, if I was to get
in touch" is Les' reply, but Greg, reiterates that he should
leave things.
Nasty is still explaining to Des that Samantha had
found her ring, but Des sees her milking the situation for all
its worth. Nasty tries to reassure him that, actually, Sammy is
embarrassed by it all. He wonders what side nasty is on. She points
out that the issue is not one of taking sides, she has to work
with the woman. ""She did me a big favour, what am I
supposed to do? Kick her in the teeth?" she asks Des. He
recommends her keeping her distance, saying that she is playing
games. Nasty tells him that Samantha has been alright with her
and she's not going to fall out with her forever, just because
of what happened between Des and Sam.
Les, is still with Greg and Maxine - ever the tactful
diplomat, says "So, are we going for this meal, then, or
what?" Greg plucks up courage to tell him that he and Maxine
would rather be on their own. Les realises he's being a gooseberry
and looks to get a game of darts with someone else. In the process,
he spills his drink all over Maxine's new dress. He apologises
profusely, as Maxine's date takes another turn for the worse.
We are back at Ashley's - he's telling Tilly that he's
been to see Zoe. Tilly asks whether he's decided whether or not
to finish with Zoe and, reluctantly Ashley admits that it is the
only way. He is feeling very guilty at making his decision and
snaps at Nick, saying he has his own life to consider. "I
know what you're all saying... it's good old Ashley this, good
old Ashley that, ain't he wonderful for standing by her, then
when I gave her the elbow I'll be some kind of monster. It's what
you think, isn't it?" Nick tells him to calm down but its
clear Ashley is pretty cranked up. He says that Maude had advised
him to make his decision known to Zoe promptly, because it would
be worse for her otherwise. Nick isn't impressed by Maude's credentials,
"What does she know?", he asks. "A lot more than
you think", replies Ashley. He says that he is going to tell
her that he's finishing with her, tomorrow.
Greg has driven Maxine back home and apologises about
her dress getting soiled. She tells him that it was not his fault,
it was his father. However, he says that she wouldn't have had
the dress on, had he not been such a prat. He is impressed by
the property she lives in, asking whether she's renting. He asks
himself in, so she can get changed and maybe, they can then go
on somewhere else. She is Ok about it, but warns that her mother
and father will be in - it's their house. "You live with
your parents," he says, clearly disappointed. She explains
she was kicked out of her last place, so it's only a temporary
arrangement, so they won't mind him coming in. He takes fright
and decides not to bother coming in. She suggests him waiting
outside. But he now tells her that he feels very tired and suggests
another time. Exit Maxine, very upset as to how the evening turned
out in comparison to her hopes, as Greg drives away.
We are Jim's bedside, with Steve and Liz. He is quizzing
Steve why he hadn't told him about the accident - Steve's excuse
is that he didn't want his father getting upset. In response to
his father's request, he tells Jim what happened - he had come
to see him at the Victoria Street flats, that he was angry with
Steve, that he had been drinking, that they hadn't exactly been
seeing eye-to-eye with each other for ages, that he let fly at
him and slipped. Jim is frustrated at being unable to remember
any of this. Liz tells him it really doesn't matter, but Jim doesn't
see it that way. He is used to being in control, now "my
bloody brain doesn't work. I'm stuck here, it's driving me daft,
so it is". Liz tries to explain to him that he has been in
a coma for two weeks - it is going to take time. He asks whether
there is any likely date for him to go home, but Liz is unable
to give him that comfort. "I've never been one for lying
about doing nothing and I don't intend to start now, OK?"
He tells Steve that he doesn't have a clue what the row was all
about but asks for his help. Steve agrees and Liz also lends her
support. "Because I tell you one thing, I intend to be out
of here before too much longer, you watch me", says Jim as
the episode ends with Steve looking on pensively.
Cue music and credits
Episode written by Martin Allen
Script Copyright ITV Television
Well, how was it for me? Well, not one of life's most
exciting episodes. One of those building up to the punchline
- a lot of "will-they, won't-they". There's Jim and
his spinal injuries, where he doesn't yet know the extent of
the problems ahead of him. There's Ashley is his quandary as
to how best to finish with Zoe.
Probably stars of the show for me were the following:
Ashley Peacock, for the sensitive protrayal of the
dilemma facing him.
Les Battersby, scallywag extra-ordinaire... great
comic touches and nice timing. A lovable rogue.
Witty comment of the episode from Toyah regarding
seeing Les Batterby's lips moving as he's reading.
And that's it for another week. Now next week, we
are going away for a few days, leaving the house in our son's
capable hands - thank God for insurance - so the update will
not appear until Thursday.
Until then.. take care now....
Love and kisses from The Mad Polak
Regards, Alan
Sunday 17 May
Greetings from sunny Stockport. It makes a pleasant
change to be able to say something like that rather than "greetings
from the grim North" which is more accurate through most
of the year. Typically, having just written that, I glance outside
and see that the sun has disappeared. The sky is doing its best
to look moody and tough, but like Steve Macdonald we know this
is just a poor act. Someone pressed the "Summer" button
last week and we have been treated to a very fine spell indeed
over the last few days. So much so that I have been spotted in
shorts and very little else out and about bringing down the tone
of the neighbourhood (we live in one of those streets where your
social standing is judged on how frequently the local over-priced
interior decorator's van is seen outside). Sending your hubby
out to wash windows, cut grass, and wash cars does very little
for Lady L, but as I've said to her many a time, if we have to
have the holidays in Mustique every year, then something has
to give.
No doubt many of you will have heard of the Spring
Pingfest, which took place in London last Sunday. I couldn't
make it - in any case I'm a bit of a shy retiring type and to
be honest the big smoke isn't my cup of tea since we escaped
many years ago. However, it sounds as if everyone had a great
time and made many new friends. If you don't have Web access
to visit the photo pages, I can truthfully say that they appear
to be a completely normal looking bunch (I'm not sure you could
say that about the regulars in some other newsgroups !).
While they were all sleeping off a pingful of hangovers,
I was spending Sunday walking about the Peak District. It was
an absolutely glorious day, topped off with a couple of hours
in the garden of an excellent pub, whose location shall remain
a closely guarded secret. A pint of well-kept Theakstons goes
down a treat in the sun-drenched garden of a typical British
country pub in a quiet river valley. Then the chef appeared mid-afternoon
with the news that they had over-catered for Sunday lunch and
would we care to finish off the surplus roasties and Yorkshire
puds on the house. Does life get any better than this ?
On that note, it's time to sit down, relax, and let
the opening bars of that famous theme tune gently introduce the
latest goings-on in the terraced streets of Weatherfield...
(One last thing, if all the letters on the left side
of the keyboard look a little faint this week, it's because my
left arm's a bit wobbly after I gave blood on Monday and the
nurse managed to lean most of her body weight on the vein after
the needle came out. In true stiff upper-lip tradition, the whimper
was barely audible. Anyway, the arm's still a bit funny. Just
as well they don't use my beer-drinking side !!)
Act 1
Nick is rushing downstairs to check the day's post, before Leanne
follows him down. He opens one envelope to find a hand-written
letter with a prison stamp at the top, which he hurriedly stuffs
in his pocket as his unsuspecting wife appears. Leanne is still
worried about the prospect of Darren Whately getting in touch,
but Nick assures her that they have been worrying about nothing.
"You would tell me, if he did write ?", she asks. It
must be too early in the morning for the normally unerring female
intuition to tell her that Nick looks altogether too shifty. For
a plank.
In Fiona's salon, Audreh and Fi await Maxine's arrival
with interest. Come on love, tell us all the gory details, they
encourage her. Maxine is very deflated, however. She explains
about the mix-up over the venue, and how she spent much of the
evening in the Rovers instead. Fiona is barely able to conceal
a terrific smirk behind one hand, especially when we hear that
Les rounded off the date in style by tipping a pint of beer over
the, ahem, "new" dress, as a result of which Greg drove
Maxine home to find out that she was still living with her parents.
[Gawd, I thought parents these days were having trouble getting
rid of their adult offspring before the age of 30, it's almost
uncool to be in your own place. Eee, when I were nobbut a lad,
it were out of t' door at 17, and don't forget to phone home.]
Maxine concludes that she has "blown it" with Greg.
In the hospital, Liz talking to Jim's doctor. She is
worried that Jim does not know how serious his condition really
is, and they agree that it is time that he is told. Liz and Steve
will be there, for support. Imagine that ! You're in deep poo,
but your slapper ex-wife and son who hates you will be there to
hold your hand. Just hit the switch, Jim, we understand.
Back at Ashley's house, Martin has come round to see
Nick, who is fiddling with the grip on his tennis racquet. [Tonight's
episode of Coronation Street is sponsored by Slazenger.] R Gail
is still worried about Nick and thinks there is still something
bothering him. Is it something to do with his Dad's death [by
woodworm, we recall] ? As Martin gets nearer the truth, Nick becomes
animated [tis a sight to behold, but there is *much* better to
come], suggesting that R Brian's death suits Martin fine, what
with him getting together with Gail. Martin is understandably
annoyed with this idea, and points out that he has never tried
to be a substitute Brian, for one thing his facial expressions
are too numerous, and in any case Gail and Brian had been separated
before his death. Nick concedes that this is true, but he still
wants to know why his Dad died. Martin tells him that there was
no reason, and that Nick is just torturing himself by continually
thinking about it. Eventually, Nick asks to be left alone.
In the corner shop, Fred asks Ashley if he is off to
the hospital again that day. "In me dinner break", replies
our hero. Ashley thinks that his uncle is gloating over the situation,
having been proved right. "Not at all, in fact I'd grown
quite accustomed to Zoe", replies Fred, but undoes this by
adding "even if she were an unsuitable mother". He again
tells Ashley to cut loose, and to his surprise Ashley tells him
that he has already decided to do so.
Chez Battersby, Les is on the phone to his mate, Charlie,
asking, nay demanding, a loan of his car the following evening.
It appears that although Charlie is none too cooperative, Les
has some hold over him by way of a shed-full of dodgy car stereos
that he is minding, and Charlie reluctantly agrees. Toyah just
misses the tail end of this conversation as she walks in, wondering
why Les is looking so cheerful. As he tries to tell her this is
his normal demeanour, she grunts at him. [No really, just picture
the typical teenage response to most things not directly affecting
them.] [Incidentally, the Battersbys own the most tacky phone
you have ever seen, some sort of illuminated clear plastic monstrosity
in a garish pink and purple effect.] Janice arrives, with the
good news that she has a rare treat for their tea, one of Fred's
large meat pies, those gravy granules that you like, and some
real new potatoes. She is in such a good mood, she suggest they
go out for a curry the next night, but Les fobs her off with his
story that he has already agreed to go out with an (unnamed) mate.
"You don't seem to want to be with me", she says, on
hearing that he won't change his arrangements, "I make some
effort for you, and you panic". How about next weekend, Les
suggests.
In the Rovers, Vera informs Jack that there is 25 quid
missing from the petty cash box. In the background, Samantha is
looking very suspicious. Audrey arrives to find Ashley nursing
the remains of his drink. She suggests that he should get back
together with Maxine, "as you're a right miserable pair this
morning". Cheered by this, he leaves pronto. Vera asks Samantha
and Natalie to come through the back, for a quick word.
Wherever Zoe is, we find her with Ashley as she is
getting herself a cup of something from the vending machine. "It's
not very nice, they think us loonies won't notice", she tells
him. Ashley looks grave, and tells her that he has something important
to say. But before he gets to say anything further, Zoe, who is
looking much more cheerful, tells him how well she is feeling
and how much the group therapy sessions have helped her cope.
She thinks she will be out soon, and says how the incident at
the canal seems ages ago, and how sorry she is for what she did
to Fiona. Ashley is still struggling to get his words out as she
explains how much it helps her to know that he is there for her
too.
In the funniest thing we have seen for some time, we
cut to the prison where Darren is handed a phone by a warder.
It's R Nicky, who has decided to call. [Is this *really* allowed
? I wonder.] The only problem is, someone has overloaded Tilly's
brain with directions, and his face takes off in some strange
gurning competition by itself. We imagine it is supposed to be
barely suppressed anger, but it comes across as hysterically funny
instead. Darren puts the phone down on the near-silent nutter
at the other end.
Intermission
Amid the usual collection of dross, we get one for the Sun, which
dedicates itself to "the people of Britain". I nearly
launch my slippers at the box in protest at this condescension.
If there's any Aussies out there, *please* take that Murdoch back
! We'll repeal all your sentences, honest.
To be fair, there are some better adverts to be seem,
but the break in the middle of "the nation's favourite"
[that's Cadburys' slogan, we'll agree with that at least] often
seems to sport the worst of the crop. Even the British Telecom
commercials are rising above the average at the moment, helped
no end by some nice choice of music. I know it sounds rather naff,
but "Come Up And See Me (Make Me Smile)" by Steve Harley
and Cockney Rebel [yes, ok, "who?" I can hear some of
you saying] is one of those songs that always makes me feel better
whenever I hear it. It does make me smile. I can only plead it
is reminiscent of a defining era in my life, probably the one
with the spots and the huge feet and the first 5 chest hairs.
More of my "happy tunes" would include Louis Armstrong's
"Wonderful World" and the incomparable Van the Man telling
us about his "Brown Eyed Girl".
Now where we ? Oh yes...
Act 2
It's showdown in the back room of the Rovers, as Vera confronts
the staff about the missing 25 quid. Before you can blink, Samantha
is telling her how she would be very offended if she was accused
of dishonesty, which of course she isn't, not just yet, no at
the moment it's just a mystery. Anyway, "only you and Jack
have a key", she announces. Natalie admits that she has a
key too, but that she hasn't been near it that day. Jack has,
though, to pay the window cleaner, and he often forgets to take
the key out. We leave them with arms crossed pointing fingers
at everyone else.
Zoe is still bubbling over with new-found joy in life.
Ashley is doing a fine job of looking really awkward as he again
tries to break his news to her. But it's full steam ahead as she
tells him they should both get away, to London, and start a new
life there. Together. Ashley looks like his world is falling in
on him again and he is powerless to do anything about it.
Steve is buying something in the Kabin, as Rita asks
after Jim. Steve admits that his Dad may never walk again. She
wishes him luck as he leaves, as Leanne comes through with a cup
of tea. She observes that by contrast, things are going really
well with her and Nick at the moment. [Remove those blinkers,
young lady !]
Jack and Vera are discussing the missing cash. Vera
suggests that the finger of suspicion is pointing firmly at Natalie,
as Samantha enters. She has come to stick up for Natalie, by way
of reminding Vera that even if she had taken the money, she was
probably upset at the lost ring incident. [With friends like that...]
On the way back to the bar, Sam places a key in a jacket pocket
in the hallway. So now we know.
In the hospital, the Macdonald clan have gathered,
along with Jim's doctor. Jim is still concerned that he can remember
very little from before the accident. [The sight of Liz's hair
or Steve's cadaverous pallor appears not to bother him however,
so it must be months lost, presumably.] The doctor tells Jim that
the future is not certain, but it's possible that he may never
walk again. Either way, he will need a wheelchair in the near
future. As the doctor leaves, Jim stares into space. Steve looks
as if he is trying to remember whether it's next week he's due
for some more sleep, or the week after.
Janice and Les and Greg are having a drink in the Rovers.
Charlie arrives, and Les takes him to one side to avoid anyone
else overhearing their conversation. Charlie offers Les his pickup
instead of his car, claiming that he is taking his own wife out.
Les informs him that has someone to impress, and he needs the
car. In the background, it almost looks as if Greg has clocked
some of this, but if he did nothing more is said.
Martin advises Gail to leave Nick alone with his problems,
whatever they are.
The Muppets arrive, and on seeing Greg already there,
Maxine turns to rush off. Fiona is enjoying it all too much though,
and shoves her towards the bar. Greg apologises for the earlier
disaster, and tells he would like to take her out again. Maxine
gets that "ooh, I think me knickers are on the way down again"
look, and Greg suggests they have dinner in his hotel the following
evening. [Rumpeh pumpeh alert !]
Ashley is back home, telling Nick that he hadn't been
able to tell Zoe that it was all over. Leanne bursts in, sporting
a bottle of something fizzy to celebrate her pay rise. "We're
so lucky !" she gushes. Nick looks as if he has just crapped
himself. [What a tangled web we weave, my mother used to say.]
Back at the hospital, Liz is begging Jim to say something
- he looks almost catatonic. "There's still hope. We'll help
you fight." Jim retorts "Aye, you can help push my wheelchair
!". Liz bubbles on about how they've tidied up the house,
and how he'll also get visits from the occupational therapist,
and a social worker. This sends Jim over the edge and he struggles
upright and sweeps everything off his bed tray angrily. "If
that's all life has to offer me, I'll top meself first !".
This episode was written by Maureen Chadwick.
Another middling episode this week, with lots of different
storylines all moving on, some involving, some just fluff. I
think it's time Samantha just upped and left. After a reasonably
promising start (the biker chick with the mystery past) she's
now been turned into the psychotic ex-lover. Boring. (And the
fake tan is irritating.) I can't make up my mind what I want
to see happen to Jim. He's another character that lurches between
the friendly happy-go-lucky mate, and the alcoholic soak. Or
the suicidal paraplegic, as at the moment.
Overall rating (out of 5 stars): ***
Best line: Oops, I haven't noted much dialogue this
week. There was a nice bit of repartee when Audreh prompted Ashley's
rushed departure from the Rovers, saying "Young folk, I
just can't understand them !". Natalie responded with "I
think it works both ways, Audrey !", and turned to the till,
leaving Audrey bemused.
Best scene: Well, best and worst this week. I really
can't describe what Nick looked like on the phone to Darren,
but if you can imagine he might have had something in one eye,
was trying to look at the corner of his mouth with the other
eye, while simultaneously straining against some particularly
bad constipation, that's somewhere in the ball park ! It was
hilarious.
After all that, it *is* raining now !
Signing off, John Laird
Monday 18 May
Greetings one and all
My head is still slightly fuzzy after the London ping,
but I'm bravely soldiering on, after all a promise is a promise,
even if the promise was made after consuming large (and I mean
LARGE) amounts of Theakstone's Bitter. But I promised to do Deweys
Monday update, and here it is in all its glory.
But before I tell you about tonights show I have an
apology to make. A long long time ago, when I was doing a regular
spot as an updater, I started to tell you about my experiences
after deciding to follow in Jon Lindsay's footsteps. Well, I started
but I didn't finish, and a few people have mentioned to me that
they are still sat on the edge of their seats awaiting the second
and final installment of that sad tale. I would love to continue
with that story here and now, but I won't. But I promise that
the next time I do an update, or maybe the time after, I will
put you all out of your misery and tell you what happened.
So, without further ado, it's on with the show......
here are some of the comings and goings on Coronation Street on
Monday 18th May.
The show tonight was sponsored by a chocolate manufacturer
who,s name I forget, maybe it was Nestle or Rowntree.
Nick and Ashley are sitting down to breakfast when
the postman arrives bearing bills, bills and more bills..... and
a letter for Leanne. It's a letter from that nasty man in prison....
noooo.... not Jon the lying fake ex-pilot.... it's from the nasty
man who did us all such a big favour all those years ago when
he dispatched that ugly bloke with the big muscles and no acting
talent...... R Brian. Nick is anxious to hide the letter from
Leanne, but Ashley wants to know why. Eventually Nick has to admit
to Ashley what a total prat he's been in writing to the aforementioned
villain. Ashley seems to understand and lets the matter rest....
for now at least.
Big Jim is still in his hospital bed so he is. A slightly
less frizzy Liz comes to see him. Jim isn't feeling too happy
with himself. He tells ex-wifey that he's been lying awake all
night asking himself 'why me?', and that as dawn broke he realised
the answer. The answer is 'Why not?'. Liz tells him that he has
a lot of faults (nice woman) but then she goes on to tell him
that he's never been a quitter, and that it's up to him whether
or not he ever walks again.
Back with Nick and Ashley and Nick opens the letter
that is addressed to Leanne. It's a prison visiting form. The
chappy who Nick wrote to now wants Leanne to go to visit him in
jail.
In the corner shop Fred is complaining to Maude about
Ashley being late for work. Just then Ashley arrives. Fred congratulates
Ashley on giving Zoe her marching orders, but Ashley once again
disappoints his uncle Fred by telling him that he is standing
by Zoe. 'Mrs Grimes' says Fred to Maude 'talk to the lad will
you?'
In the Rovers Vera asks Natalie for her key to the
petty cash box. It looks as if she suspects Natalie of being less
than honest. Meanwhile Les comes in and taps a pint off Gary.
He tells Gary that he's playing away from home tonight, and just
in case Gary is too daft to understand what he means he spells
it out. He says that he's going to be 'seeing' Gregs mum and he
goes on to say that she's a very lucky lady to be on the receiving
end of his dubious charms.
Then it's the adverts - so here's an advert....
In October there's going to be a bit of a do in Blackpool.
It will be advertised on ratucs relentlessly, so you have no excuse
for not being there. If the London ping on Saturday is anything
to judge it by it will be totally excellent.
SOOOOOOOO........ be there or be an EastEnders fan
and now back to the show......
Les comes downstairs in his best suit. Janice wants
to know what he's up to, so he gives her a cock and bull story
about how he's going out with his mate Charlie West (the bloke
who sold him Teresa Turkey at Xmas) to talk business. He says
that they're going to start selling turkeys in a big way. Janice
doesn't believe him but doesn't seem too bothered as he slams
the door behind him.
Les meets Charlie in the Rovers. Les asks Charlie if
he's got the car. Charlie says that he has and that it's the Jag,
but tells Les to be careful because the bloke who it belongs to
doesn't know that he's lending it to him. As they finish their
drinks and set off Les says that he'll drop Charlie off at another
pub. He doesn't want Janice to find Charlie in the Rovers after
he's told her that they're having a business meeting.
Nick calls in to see Martin to apologise for the things
he said to him. Martin says it's OK and that sometimes it's good
to get things off your chest (Why is Martin always so bloody understanding?
I'm sure he's not human).
Les arrives at Greg's mums house in the Jag. He's stopped
off on the way to steal a bunch of flowers from a grave yard.
When she answers the door Les tells her she hasn't changed a bit,
she says that he has, but that as soon as he opened his mouth
she knew it was him.
Maxine is at a hotel having a meal with Greg. Greg
is telling her what a hard childhood he had, and that his mum
brought him up single handed in Warrington. Strangely enough he
never mentions where he acquired his London accent, but maybe
that's the way they speak over in Warrington, although I think
not.
Back at Greg's mums house Les is making himself at
home. He tells Moira (Gregs mum) that he used to have a house
like hers, but that he sold it and bought a 'nice little pomme
de terre' instead. 'Pomme de terre?' asks Moira slightly baffled
'It's French' says Les 'it means little pad'. Moira smiles to
herself and pours them both a drink.
Moira sits on the settee and Les sits very close to
her and mentions that she must have been heart broken that she
couldn't find him to let him know that he'd got her 'up the duff'.
Moira doesn't seem to like the way the evening is going.
In the Rovers Natalie is arranging a date with Des,
but finds that she can't get the time off work due to the wicked
witch of the west (Sam) being away for a week.
Back with Les and Moira Les pats her on the bum and
tells her that's she's still a good looking woman. Moira seems
to be finding it hard not hitting him....... I'm finding it difficult
even watching this storyline..... the bloke who plays Les is SUCH
a bad actor.... but I'll wade through this rubbish cos it does
have a promising outcome. Les notices the staircase and says that
he bets that it goes up to the bedroom (full marks for subtlety
Les). Moira decides to put the flowers Les bought her in water.
She sees that there's a card in the flowers, 'Gone but not forgotten'
she reads 'from Pat and Eric and all at number 94' on reading
this she realises that Les must have pinched the flowers from
a graveyard. Moira is not a happy bunny. She tells Les that he
hasn't changed, that he's still the lying conniving low life toe-rag
that he always was.
Steve has joined Liz at Jim's bedside. Steve offers
to pay for someone to look after Jim when he gets home. Jim says
that he won't let him do that.
Then we're back with Les and Moira. She tells him that
Greg has told her all about him, including Janice. She goes on
to explain that she really doesn't like him very much and she
tells him that its obviously her money that he's after. Les says
that if he was after money he'd tap off Greg. Moira tells him
that the only money that Greg has is the money she gives him,
and that if he doesn't get a job soon that she'll stop giving
him that. She tells him to get lost, whacks him over the head
with the flowers, and slams the door behind him.
Back at the hospital Liz tells Jim that she'll come
in to do all his cooking and cleaning when he gets home. He seems
to prefer this to Steve's offer of paying someone else to do it.
In the hotel Maxine and Greg have finished their meal.
Greg asks her if she wants to come up to his room for a night-cap
or something. Maxine giggles and I wonder if this is a case of
history repeating itself, like father like son and all that.
Les is driving the 'borrowed' Jag. He's drinking beer
as he drives and is telling himself that Moira is just a bitter
woman. He tells himself that she had no right to call him a loser
'there's no way I'm one of them' says Les as he crashes into the
back of a stationary police car!
Remember earlier when I said that the Les storyline
had a promising outcome? Well we all know how much Brian Park
likes police stations and prisons in his version of Coronation
Street, so maybe this is his way of getting rid of Les. There'll
be a quick court case and Les will get sent down, and we won't
have to suffer his awful lack of acting talent any more......
hooray!
So that's the end of another update. I hope I haven't
offended anyone by saying what I really think about certain aspects
of tonight's show.
Until next time I'll say.......... Bye for now
Ian Harding
Wednesday 20 May
Dear Update Readers,
I once asked Glenda Young whether she liked opera.
"Oh, I don't mind her," she replied, "but I prefer
Ricki Lake." (Didn't I tell you that Durham was a cultural
wasteland, twinned with the Gobi Desert?)
Opera, someone once said, is when a guy gets stabbed
in the back and, instead of bleeding to death, he starts to sing.
Some people disparage opera because of the outlandish plots,
while others find the 'talky bits' far too artificial for comfort.
I've yet to find anyone, however, who doesn't like the odd dramatic
aria every once in a while. Unlike my taste in men, which is
pretty wide-ranging (i.e. anything with a pulse, basically -
and even the pulse is optional), my taste in opera is selective,
with Puccini and Verdi coming out on top every time. However,
while opera has been a source of great joy for me down the years,
recently it has started to become a right royal pain in the ass.
Let me explain.
Someone once said: "Try everything once - apart
from incest and folk-dancing." Well I would add another
experience to avoid: don't go to bed with a second-generation
Italian taxi-driver who, at the 'point of no return', suddenly
starts singing at the top of his voice. Singing opera. And singing
opera very badly indeed. Where others would grunt or groan, or
shout "Yes, yes, YES!", C suddenly murders "Un
Bel Di" from "Madame Butterfly", or mauls something
from "Aida". And it carries on and on, right through
the post-coital fag, into the shower and out again, before trailing
away mercifully as the kettle whistles and the coffee is poured.
(I ask myself, Is this how Kiri Te Kanawa did *her* training?
Is that why Jose Carreras's growth is stunted? The mind boggles).
But even worse than C's voice is the fact that the walls of his
flat are paper-thin. Yet instead of banging on the wall to tell
him to shut up, his irate nextdoor neighbour (a dead-ringer for
RATUCS's very own Rattler) tries to drown out C's caterwauling
by playing Abba music at full volume. And here am I in the middle,
trapped in stereo terror, with "Dancing Queen" on one
side and a hopelessly tuneless opera queen on the other. (A fact
to which the awful pictures of me at the Ping will testify. Vivienne
Smith got it spot on when she described me as a cross between
Euan McGregor and Dracula. Add to which I was smashed out of
my head and you'll see why, as Glenda Young herself admits, it's
more a caricature of me than me myself in those photos. Ian Harding
will be hearing from my solicitor shortly). Anyway, C has said
that he'll try to curtail the long arias from "La Boheme"
and go for short snatches of "Rigoletto" instead. It
could be worse, I suppose. I just thank my lucky stars that he's
not second-generation German, because fourteen hours of Wagner's
"Ring" would definitely push me over the edge.
But enough of these operatic orgasms and on to:
The episode opens in Warrington police station, where
Les is being held on charges of drunken driving. Les is desperate
to be out of there, but the arresting officer refuses to let him
go until it is established beyond all reasonable doubt that Charlie
West (Les's criminal mate) was the one who lent Les the car in
the first place. The officer tells Les that he should ring his
wife, not least because he (the officer) loves those kind of calls.
(A sadistic British police officer? Surely a contradiction in
terms?! Remember the public awareness campaign a few years back?
"Give the police a helping hand: beat yourself up!")
Anyway, Les gets to make a phone call, but not to Janice.
Talking of Janice, she's doing what wives and lovers
since time immemorial have done: she's curled up on the sofa,
mascara tear stains on her face, waiting for her man to come home.
(Come on girls, and some of you guys, we've all been there, done
that, bought the T-shirt, slept with the T-shirt seller. Well
I know I have.) Janice clearly fears the worst, namely that Les
is out with a woman. (And that's the worst? There's many a time
my parents waited up for me to come home under similar circumstances,
and they would have been cock-a-hoop if I'd been out with a woman!).
Anyway, Toyah - God bless her - is on hand to provide sympathy,
which she does with all the subtlety of a ten-minute blowjob on
a crowded bus. "He's winding you up," she says. "You
get all dolled up; he stays out all night and now you stay up
waiting for him! Anyway, he can't be with a woman: who'd look
at *him*? The only women that would look at him have white sticks!"
A tearful Janice retorts: "You might not think that Les is
all that much, but he's all I've got!" (Not true, Janice,
I know someone down in Kidlington who'd have you like a shot!).
Toyah, however, is not convinced. "So what are you going
to do? Sit up all night and wait till he rolls in so you can check
to see if he's got lippy on his collar?" Janice cries out
in exasperation: "Yes, Toyah - that's what you *do* when
you're married."
Now, boys, do you remember that little trick you picked
up when you were with the Scouts? (No, Dewey, not *that* one!).
I'm talking about rubbing two sticks together. Well, in the opening
shot of the next scene, we see just that: two sticks of wood (Maxime
and Greg) rubbing together. Yes, it's tonsillectomy time, folks,
and Maxime and Greg are giving it their all. But there are no
sparks and thus no flames: this pair can't even snog convincingly.
And yes, Greg's still wearing brown, doing for that colour what
John Major once did for grey, but with less panache. (Mike Plowman
in his CSVU page, commenting on Greg's penchant for brown, asked
whether there were such things as brown condoms. Well in my experience,
Mike, all condoms are brown - eventually..). The Woodentops move
slowly to the bed, but not before Greg suggests they have a drink.
"Why?" simpers Maxime. "Are you trying to say you
need Dutch courage?" Greg smiles a toothsome smile and says
nothing, pouring Maxime a glass of champagne instead. "Ooh,
champagne", trills Maxime. "One sip of champagne and
I have to lie down." (A girl after my own heart, clearly!
Only with me, the champagne is optional). And so they move to
the bed and resume the lips-and-tongue stuff, but then, just as
they're about to throw caution to the winds and make the 'beast
with two backs', coitus interruptus strikes - in the form of a
ringing telephone. Greg whips out his mobile only to find that
it is Les at the other end. Les is in trouble and needs Greg's
help. So what does Greg do? He leaves Maxime dangling and rushes
off to help his dad. Top man! Greg tells her that he'll be back
in an hour and then rushes off to do his good deed for the evening,
leaving Maxime alone and frustrated.
At the Rovers, Ashley and Gary are discussing Zoe and
her eventual release from the Weatherfield equivalent of Bedlam.
Ash tells Gary that Zoe is looking forward to coming home - something
which Gary can't quite understand, given all of the bad memories
that 'home' (i.e. the Street) must hold for her. But Ashley is
adamant that all will be well. Gary tells him what a sterling
chap he is for having looked after Zoe so well, and that she should
appreciate what a wonderful chap she has. (Too true! Guys like
Ashley are rare diamonds in the stinking black slagheap that is
known as the 'world of the male', RATUCS men excepted, of course).
Also in the Rovers is Steve 'Cadaver Boy' McDonald, who is telling
Vera that Jim has refused Steve's offer of a full-time nurse.
"That's ridiculous," says Vera. "He can't cope
when he's up and about, let alone the state he's in now!"
Steve says that Jim wants La Mouton - and La Mouton - alone to
nurse him. (Obviously Jim is enjoying his vegetative state and
wants it to continue as long as possible.)
At the cop shop, Greg has arrived to bail Les out.
"I'll vouch for him," Greg says to the arresting officer.
The arresting officer isn't that impressed. It still isn't clear
that Les has been telling the truth and the police are waiting
to confirm whether Charlie West exists or not. Meanwhile, Les
tries a bit of bribery and encourages Greg to slip the officer
something. A couple of hundred should do it, Les asserts. "Don't
even think of it," warns the officer. Greg says that he would
never stoop that low. (Why on earth not? After all, you're going
out with Maxime, aren't you? If you can slip her something, you
can do the same to the police. Having said that, while I don't
condone bribery, the occasional "Ooh, excuse me, officer,
but I appear to be sitting on your face" is an excellent
way of avoiding parking fines. Allegedly). Eventually, word comes
through that Charlie West does, indeed, exist, and Greg is allowed
to take Les home. "What will you tell Janice?" asks
Greg. "Well if I tell her I was in Warrington," says
Les, "she'll know exactly what I was doing." Alarm bells
begin to ring out in Greg's head. "And just what *were* you
doing in Warrington?" he asks. "I was seeing your mother,"
answers Les. Greg attempts a pissed-off look, but fails. "Just
when I thought things couldn't get any worse," says Greg,
shaking his head. (Which sums up exactly what I thought of the
acting in this scene. Talk about wooden! The actors in this scene
gave us a virtual forest).
Back in the hotel, Maxime is lying on the bed with
a bottle in her hand. (Could anyone be *that* desperate?) But
no, she's drinking from it, trying to forget. (Some drink to remember;
others to forget. Maxime drinks because it's in the script, and
she can't even do that convincingly).
Les and Greg arrive back at the Battersby residence.
Janice, in full harridan mode, pounces on Les as soon as he comes
through the door, but Les jumps in quickly to pre-empt her by
saying that he has just come back from the hospital, a fact to
which Greg will attest. Janice, like women/suckers everywhere,
melts immediately and comes over all compassionate. Greg tries
to look embarrassed, but just looks, well, like Greg. Brown and
unconvincing. He wants to leave, to get back to Maxime, but Janice
is having none of it. She sits him and Les down and begins to
listen to their story.
Back at the hotel, Maxime is emptying the contents
of the mini-bar into her bag. (Just a little point here. I've
probably been in more hotel bedrooms than the Gideon Bible, and
never, ever, have I seen a mini-bar so well-stocked. Just a point.)
Anyway, she calls a taxi - the bill to go on the room account
- and heads back to Weatherfield.
[The commercial break came at this point, and not a
moment too soon in my opinion]
At the House of Elliot, Leanne tells Tilly that he
looks pale and asks him whether he's okay. ["Okay?"
says Tilly. "What kind of question is that? I can't act;
I've got a zit on me forehead so big it could double as Vesuvius;
and I'm a mincing nelly with a lower sperm count than half the
women in this street. And you ask me if I'm okay?!] Actually,
Tilly doesn't say this; he just shrugs it off and says he's fine.
When Leanne has gone, Tilly takes out the visiting order sent
by Darren Whately. Ashley, for it is he, sees the order and grills
Tilly over it. "You haven't told her, then?" he says.
Tilly says that the only thing he can do now is see Whately himself.
"I'll see him and tell him to leave us alone," he whimpers.
Ashley shakes his head, wondering what the youth of today are
coming to.
At the Battersby residence, Les has turned things around
completely for he is now being feted as a hero, complete with
breakfast on a tray. "I want everyone who thinks you're a
waster to know what a hero you are," beams Janice, "for
pulling that Charlie West out of his burning car." (Wonderful!
I've used some outrageous excuses in my time, but Les must surely
win an award for the most inventive!) Les, naturally, wants to
hide this particular light of his under a very big bushel, but
Janice is clearly ready to tell the world. (No problem there,
Janice, just give Audreh 'CNN' Roberts a ring and she'll do it
for you). "You're far too modest, Les," gushes Janice.
"By the way, are you going to see that Charlie West in hospital?"
Les's toast turns to stone in his mouth. "Cause if you are,"
continues Janice, "I'll come with you and give him a piece
of my mind. He could have killed someone, driving in that state.
He could have killed *you*". (I take it back about the excuse!)
At the hospital - the one where Charlie West isn't
lying with third-degree burns - our vegetating Irish brickie friend
is telling La Mouton, who has just come back from a tea break,
how much he appreciates her giving up so much of her time. La
Mouton smiles and says it's the least she can do. (Too true; having
shagged Jim's best army mucker all those years ago, you don't
deserve a tea break, dear). Jim says that Steve has been telling
him about the accident. "But it's as though he's talking
about someone else," Jim moans. La Mouton tells him that
everything will be okay. (Oh how I hate it when someone tells
me "everything will be okay". In my experience, those
words are nearly always a precursor to a huge load of shit hitting
a very big fan.) Jim is not as stupid as he looks. "No, Elizabeth,
it won't be okay! My legs don't work and I don't even know why
I'm lying here." (It would have been unkind of her, granted,
but La Mouton could have picked up on Jim's sudden need for truth
by mentioning that awful tank-top; but not even she could be that
cruel. And why, while we're on the subject of bad taste, have
they shaved Jim's eyebrows?)
We move now to the Kabin, where Leanne has just poured
tea for Rita and herself. Rita, her back turned, says "Thanks,
Mavis." "I may look rough this morning," chirps
Leanne, "but when I looked in the mirror it wasn't Mavis
Wilton that was looking back at me." Rita laughs. "I'm
turning into me mother," she says. "She'd call me Peggy,
George, Arthur - anything but Rita!" Leanne smiles wryly
and says: "I suppose it hits us all eventually, becoming
senile." "Yes," says Rita, "and since I'm
so old, and need more beauty sleep than you do, you can get up
at six in the morning and do the papers! And you can get that
husband of yours to help you!" Rita is joking, of course,
although her concern re: Tilly's recent treatment of Leanne is
quite serious. Leanne tells her that everything is back to normal,
while Rita expresses her fear regarding the danger that Tilly
was putting Leanne in by contacting Darren Whately in her name.
"Oh, he realises what he did was wrong, and he's now forgiven,"
says Leanne. Rita beams. "I always thought he was a nice
boy (sic)," says Big Red, "and I'm beginning to think
that he's made a good choice in you too." Now it's Leanne's
turn to beam. [Maxime and Greg, take note: if you want a masterclass
in good acting, watch Rita and Leanne at work].
Talking of Tilly, the next very short scene is a shot
of him entering HM Prison Manchester. What is he trying to do,
pass himself off as Leanne? Oh well, no problem there then.
We move on to the Rovers, where Janice has already
broadcast the news of Les's heroic deed to an amazed Jack and
Vera Duckworth. Jack is so impressed with Les's valour that he
pulls him a free pint. At this point, an irate Maxime enters and
joins Les and Janice at the bar. "I don't suppose you've
heard; my Les is a hero!" bubbles Janice. Maxime sneers that
*she'd* heard that Les was in jail. Les says that the jail bit
was all a pretext, and Maxime moves off in a huff. Maud and Ashley
are also drinking together, and Ashley is telling Maud that he
plans to take Zoe on holiday as soon as she comes out of Bedlam.
"You should be sure of what you want before you go on holiday,"
Maud advises. Ashley nods his lickle head, and talks of walking
around the Lakes or hiking on the fells. "You really get
to know someone when you go on holiday with them," opines
Maud, thus contradicting her earlier statement. (But isn't that
what old women do best, contradict themselves? I mean, one minute
my mother tells me that she doesn't mind the fact that I'm on
the other bus; the next minute, she's telling me that she wishes
I were more like my cousin Charles. I wouldn't mind, but Charles
died at birth. See what I mean?). At this point, Greg appears
- still in brown. He tries to apologise to Maxime but she is having
none of it. (Just as she had none of it in the hotel, I suppose).
"I've never been so humiliated in all my life," she
says. "Stood up for Les Battersby!" (You got off light,
Maxime; I was once dumped for a woman called Sadie, so I know
a thing or two about humiliation).
At HM Prison Manchester, Tilly is trying to get past
reception. Amazingly, instead of trying to get through as Leanne,
which would have worked, he gives some spiel about Leanne being
ill, and how he has come in her place. The officer at reception
is having none of it, however, and shows him the door.
At 'Hair By Fiona' (a name which surely must be in
contravention of the Trades Descriptions act; I've seen people
come out of there with more hair than they went in with), Greg
has come to apologise yet again to Maxime. "I came ten minutes
after you left," he moans. (No comment, but wouldn't you
leave, girls?) Anyway, Maxime is not buying his sob story and
tells him so in no uncertain terms. Greg immediately has a hissy
fit and stamps off. "Maybe I'll call you up sometime,"
he snarls. "Oh, and you emptying that mini-bar cost me £67
quid." And then, in a puff of rancour, he is off.
Back at the House of Elliot, Ashley tells Tilly that
maybe it's for the best that Tilly never got to see Darren Whately
in prison. "Anyway, what will you do if you meet him?2 asks
Ashley. "I'll know when I see him," says Tilly, trying
for all he's might to look even a tiny bit macho and hard. "If
I'd seen him, it would all be over and done with. Until I see
him, it's unfinished business. I know that this is what I've got
to do." (This last line, as you've probably noticed, could
have been lifted verbatim from a cheap spaghetti western. On the
lips of Clint Eastwood, the words would have sounded almost plausible.
But on the lips of Tilly, the guy who makes Julian Clary look
like Charles Bronson? I think not.)
And finally, we move back to hospital, and that dysunctional
family to end all dysfunctional families, the McDonalds. Jim and
Steve are discussing the accident. Jim knows that there was an
argument, of sorts, but he needs to know what the argument was
about. Steve is dismissive: "You slipped, you fell, end of
story. Don't you believe me?" Well, to be honest, the sad
Irish brickie doesn't believe him. "Before I leave here,"
spits Jim, "I want to remember every last second of what
happened. Do you hear? Every last second."
And that's it, basically.
So where do we go now? Well I had intended to write
all about the ping, but this update is already several days late,
so I think I'll postpone all the salacious details until next
time. I've got a lot of dirt to dish and beans to spill. I care
not a fig for reputations and intend to tell *all*. Yes, even
about how I went down on one knee in front of Mike Plowman - bowing
before the Master Updater - only to hear him say, "Oh, and
while you're down there.....". And I shall tell you all about
Annie, and her participation in certain stag night rituals down
in darkest Soho. (There were men tied to lamp-posts, onion rings
and lashings of tomato ketchup). All will be revealed, in time..
Friday 22 May
Here we are again... not a Sunday morning though. Its
late, its Thursday afternoon. Nearly a week after the last programme
and here am I about to start my Update and the next one is tomorrow.
Apologies for the delay as you may have gathered, I have been
away for a few days with er downstairs.. a badly needed break.
Question: Where are you, if you go from New York to
Boston to Gibraltar all in the space of one afternoon?
Clue 1: New York is a hamlet, just half a dozen or
so houses..
Clue 2: Gibraltar has a nature trail but not an ape
in sight..
Answer: In Lincolnshire, England.
Now I didnt know that the Pilgrim Fathers had their
roots round that neck of the woods but its one of the many things
you discover when you travel around the country, discovering
pastures new. More on Gibraltar, a bit later
You also discover when you go away, that even though
you enjoy living on the edge of the countryside, in practice,
you are a townie. We went off on Saturday morning, for our break
in the caravan to a site about 30 miles south east of Lincoln.
We needed to get some bits and bobs the following day and figured
that Lincoln, as the biggest place for miles around, was the
best bet what we hadnt reckoned on was that the city would be
shut! I suppose when you live on the edge of the massive Greater
Manchester conurbation, you take things like Sunday opening for
granted - when even sleepy places like Ashton-under-Lyne and
Hyde are open, you certainly expect a tourist centre such as
Lincoln to be ready for business. Sure enough the shops and cafes
in the old city were open, but we were surprised that the majors
in the High Street couldnt be bothered so, no doubt, were loads
of other tourists who were around looking for somewhere to spend
their money. Such is life!
Anyway, back to Gibraltar well, the nature trail at
Gibraltar Point was like an oasis in a cultural desert.. first,
you have to make your way through Skegness. Now I readily admit
that I am not a great lover of the traditional garish British
seaside resort and Skegness certainly lived up to its gruesome
expectations. A mile or so of tacky shops, kiss-me-quick hats,
string vests, beer-gut bellies and all-over body tattoos.. and
the men were just as bad! Nope, you can keep this sort of place
what was wonderful was driving just over three miles through
the epicentre of this scene of devastation to come to an unspoilt
deserted beach, not an ice-cream vendor in sight, no more than
a dozen people as far as the eye could see and a lovely natural
habitat for wild-life each to their own
Anyway, the whole break was superb we had a great
time, very enjoyable, just the two of us, rediscovering each
other life after Simon, as we call it.. Hes 17 and having spent
a lot of time and energy bringing him up - none of which is resented
- its rather nice to start thinking of the things WE want to
do, for a change. So, both of us came back feeling a whole lot
better than when we set out.
Mind you, it isnt entirely life AFTER Simon hes still
around. Wed left him at home, with fridge and freezer well stocked
and some ready cash for the essentials in life, namely, beer,
beer, beer, and ermm, beer??? Those of you who are, or have been,
parents to teenage sons, know a thing or two about lads and their
voracious appetites He was inviting a mate or two round to do
what teenage boys do best the Grand Slobathon!
We tried to ring home a few times from the site, but
without any luck. Anyway, we finally caught up with him on the
phone around Tuesday lunchtime, only to find that there had been
a power failure at around 7pm on the Saturday evening. When that
occurred, our youngest and dearest had phoned for a pizza to
be delivered, quite forgetting that the simple fact that just
because there was no electricity (therefore no microwave and
no sandwich maker) didnt actually stop him cooking or warming
up something using the gas cooker or the gas oven. (this, incidentally,
is a lad who is an excellent and imaginative cook) But then commonsense
isnt exactly a commodity in abundance with teenage lads. "I
never thought!" was the excuse greeting us when we got back!
Anyway, hed then run out of money, having spent virtually every
last penny on beer, so he needed more so he calls on his Gran,
who is 89, to borrow some money. He proceeds to tell her that
he doesnt have enough money for food and, oh, by the way, he
is not feeling very well - he omits to tell her that the cause
of said impecuniary state and fragile nervous system is purely
self-inflicted, as his illness is nothing more than a king-sized
hangover.
So when we finally ring Gran, the heavens open up
and a ton of sh*t pours all over us you know the stuff, "how
could you leave my little sweetheart (hes the only grandchild)
alone in the house, without sufficient food and money, and when
he is ill, as well? And him coming to see me without a coat!
What sort of parents are you?" Hmm, the sort that came pretty
close to a murder charge once wed returned home! But, I suspect
we are not the first to be in this situation and we ruefully
put it down as another experience for the "Trials and Tribulations
of being a Parent" handbook.
Trudes mum is the sort who would have invented worrying
if someone had not done it before her. Accordingly, Rule 1 is
that you tell Grannies nothing. Rule 2 is that you refer to Rule
1. Anyway, divine retribution was granted because for every morning
after his visit to her, at 9:00 am sharp, shed ring him to ask
if he was any better. As he doesnt do mornings voluntarily, this
was self-inflicted injury number 2 and well deserved at that.
To cap it all, as if on cue, I have just taken a call from her
to him, asking whether hed like to go to Manchester tomorrow
morning, so she can buy him a nice new coat - now he wouldnt
be seen DEAD in a coat, so you can imagine how this gesture was
received as he succinctly put it himself, "I dont do myself
any f***ing favours, do I?" They say this is how we learn,
through pain. Well we can only hope
So what else? Well, those of you who are RATUCSERS
and ICRers will be aware that I decided to attend the Bollockpool
(sorry, Blackpool) ping in October and together with Roofy, will
also be organising a York Ping on August 1st. Er downstairs was
duly informed and has agreed to make a state appearance at both
events, as she put it "You know me, Im game for a pissup
anytime" Great relief all round More details as and when
A couple of items regarding the Blackpool do. I am
looking to organise some tours, particularly (but not necessarily
exclusively) with the overseas visitors in mindIt will be an
absolute joy to see you all. You may want to consider Manchester
as a base for a few nights following the Ping - this would be
a great place to enjoy and explore the delights of the friendly
North.... Id be happy to help sort out accommodation in the Manchester
area, if needed.
You guys will all have different ideas for what you
want to do while you're over here and, I wouldn't presume to
encroach on your personal space, but, if you are interested,
I'd also be absolutely delighted to set up some or all of the
following day trips:-
1. ITV Studios Tour
2. Around Manchester Centre and/or the new Dumplington Shopping
Centre which should be open by then
3. Chester
4. York
5. Derbyshire Peak District..
If the numbers stack up, I could hire a minibus and
we could split costs between us...
Perhaps prospective visitors could let me know what
they think of this idea and whether it might be of interest...
In addition, for those looking to travel from North
America, you might want to contact Sue Fisher shes an ex-pat
Brit living and working in the US as a Travel Agent .. she seems
to have carved out a niche arranging visits to the UK - I have
no connection with her, other than she is a fellow Update Reader,
so give her a call. Her e-mail address is sfisher@ismi.net
- she is also on ICQ as "uklady" UIN 383023.
Finally, finally, before we get onto the business
of the day, I was most amused to find that the Teletubbie saga
has taken another bizarre twist - on my return, I received a
number of puzzling e-mails commenting on how well I looked in
purple. Well, the mystery was resolved when I found that my mugshot
had been superimposed on the head of one of said tubbies and
posted for all the world to see - this has caused much mirth
in the family and you might as well share the fun by pointing
your thingy (as Dewey put it so succinctly) at the following
URL:- http://www.dur.ac.uk/~dlc4rjc/teletub.html.
Its a good job I have no sense of shame.. Gee - thanks Dewey,
MikeP and Roofy, you enjoy what is known as Corporate culpability.
At the end of the day, I suppose, all publicity is. erm, publicity
and with that, we move swiftly and, not before time, onto:
We join Samanfa in the Rovers - she was supposed to
be taking some time off to visit her folks, but she tells Vera
that she didnt bother, as apparently, she couldnt face it.. She
makes out she has a lot on her mind and Vera confides that she
is in the same boat, having to watch out for "Mrs Light Fingers",
this being a reference to Nasty Spumante. Vera asks Tango Girl
how much surveillance cameras cost, but Sam says its too much..
Sam asks to get behind the bar, because if she takes the rest
of the week off, then she will only waste her spare time. Vera
is reassured, as the more Samanfa is around, the less they need
of Natalie. They agree on Sam to rejoin mid-afternoon and Vera
gets Natalie to bring a small brandy over to Sam on the house
to "put a bit of colour back in her cheeks", adding
that when staff are loyal to her, she is loyal to them.
Martin is asking St. Ashley where he is thinking to
taking Zoe on holidays. Our Ash mentions Spain but is concerned
that Zoe isnt ready for somewhere foreign (poor boy, its Blackpool
with sun) - or then again, theres the Lake District, but Martin
thinks of it more as a day out obviously the Bowness trip rather
than Scafell Pike. Ash is not sure when she is due out, but it
is pretty soon and he cannot wait and his eyes light up and he
grins at the prospect.
Nasty brings over the brandy to Sam and comments that
she couldnt imagine Vera offering her a brandy, but Sam passes
it off by saying that V thought she looked under the weather.
When Natalie says that Sam does look a bit pale, Sam inisists
that she is fine.
We are at Chez Ashley. Leanne is trying to get Nick
to visit Zoe, but hes not for persuasion.. he makes out that he
promised to see his mother and that he cannot let her down now.
He maintains that she will have cooked something special and that
she has taken the morning off work so they can be together. Leanne
tries to get the guilt trip working by saying that Martin would
tell him how important it is to visit people when they are depressed,
but Nick dismisses this "what does he know, hes not a psychiatric
nurse?" Voices get raised as Martin tells her that he has
said hes going, so hes going and thats that.. Reluctantly, Leanne
accepts the position, while Nick tries to appease her by promising
to visit next time.
We are at "Fringes by Fiona".. Maxime is
telling the world, aka as Fee and Audreh, that Mogadon Man, sorry
Greg, was called away by an important business call. "Gre
was? At midnight? At a luxury hotel?" exclaims R Audreh disbelievingly.
However when she presses Max for the name of the hotel after telling
her she knows the name of every luxury, 3 star, 4 star or 5 star
hotel for miles around, Max is unable to recall the name. Audreh
says that the name will be on the freebies.. "the luxury
soap, the shower gel" but Fee points out that she doesnt
need to nick them from the hotel, as she has a supply available
to her at the salon. Max says that she would buy her own and Audreh
is quick to point out that she would never use the stuff they
inflict on their patients, sorry, customers. She asks Fee whether
she has ever thought of going a bit more upmarket, but Fee dismisses
this by saying that "its all in the five year plan".
"Oh, like he was, you mean!" retorts Audreh, qucik as
a flash, pointing at Morgue! Fee asks Max to dish the dirt on
what happened next in her torrid night out, but she says that
this was the cue for her coming home. Fee thinks she could have
stayed there and made use of all the luxury facilities, but Audreh
is quick to spot that she might have landed herself with a luxury
bill, adding that his name may be Greg Kelly, but he is half Battersby.
"Forget that at your peril, madam!" she concludes.
Leanne pops into the Battersby residence. Les is there
and she has woken him from his nap. After some banter, he accuses
her of being too smart for her own good and puts it down to her
marrying a Platt she corrects him by saying he is a Tyldesley.
"Where is he anyway? Youve usually got him hanging off your
handbag!" is Les enquiry - Leanne refutes this and says that
hubby has "gone to his mothers for lunch", adding that
she wasnt invited. "Theyre a right shower them Platts.. they
dont deserve a daughter-in-law like you" is his reply. Leanne
makes out that she doesnt care, that she doesnt want to eat their
rotten food, shed probably choke and the kids get on her nerves.
"Come here!" says dad, cuddling her, "Youre too
good for them, you! You should have married royalty!" Leanne
can barely stifle her laughter and this cheers up her dad "Thats
what I like to see, a smile on your face!" "You are
funny at times, you know" she says. "Yeah, Im noted
for it.. always was" he replies. She nods and agrees. She
then asks where Toyah is and is told that she is at "Lady
Mucks" and she is likely to be there all day "unless
she puts grated glass in the doughnuts." Leanne is disappointed
and tells her father that she is going to the hospital to visit
Zoe and was hoping Toyah would accompany her. In one of his noted
ironic statements, Les says "I dont know who dragged that
kid up but they made a right lousy job of it!" Leanne protests
that she feels sorry for her, as Zoe has no-one, whereas, if she
lost a baby, shed always have her Nick! At this stage I nearly
spluttered into my coffee - maybe its just me seeing double-entendres
where none are intended or maybe my sewer-like mind! Anyway she
goes on to add her father, Janice and Toyah to the list of support
available. She comments on how Zoe only took up with Ashley so
shed have somewhere to live and how they dont love each other
properly. Unlike Nick and her. Les comments on her romancing and
how she takes after him, as we conclude a tender and loving scene
between father and daughter.
Tilly has had his nosh at mumsies and offers to wash
up while Gail and Martin go to the pub - it was the best meal
hes had in ages and he wants to do the washing up himself. Now,
I ask you? What teenage lad would make an offer like that? They
normally have this wonderful sysstem of stacking debris, which
really takes some skill, ergo, I smell hidden agenda. Gail and
Martin gratefully accept the offer and disappear off to the pub.
Tilly tells the kids hed like to play on their computer and send
them off upstairs to switch the machine on. While they are out
of the room, he has a quick rummage through mums drawers. He opens
an envelope and finds an old press cutting with the headline "Life
Sentence for killer of local man."
Steve is at the hospital with Liz. He had hoped Jim
would be awake by now, no doubt so that they can discuss the finer
points of Italian architecture, but, alas, this is not to be.
Liz suggests that Steve goes as there is no point in him hanging
around. In fact, mate, why dont you do us all a favour!! He asks
his mum whether she would be bothered if he went away for a couple
of weeks - he seems a bit relctant to lumber Liz with all the
responsibility of looking after Jim, but wants to give Fee a holiday,
after the Zoe episode. Mum says its fine by her and that if Jim
knew what had happened to the baby, hed want Steve to go on holiday.
Steve agrees to ask Fee to see what she says.
Martin comes back home alone, as Gail has gone back
to work. Tilly tells him the kids are playing on the computer.
Martin tries to get Tilly to take the kids somewhere, but Nick
has seen what he wanted - he makes his excuses about having too
much college work to do and leaves.
Jimbo has come to. Lizzie pops back and tells him that
Steve has had to go. She encourages Jim to eat some food. "Come
on, just have a taste .. a mouthful" is Lizs plea, straight
from the CP phrase book. Liz goes into mummy mode and offers to
help him, but Jim aint amused "what are you going to do,
put it in my gob? Im not a baby, you know!" Liz says that
everyone is merely trying to help him get better but he says that
if that is the case they should stop treating him like an invalid.
She points out that he needs to get his strength back, but he
is adamant that he doesnt want it and besides, he is not going
to get his legs back, is he? Liz tries to says that its early
days and that nobodys sure, but you can see that Jim is not sold.
"One things for sure - that Ill not be walking again!"
She is equally insistent but he snaps and lashes out, scattering
the contents of the tray over the floor. "Well losing your
temper isnt going to help.. thats what got you here in the first
place!" cries an exasperated Liz. Jim picks up on this and
probes further.. he is anxious to fill the gaps in his missing
memory.. but Liz regrets her comment and becomes evasive. He begs
her to tell him what happened to cause him to have his accident
and lose his legs.
Doorbell rings. Des opens the door. Its Tango Girl.
She needs to talk to him.. there is something she has to tell
him. He tries to shut the door on her but she is insistent. "Theres
nothing I wanna hear from you" is his reply. "Youll
wanna hear this.. and Im sorry to have to say it on the doorstep,
I'm pregnant with your baby!" is her punch-line as the theme
tune comes in on cue for the
End of part 1
Advert time nuttin special , so onto
Part 2
Liz is with Jim.. she is recounting the accident. She
tells him he went to the building site, he wouldnt leave, he was
drunk, he wanted to fight. "God, I can see it now" says
Jim as his life story unfolds, "How many times do I have
to do this same bloody thing?" Liz carries on to tell him
that he was bragging about how Kevin had offered him a job and
how his own son had refused him, so he was rubbing his nose in
it. Jim recognises that, as always in these times, he was drunk.
Liz tells him that Steve thinks it was his fault because, maybe,
he could have stopped him from falling, but Jim conjectures that
it sounds as if he could have pulled Steve over with him (pity
that some things are just not meant to be!). Liz says that Steve
is racked with guilt. "Well hes a fool" says Jim (and
the nation agrees, but maybe not in the same context), "tell
him hes no reason to feel guilty." She tells him that Steve
is frightened and scared that Jim will not walk again. "Its
no more than I deserve" is Jims riposte, but Liz doesnt want
him to think this way, as it was merely a stupid accident and
that he doesnt deserve this. Jim tells her that he is not sure
that he ever wants to get out of this bed ever again, but she
points out that he must, if not for his sake, then for his son.
We are in the Rovers and Plasticine Head is telling
Fee about the impromptu holiday to Tenerife - she clearly doesnt
want to act on impulse (but, maybe, she has not seen the advert).
He maintains they can go and that Fee needs the break. She is
concerned about Morgan screaming but Steve is happy about that
- Morgue can scream for free as there is no charge for babies.
She raises another objection - what about the salon? He points
out that it will be another opportunity for Audreh and Maxime
to boss each other around, like they did the last time around.
Final objection is him leaving Liz with Jim, but he tells her
hes cleared that too. Obviously the bright little bunny is picking
his way through the "Overcoming Objections" Sales Training
Manual. And lo! She agrees to the trip
Maxime is talking to Audreh. She reckons that Greg
and her need somewhere private where they can be alone. As Audreh
makes her excuses to go to the lavvy, Les snides to Maxime "On
your own again, eh? I didnt think it would be long before you
got the elbow! No offence Maxine, but our Gregs a good lookin
fella." "Dont take after you then, does he?" is
her smart-alec riposte as her brain nearly blows a gasket with
the excess pressure. He maintains that Greg has his sights set
higher than a brusher-upper, but she corrects him that she is
a stylist! "Of course you are darling!" he replies sarcastically
and tells her to accept fate, that their Greg is not for the likes
of her. He is only telling her this because he doesnt want to
see her with a broken heart, but she replies that she doesnt want
to see him with a broken neck. In explanation, she tells him that
she is sure Janice would love to know where he was the other night.
He doesnt think shed go shouting off her mouth, but she maintains
it depends on whether he makes it worth her while. "I always
said you were a gold digger" is his angry reply. "Well
if I was, I wouldnt be talking to you because you are scrap metal"
is her pithy riposte. Scuse me!!!!!! As the tiff escalates, Audreh
comes back from the toilet and Maxime advises her that Les would
like to buy them a drink. Ace of trumps as she wins the trick.
G&T for Audreh, White wine for max, and "make them doubles!"
Poor Les, outdone by a Muppet!
We are in Des bijou residence. Hes got Samanfa tellin
it like it is, well, her way, anyway. He just doesnt believe her.
She says that its not that long ago they were close - his reply
is that she is mistaking him for Chris Collins. She insists it
is his child. He tells her that he thinks it could be anybodys
- Chris could be one of a long line. She denies that this is true
but Des mentions all the nights she spent away from home and wonders
who else kept her company. She tells him she never thought hed
be like this. Des, however, believes that she works everything
out in advance and that she will have considered all the possibilities.
Sam says that, considering Des always wanted children, she thought
shed tell him that one exists. After Des accuses her again, of
being pregnant by Chris Collins, she repeats her assertion that
it is his child and not that of Chris Collins.
Nasty Spumante hasnt had a break and collars Vera to
complain. V is indifferent, but Natalie demands taking a break
and asks whether Vera will go behind the bar. V takes the huff
and accuses Natalie of telling her how to run her business. Natalie
asks her what is the matter and demands that if V has something
to say, then she should say it. She doesnt like an atmosphere
and figures that one of them should do something about it - at
the minute she feels like resigning. Vera says she will leave
when *she* says so and when Natalie has worked her notice. Again,
Natalie points out the inconsistencies in Veras treatment allowing
Samantha to go "swanning off into the night.. theres obviously
one law for her and one law for me." Once again, Vera tries
to reassert her authority by reminding Natalie who the boss is,
but Natalie tells her "Im tired, Im hungry and I want something
to eat." Vera agrees to her request and tells her that she
will be through into the bar in five minutes.
We are back at Ashleys as we see Nick ending a phone
call. He is trying to trace Alison Oakley, who was with his father
on the night of his murder. It is obvious that this phone call
has not produced the right result, but, undaunted, he is working
through the phonebook and makes the next call. He explains to
the person at the other end that he is trying to trace someone
who was involved in a murder case a few years ago. He reassures
the person that he is not a reporter and introduces himself the
son of the murder victim.
Nat has popped round to Des place - she is on a late
lunch and has some sandwiches which she wants to share. He explains
it is difficult because Samantha has turned up out of the blue.
Se takes umbridge and trolls off in a huff.
Back inside, Des asks Sam to continue. Sam tells him
that she has had tests and seen the doctor and, in his opinion
she is "three months gone." Des is concerned at getting
landed with someone elses discards and says that there are all
manner of tests which can be done. Sam says he can have any tests
he wants - this is his baby. Des asks "So what do we do now?"
Sam tells him that shed like to get back with him, to move in,
have their baby, be together, the three of them. Des looks at
her disbelievingly.
Fee has been briefing Audreh and Muppet 2 on her immediate
holiday, that Steve is out booking the flight and, as it is not
high season, there should be no problem with accommodation. Audreh
spots an opportunity to do Maxime a favour and asks whether Fee
is worried about leaving her flat unattended at night-time. She
suggest a house-sitter as the answer to her problem - shed offer
but she has Alfeh to consider - maybe Maxine could stay, "shed
make sure everything was safe and sound." Fee just cannot
see Maxime wanting to stay in the flat on her own, but Audreh
launches into support-mode. When Audreh points out that an added
bonus would be for Maxime to get away from her parents for a bit,
Fee goes all puritanical "so youre not doing it out of the
goodness of your heard" but Audreh goes for the close with
the "It would be to your mutual advantage" line. Fee
agrees and we have three happy campers. Smiles all round.
Leanne has returned from visiting Zoe. Nick comes back
home and she tells him about her visit to Zoe, that although Zoe
wasnt that bad, there wasnt a lot to talk about and that "you
get bored." Tilly makes out that he needs to have a wash
after playing with the kids all morning and Leanne offers to come
up with him as they have the place to themselves. In true plank
style, he declines the offer, telling her that he has to go out
as he promised to see one of the lads from college and go through
some notes with him. He maintains that his pal has been off sick
and that he would do the same for him if their positions were
reversed. Leanne puts on her neglected posture mouthing off about
how she wishes Nick would do as much for her as for his mates.
She asks what she is supposed to do until he comes back - he suggests
she watches the television. "Rugby, football and tennis -
big thrill" is her joyful reply.
Jim is not very well and asks Liz to hold his hand.
He looks very uncomfortable and starts spluttering and coughing
up blood. Liz panics as she realises all is not well and cries
out for the nurse.
Tilly is waiting in a hotel. Enter Alison Oakley, who
introduces herself. She asks what exactly he wants with her.
Leanne is watching TV. The doorbell rings, so she answers
the door. Outside, on the street, is the man who is a stranger
to her, but whom we recognise as Darren Whateley. He realises
she doesnt recognise him and comments that he cannot have changed
that much in two months. He grins and tells her that her photo
does not do her justice. "Darren Whateley" she mumbles
with a numb look on her face. "Just Darren will do"
is his reply, "so are you going to ask us in?"
Cue music and credits
Episode written by Catherine Hayes
Script Copyright ITV Television
Well, how was it for me? Well, not one of life's most
exciting episodes. For me the tender scene between Leanne and
her father stood out.
Low points.. well, the two Muppets and the Plank couldn't
act their way out of a paper bag again.
Thats it.. Im late, for which apologies again, so
well post this one now - its 0045 on Saturday morning .. time
for the quiz in a few minutes. See ya next week.
Until then.. take care now.... Love and kisses from
The Mad Polak aka as The Purple Teletubbie
Regards, Alan
Sunday 24 May
Serves me right. No sooner do I mention how summer
looks to have arrived, and, well, I'm sure you can fill the rest
in yourselves. It struggled to 50 degrees here in Manchester
on Wednesday. 50 !! We all blame Alan M and his inopportune caravanning
break. He has snaffled all the sunshine over in his parallel
universe, Teletubby-land. Bring it back, you bounder...
Our man atop Everest narrowly failed to make it. His
small team ran out of rope at a critical point about an hour
short of the summit, and decided to turn back rather than risk
getting stuck in a log-jam of impatient climbers forming a disorderly
queue (something similar happened a few years back and a considerable
number of fatalities resulted). One wonders how frustrating this
must feel, having spent weeks getting to a point about 100m below
the top, and then having to give up. I'll stick to the giddy
heights of about 1000m or so here in the UK.
In a similar vein, the Kitchen expedition of 97 is
still somewhere just above Base Camp after week (consults calendar)
39. I am under threat of having the contract annulled and a "proper
man" brought in. My deadline is week 52, so wish me luck
!
It's been a quite time recently, so without further
ado we'll make straight for the streets of Weatherfield, where
Leanne has an unwelcome visitor...
Act 1
Mrs Tilsley the younger does not, of course, recognise David Essex
at her doorstep. She probably wasn't even born when he was making
young women swoon [and some men, although at the time that was
but a vague concept in my mind !]. No, no, it's not really Mr
Essex, it's (gasp !) Darren, fresh out of prison and dying to
meet her. Leanne is flustered, but manages to explain that there
are others in the house and that he can't come in, before shutting
the door in his face.
Outside, Steve comes running out of Fiona's salon [the
sun's nearly up and he's not back in his coffin !], apparently
Jim has taken a turn for the worse and Steve is off to the hospital.
Maxine wishes him well. Darren looks interestingly at Maxine.
We see Nick meeting Alison at a hotel. She is initially
defensive, thinking that Nick feels she was responsible for R
Brian's death, but then realises that no-one has told Nick what
really happened and that he simply wants to hear the truth from
her. She goes off to tell her husband that she will be OK, and
to provide the anoraks of RATUCS with another debating point,
which is "how did Nick track her down under her maiden name
if she had subsequently married ?".
Samantha and Des are discussing her supposed pregnancy
[I'm afraid I'm doubtful on this one folks]. She tells him that
she wants them to be back together, but it has to be his decision,
and that if he is not keen, then she will disappear and he will
have nothing to worry about. Des is still confused by this turn
of events, saying that he always wanted kids (but not like this,
we imagine), but that their relationship had not worked once before,
so why should it again ?
At the hospital, Steve is talking to Liz. Apparently,
Jim had started coughing up blood. [It must make a change from
whisky and diced carrots.]
Back to Nick and Alison at the hotel. She tells him
the full story of how she had only met Brian that night at a club,
they had danced, he had bought her drinks, and then offered to
take her home. Nick doesn't believe that his father could have
been like this, but Alison tells him that she knew nothing of
his wife and family - she had only heard of this afterwards. While
Brian was trying to hail a taxi, three lads had started bothering
her, and Brian had come to her rescue and started tackling them.
She obviously thought it might have been better if the two of
them had simply walked away, but goes on to say that all evening
she had felt that Brian had been fired up for something, meeting
a bird, or having a fight. Or both. Nick stares off into space.
[Again !]
Leanne is drinking a cup of tea in the conservatory
at the back of Ashley's house. She doesn't see Darren sneaking
round the side until it is too late to stop him as he virtually
forces his way in. He tells her he knows that she is alone in
the house, and how much he had been looking forward to meeting
her [and we all know what that means !]. She explains that she
shares the house with others, men as well. Darren more or less
demands a beer, which she goes off to the kitchen to fetch. "You've
not been leading us on, have you ?", he asks. Leanne is starting
to look very worried.
Zoe and Ashley are in the (other?) hospital, walking
and talking about their future. Her group therapy sessions appear
to have been making her see things a little more clearly. She
wonders why Ashley hasn't already given up on her. Does he want
her back ? Yes, he replies. She tells him that she knows people
won't always have been telling her the truth, in her situation,
and asks him if he's telling the truth now. He admits he has thought
of ending it, but now he is sure he wants to carry on.
Nick realises that his father had indeed been brave,
in his eyes. Alison tells him that things would probably have
turned out very differently, "if only one of them hadn't
had a knife". She explains that she hadn't known who Darren
was, but in court she had thought him arrogant and not at all
remorseful, blaming Brian for the fight and claiming he had acted
in self defence.
Naturally, straight back to Ashley's house, where the
convincingly nasty Darren is explaining how he wasn't really a
criminal, cos although he'd killed someone, he hadn't made a career
of it ! Despite this staggering display of stupidity, he is smart
enough to have realised that Leanne "wrote" so many
letters to him inside, but yet doesn't seem to want him to stay.
"Would you like another beer ?", she asks. "Yes...
amongst other things" is his reply. [Run, Leanne, run !]
She gets him another can of Stones. [Perhaps she's trying to poison
him !!] He opens the beer, and tells her to sit next to him, and
relax. "I'll drink this, and them you can show me upstairs
!". [Eee, it's as well this is mild and gentle Corrie soap,
or this plotline would be getting very nasty indeed elsewhere.]
Intermission
Aargh. That bloody digger Murdoch strikes again ! Last week, we
had the Sun dedicating itself to the people of Britain, and this
week it's the turn of Sky (all satellite and much of cable broadcasting
here), telling us that "All you need is Sky !". Come
off it, Rupe, what have Sky actually created, as opposed to stealing
off everyone else ? Would Sky make Coronation Street ? Would they
b******s...
Amongst the other motley collection of commercials
are: fabric conditioner, some horrendously large dust mites disappearing
into a vacuum cleaner, ladies razors [we are spared the bikini
line treatment], Zsa Zsa Gabor telling us we won't be engaged
so often with British Telecom, and a Car Supermarket. It's the
Wacky World of Weatherfield tonight !
Act 2
Anorak time again, this time at the hospital, where Jim's doctor
is explaining how Jim is drowsy as a result of the drugs he is
receiving. "And we've also given him Warfarin", he adds.
Liz is shocked - isn't that rat poison ? The doctor explains it
has many uses - to reduce blood clots, to kill rats by "causing
clots", and to provide RATUCS with another thread debating
how it can be that it thins human blood yet clots rats blood.
[Answer, it thins both.] Steve asks if his Dad could have died.
"He's very poorly", answers the doc. "I'll take
that as a yes", mutters Steve, looking like he may yet be
in the frame after all. [Or not - with Steve, we can't always
be entirely sure what his acting is trying to tell us...]
Des arrives at the bar, where Natalie has a bit of
a go at him for turning her away from his house when Samantha
was inside. "So, how is she ?", she asks, prompting
Des to reply "Fine, apart from a bit of morning sickness."
Natalie is taken aback, but suggests that Samantha is moving back
in to play Happy Families.
Mike arrives, in his suit and apparently working at
the weekend. Greg and Les are already there, and Les explains
who Baldwin is, going off into a bit of a rant about how Mike
only employs women, what that must mean, say no more, but he'd
better not touch Janice or Les will sort him out good and proper.
[Have the producers been watching too much Harry Enfield for inspiration
about unreconstructed males, this is *crap*.] Anyway, Greg asks
Les to introduce him to Mike, which he does. Greg obviously knows
who Mike is, and tells him he is Harry's son. This rings bells
with Mike, who asks after Greg's father, to be told he has passed
away. "Let's sit down and talk", they agree, pointedly
excluding Les who clearly feels he would have contributed much
to the discussion.
Darren is crushing his beer can in his hand - he's
obviously been inside too long and thinks this is well 'ard. Leanne
is still trying to get rid of him, suggesting that she wasn't
expecting him, and how it would be better if he came back and
they had a "proper" meeting, like a date. Darren leans
across and pins her to the the sofa - she looks really frightened
now. Outside, who is arriving home but Nick. But to prolong Leanne's
agony, he is accosted by Martin, who suggests they adjourn to
the Rovers for a drink and a chat.
Greg is telling Mike how the business passed on to
him and his two step-brothers, but he had to cut loose because
he always felt they were outvoting him. He is working for himself
now, but is ambitious and wants to really be successful. Maxine
spots them and interrupts with a chirpy greeting. Greg rebuffs
her rudely, saying it is business talk, and she flounces off,
mortally wounded. Les thoughtfully finishes her drink for her.
Nick is talking to Martin about his dad. He wants to
know about his parents' relationship - was Brian seeing other
women ? Martin doesn't want to talk about this, telling Nick that
it might be best not to dredge up everything in the past. Some
things are better left forgotten.
Natalie plants the idea in Des' thick skull that Samantha
may be pulling another stunt with the pregnancy thing. [Oops,
I've lost track of the shared brain, maybe it's Steve's turn this
week ? Whatever, Des is grey matter-less as he gazes into his
beer.]
Darren is getting ready to climb aboard Leanne's love
train. "I've been waiting nearly 10 years for this !",
he says ominously as she tries to slide out from underneath him.
We are spared further agony as Ashley arrives home. Leanne engages
him in some very stilted conversation about Zoe, and gives him
some fairly obvious "help me" looks as she does so,
but Ashley doesn't really cotton on. She also explains that Darren
was "just going", a very useful dramatic trick. As Ashley
goes into the kitchen to make a coffee and shuts the door behind
him, Darren once again manhandles Leanne onto the sofa. He says
he will be back "tomorrow, or the day after". "I'll
be expecting you, then", says Leanne, who doesn't really
look as she means it at all. Darren leaves, finally.
Returning to the bar, Greg asks Les where Maxine has
got to. Les tells him that she left, suggesting that Greg was
a fool to be talking about business when he had a nice bit of
crumpet waiting for him. Greg advises him that if he can deal
with Baldwin, then he can make enough money to keep himself in
"crumpet" forever. Les is confused - he obviously thinks
very short-term.
Liz (also in the pub by now) tells Steve that she doesn't
know how things are going to work out at all, when Jim comes home.
Steve offers to pay for a nurse, but Liz clearly feels she will
be looking after Jim herself. She goes on to say that they were
never really divorced, other than legally.
Des leaves the bar, determined to find out if Samantha
is lying to him about the baby. She is in his house still. [I
think - what *is* she doing there anyway ?] Thinking it will convince
him, she picks up a handy bible and swears on it that she *is*
pregnant. "There, do you believe me now ?", she asks.
Des pauses. "No, I don't think I do", he answers, and
leaves. Samantha looks as if her knitting is coming unravelled.
Nick finally returns home, to find a very stony-faced
Leanne waiting for him. Ashley makes his excused and goes, leaving
Leanne to tackle Nick about Darren's unwelcome visit, all guns
a-blazing. "So he's out of jail then ?", asks Nick.
"Yes, and raring to go !" says Leanne. Nick can't really
work out what this means, and Leanne announces that she is off,
back to her Dad's house. Nick gives it the old puzzled look again
as the credits roll.
This episode was written by Peter Whalley
Not all bad tonight at all. Darren and Leanne were
both excellent - he was genuinely scary and she looked terrified
by the time he eventually left. On most other fronts, things
merely plodded on. We are promised more developments in the Des/Natalie/Samantha
triangle - let's wait and see. I'm really warming to Denise Welch
in the Natalie role, I think she has potential to be a Corrie
long-runner. Samantha is past her sell-by date.
Overall rating (out of 5 stars): ***1/2
Best line: Nothing I've made a note of, is worthy
of the title this week.
Best scene: I have updater's block ! What shall I
go for ? After a little thought, probably any of the scenes where
Darren is cornering Leanne. Very well done drama.
Monday 25 May
Whether it's the same day in Weatherfield's Time Zone
is open to conjecture....
We open at The House of Elliott, where Nick and Ashley
are breakfasting, and Nick is privately fretting over Leanne's
departure. Ashley suggests it will soon all be over and forgotten,
and they'll be back together, 'I mean, just look at me 'n' Zoe.'
Nick says he thinks he's gone too far, which prompts Ashley to
encourage him to tell him all about it.
At breakfast in the Battersby household Leanne is crying,
while Janice does her best to comfort her. Janice manages to ignore
Les's repeated shouting of 'Janice!', followed by 'Where's me
suit?', but then replies from the foot of the stairs that it is
at the cleaners. Les seems to accept this, so Janice goes back
to the comfort zone. Smiling, she asks if they've had a row, and
Leanne says that she thinks she doesn't love Nick any more. Janice
gently probes what Nick could have done to upset Leanne so - has
he been nasty, has he hit her, has he been playing away? Leanne
tearfully denies these suggestions and hurries off presumably
to the Kabin. Janice watches the door close behind her and wonders
aloud 'you've made a mistake, 'aven't you, love?'
In this scene when we see Leanne across the breakfast
table, it is tempting to wonder why, just why, there is a tub
of Vaseline (TM) on the top of the loudspeaker.
Anyway, Les comes down, dressed so fetchingly in vest
and shorts, demanding to know what Janice means by 'cleaners'.
So inconvenient for him today when he needs his suit for, ah,
a job interview - promotion to head of security. Janice dismisses
his suitability with a laugh, to which Les replies that he deserves
more support for trying to improve his family's lifestyle! Janice
appears to be almost taken in by this lie, but then recovers by
telling him that if he really wants a suit today, he'll have to
go and borrow one off one of his mates.
As she leaves she tells Les about her conversation
with Leanne, and how she wonders if 'the magic has worn off'?
Thinking about themselves she turns to Les with a smile, and asks
'do you think it'll ever wear off for us? 'Us?' asks Les, 'No
way'. All together now, 'Aaaaaaaaah.
After she actually leaves, Les gets on the phone to
Charlie West demanding that he supplies him with a suit to attend
Court in.
In the first Outside scenes of the show, Des catches
Sam in the Street and jeeringly asks her whether she's just going
for her constitutional or perhaps the Ante-Natal class? Sam asks
what it's got to do with him, and he says he's interested in her
health. She teases him about his resistance to the idea that he
is the father, and that Des might like to join her at the Doctor's.
For scene continuity purposes, Fiona and Morgan pass
by, and as the camera follows them towards the Corner Shop we
see La Mouton emerge from the former marital home. She does the
'cootchy coo' bit over Morgan. The news of Jim is that he's had
'a comfortable night, but Liz still finds herself tearful - blaming
it on being over tired. (No, you always look as rough as that,
Liz.)
Back in the House of Elliott, Nick has used his absence
from the previous scenes to fill Ashley in on the Darren Whately
story. Ashley is horrified, and says he isn't surprised about
Leanne leaving him. Putting on his Mr Masterful hat he tells Nick
to get it sorted, work out what he's going to do if Whately turns
up again. Nick doesn't know what he'll do if he does return, but
he'll make sure he doesn't come back. Ashley says he doesn't want
any trouble, because he's got enough on his plate with Zoe.
It's visiting time at Weatherfield General, and Liz
and Steve arrive to see Jim. A scene of no particular merit follows,
mainly concerning the need for Jim to take it steady, and consider
his future. Jim wants to talk to Liz alone, so he sends Steve
off to get a cup of tea. He tells her that the truth is that he's
frightened.
Greg - does he ever go to work during the working day?
- walks into The Street just as Les is leaving for court in a
borrowed grey suit and black polo shirt buttoned up. The piece
de resistance, a bit of white cardboard pressed into service so
that 'The Reverend Leslie Battersby' might get more lenient treatment
in Court. He reckons it'll get him off with a caution.
Spotting Maxime walking to work, but it must be at
least 10am by this time, Greg goes over to apologise for the previous
night when he stood her up, for a business meeting with Mike Baldwin.
They agree on dinner, to make up.
Sam gets off the Weatherfield Hoppa to be greeted by
Des. He tells her that he will not get sucked into paying maintenance
for someone else's child. Sam tells him not to worry himself about
that because she's going to have an abortion. Des is stunned,
Sam turns away and walks on.
END OF PART ONE
Part two opens with Sam opening her morning's shopping.
Her interest in the slinky black off the shoulder number is distracted
by Des's hammering at the door - 'Sam, let me in, we need to talk!'
As she leads him into the parlour, there is a wicked grin on her
face which Des can't see. He asks if she's really thought this
through, which she says she has. She's quite happy to have an
abortion because she doesn't want to be a single mother. She lays
it on thick and quotes the Doctor as saying that she's not emotionally
ready for a child, yet, especially without a partner's support.
'So, no partner, no baby'. Des accuses her of playing games -
either they get back together and play happy families, or she
has an abortion and he gets the blame. Sam tells him not to be
ridiculous, she doesn't care what he does. 'Neither do I' says
Des, which prompts Sam to question just why he is there? He considers
this for a nanosecond and walks out without a word. That devious
grin is back as the door closes.
We're in the Rover's for the first time today, and
La Mouton is in a booth looking less tarty but decidedly older.
She is joined by Sally who tells her to be careful - she's doing
too much running round with the Jim situation. Liz tells her that
they don't know if Big Jim will walk again.
Cut to the bar, where Greg buys Mike a drink as a prelude
to talking business. He talks of an old contact of his Father,
KWZ Fashions, raincoat manufacturers, who are planning on branching
out. Greg thinks he can get the lingerie contract for Underworld
if Mike takes him on as consultant - no strings, no salary, commission
only.
Greg turns round to grin at Stadtler & Waldorf
- the two Muppets in the corner. He winks at Maxime, who admits
to Fiona that he's been trying to get back into her good books
all day. And she's let him. She reckons she could keep him under
control as long as she keeps her wits about her. Wits, Maxime?
You're totally witless!
Mike and Greg shake on the deal, after Greg goes off
to chat up Maxime, Vera reminds Mike that 'he's a Battersby',
which Mike dismisses by suggesting Greg takes after his Mother
- and anyway, he reminds him of himself at that age.
Back to La Mouton and Sally, Liz is feeling guilty
for taking time of from Big Jim support. Sally is saved any more
boredom by the arrival of Kevin bearing news of a phone call he
took at the garage from Sal's Auntie Josephine. Sal fears for
her Mother, they both leave.
Janice admits Nick to the house, and goes upstairs
to make the beds so that Nick and Leanne can be private. Nick
apologises and hopes that it's all over and she'll come back,
but Leanne tells him that the problem is their marriage. 'In this
marriage I put you first. Problem is, you put you first an' all.'
Nick tries to act emotion and is totally upstaged by the wonderful
Leanne. He hurries out, and she allows herself to cry.
Back at t'Rover's, Sam is collecting glasses, and tells
Des to cheer up, she doesn't want anything from him, he won't
even have to pay for the abortion. He questions whether she really
is pregnant. The look she gives seems to say 'don't even bother
asking me that'. Des leaves, just as Les arrives.
Les arrives, cross about the results of the day in
Court. Fortunately Greg is there so Les can moan about the travesty
of justice. Les reckons that an eighteen month ban and £200
fine is a scandal, and an injustice to an innocent man. Greg reminds
him that he was guilty. The only bright spot is that RJanice doesn't
know.
Watch carefully because here is another example of
an actor responding to the script rather than the interplay between
characters.
Greg points out that RJanice might not know, but she
soon will do when she reads it in the evening paper. Les splutters
into his beer, but does it a moment too soon, before Greg has
finished his line. Les is off, he's got to keep the paper away
from RJanice.
RJudeh and RGareh arrive, joined by Ashley. Vera serves,
and tells them (and us) about the bit of drama earlier on - Kevin's
news to Sally that her Mother is very ill. Both RJudeh and Vera
remember what happened (Kevin & Natalie) last time Sally's
Mother was ill.
Leanne and Janice are talking, Leanne is still very
upset. Janice tells her that she had heard Nick say that she shouldn't
keep running home every time they had an argument, and that she
(Janice) thinks this is a fair point. Leanne raises one very expressive
eyebrow and asks 'is it?' Janice wants to know what it was that
Nick could have done that was so awful? 'I mean, if you've got
a relationship, you've got to work at it. Me 'n' your Dad do'.
Leanne tells her that he betrayed her, without giving details.
Janice reminds her that there's only room for one married woman
in that house, and that's her.
Sally is serving out the gurrrrl's spaghetti hoops,
when the phone rings. Sally answers the call, but then hangs up
without another word. She silently walks to the kitchen, where
a frying pan is catching fire. Kevin avoids another 'Webster's
Kitchen Inferno' storyline, then Sally tells him that they were
too late, her Mother has passed away. She wants to be alone with
her grief, and sends Kevin back to see to the gurrrls.
Des and Natalie are discussing Sam's actions. Natalie
thinks Sam's playing a devious game that Des can't see - 'Are
you telling me that you've never played Poker?' 'Not with people's
lives, I haven't'. He's not now sure whether she's pregnant or
not, and doesn't know what he wants out of the situation.
Leanne arrives at the House Of Elliott, to be greeted
at the door by a very pleased Nick. Something makes him ask why
she didn't come in using her own house key. She gives him the
key and tells him that she's been talking to Janice and that they
are either married or they're not. Nick agrees with this theory,
but Leanne continues - 'Well I prefer not. I want a divorce.'
Cue closing credits......
Episode written by Peter Mills
Wednesday 27 May
Dear Update Readers,
I'm not overly fond of having my teeth fixed, even
when the dentist is an old friend. (The dentist in question is
known in certain circles as "The Tooth Fairy", for
reasons that should be glaringly obvious). I'm not a great lover
of needles at the best of times - which is probably why I never
learned how to knit - and definitely not when they're directed
at the gum. ("Now there's nothing to worry about,"
the dentist assures me. "You'll just feel a little prick
in your mouth, that's all." I almost tell him that men have
been saying that to me for most of my life and it's never reassured
me, so why should this? But I say nothing. When you're confronted
by a man in a mask with a syringe in his hand, you don't argue,
you just lie back and think of the England Under-23 squad).
But I don't think it's the actual treatment that puts
me off going to the dentist. As you've probably twigged by now,
I've had more pricks than a second-hand dartboard, so a few needles
every now and again is par for the course. No, what really nauseates
me about visiting the dentist is (a) the waiting-room decor;
and (b) the waiting-room reading material.
Why, oh why, are dentists' waiting-rooms so white
and clinical and uninviting? It's as though the dentist is trying
to say, "Look, sucker, this is all about blood and pain
and deep decay, so don't get comfortable." Dentists always
floor me when they tell you, "This isn't going to hurt you",
because from the way they've just crucified you with the waiting-room
decor, you just know they're lying. Don't they teach them any
social psychology at dental school? And have they never heard
of Laura Ashley? (Which reminds me: I have to change our stair
carpet because it's frayed at the edges and possibly quite dangerous).
Okay, so I don't expect velvet curtains, soft wall lighting and
acres of tufted shag, but they could perk the place up a bit.
A nice burgundy carpet, a few potted plants and some pictures
on the wall (Christian Slater, DS Wyatt, Darren Whately, Kim
Basinger, Les Ferdinand perhaps? Anything but close-ups of toothbrushes
and dental floss).
Marginally worse than the decor - but only marginally
- is the waiting-room reading material. "Homes and Gardens",
"Tatler", "People's Friend" and, wait for
it, "Cosmopolitan". (More about "Cosmopolitan"
later, and that's a promise). Not only is the stuff execrable
in it's own right, but given the location of my dentist, it's
also ridiculously inapt. You see, my dentist's surgery is located
just on the edge of the Sherburn Road estate. Still none the
wiser? Well, think inner-city deprivation. Think war zones. Think
a place that makes Bosnia look like Disneyland.
Oh, so you thought Durham was all river banks and
lofty spires and cricket-on-the-lawn, did you? Well that's probably
down to the rose-tinted portrait of Durham that Glenda Young
and Ruth Carey have been painting of the place. It's funny, really,
because neither of them is from Durham and thus they simply cannot
talk about the place with any authority. Although Glenda spent
some time in America and subsequently tells everyone she meets
that she's from New York, NY (the city so good they named it
twice), in actual fact she is from the wilds of Sunderland (the
city so sodding awful that they didn't even want to name it at
all). Ruth Carey is from Swindon, a town so drab, delapidated
and depressing that the Germans refused to blitz it during World
War II on account of the fact that it would have been a total
waste of a good bomb; after all, you couldn't make it any worse
than it already is. You're also forgetting, dear readers, that
Ms Young moves in the "Pimms and cucumber sandwich"
circles of the city, and sees nothing of the real social wasteland
that is Durham proper. Ruth Carey, too, is one of the Guardian-reading
cocktail set (even if she does take her cocktails without the
tails), and thus cannot really comment on the vicissitudes of
life in one of Durham's sprawling 'sink estates'.
And believe me, Sherburn Road is a sink estate to
end all sink estates. Cocktails? The only cocktails they have
there are of the Molotov variety. Guardian readers? Ask for a
Guardian in Sherburn Road and you'll be beaten senseless with
a cudgel - possibly by the newsagent herself. Gary (the Tooth
Fairy) opened his surgery there simply because the overheads
were cheaper than in the middle of town, but obviously he'd forgotten
about the protection money he'd have to pay. He tells me that
the only time that Sherburn Road men visit the dentist is on
Saturday mornings - after they've had half their teeth knocked
down their throats the night before. He still remembers the first
day he started practising there. "This guy sat down and
I reached for the needle to deaden his gums. 'Is that anaesthetic?',
he asked. 'Cause if it is, forget it! I don't want no anaesthetic,
me. Anaes-f******-thetic? What do you think I am, a f****** poof?'
And so he sat there, tough as nails, rougher than a badger's
arse, and tolerated the pain." The women are even tougher.
Recently I was in Woolworth's when I overheard a woman from Sherburn
Road asking the assistant whether the shop stocked Barbie dolls.
*Klaus* Barbie dolls. That should give you some idea of Sherburn
Road. As Ruth Carey will attest, my boyfriend is a big tough
skinhead with tattooed arms and half a dozen ear-rings, but even
he refuses to venture into Sherburn Road. Social workers go there
in groups of three or more, with several Rottweilers in tow,
while postmen refuse to go there at all. Why, then, does the
Tooth Fairy continue to stock his waiting-room with such relatively
erudite material? I'm sorry to have to say it, but even the "Ladybird
Guide to A-B-C" goes way over the heads of most Sherburnites.
But apart from being inapt, the material on offer
in most dentists' waiting-rooms is highly dangerous stuff. Take
"Cosmopolitan", for instance. A friend of mine once
described "Cosmpolitan" as a "mine of information
for the liberated female". What rubbish! Unless, of course,
by information she means a step-by-step guide on how to talk
knowledgeably about nuclear physics while changing the wheel
of your boyfriend's car and giving him a blowjob at the same
time. Liberating? I think not. Cosmopolitan doesn't liberate;
it enslaves. It enslaves because, like all gender-specific magazines,
it traps the reader into stereotypes and pigeonholes. All those
pseudo-trendy articles and anecdotes for the 'woman of today',
all of which revolve, when you get right down to it, around the
perennial problem of how to get a man - and when you've got him,
how to keep him. That and, of course, clothes and cooking. We
are in the Nineties, for God's sake, and we are still being fed
this bilge which tells us that female identity consists in nothing
more than the holy trinity of 'dresses, dishes and dicks' (or
'frocks, food and f*****', or 'costumes, cooking and cocks':
whatever alliterative permutation you choose, the sad underlying
truth remains the same). And it's oh so witty, so humourous,
so chic, so sexy. And so sphincter-puckeringly tedious. I used
to think that the Guardian was so self-consciously avante-garde
and 'dangerous' that it ran the risk of disappearing up its own
ideological bunghole - endless articles focusing on traumatic
personal experiences, all of which seemed to begin with the words
"I had a breast off last week" - but "Cosmopolitan"
takes the biscuit. Are women not thoroughly cheesed off with
these ceaseless directives on sex? How many times does the distaff
side of humanity need to be told that anything less than nine
inches is an insult? Or, in the very next issue, that size is
not everything? (Rubbish: size is the *only* thing). And how
much balsamic vinegar can a girl take?
Having said that, I have "Cosmopolitan"
to thank for one thing and one thing only. When I was at the
dentist's last Thursday, I read a rather edifying little article
on the calorific value of seminal fluid. (I bet Delia Smith doesn't
talk about *that* in her bloody books). Some woman had written
in to say that she had just embarked on a diet and wanted to
know whether her daily session of oral sex would push her over
her carefully worked-out quota of calories. Well it wouldn't,
as it happens, but that's not the point. (I must admit, however,
that I was a little perturbed by the revelation that seminal
fluid is packed with protein. Does this mean that my muscles
are only partly the result of working out in the gym?). Anyway,
the article got me to thinking about diets in general, and my
need to diet in particular. That and, of course, the Ping photographs.
The Ping piccies taught me one important thing. Never have your
photograph taken when (a) you've not had any sleep for forty-eight
hours; (b) you've been drinking for the past six hours and are
totally smashed; and (c) you're one-and-a-half stones overweight.
Actually, the pics were a blessing in disguise, because they
motivated me to start dieting again. In 1996, when James and
I broke up after almost four years together, I started to eat
for comfort. (Actually I was 50% bulimic: 50% in the sense that
I got the bingeing part down to a fine art, but never quite mastered
the throwing up bit). Hitting the scales at a colossal fifteen
stone, I decided to go on a strict diet. This took me down to
12 and a half stones, but the ups-and-downs of my private life
over this past year have taken their toll and pushed me back
up to 13. Hence my need to lose at least another stone and a
half.
But dieting is difficult, and exercising is even more
of a pain. I do walk quite a lot - but usually it's just to and
from the fridge to fetch more cheesecake. And I don't believe
the old adage that sex helps you to lose weight: if that were
the case, I'd be anorexic. And so, dear readers, I have opted
for the FF plan. (And no, before anyone asks, it does not involve
the use of fists. FF stands for 'fish and fruit'). I adore fish,
as it happens, so long as it is well grilled. (The smell of raw
fish does nothing for me, which is probably why I was always
a lousy straight). And the amount of fruit I eat would put Carmen
Miranda to shame. All I have to do now is cut out the chocolate
and I'm home.
But enough of this blethering and onto the update:
The episode opens at the Battersbys, where Leanne is
still moping over Nick and threatening to divorce him. "You
can't get divorced; you've only been married five minutes!"
protests Janice. But Leanne is adamant. She doesn't love Nick
any more. (And who can blame her, all things considered. After
all, if you lived with a man who sported a zit that size - a zit
so big and shiny that even enough Clearasil to sink a ship couldn't
move it - would you stay around longer than five minutes?). Janice
says that not being in love with someone is not reason enough
to divorce them. Les agrees. "Yes," he says, "that's
what marriage is all about: showing you can stick together even
though you can't stand the sight of each other!" (Top man,
Les, but for the line, not the sentiment.) Leanne is not convinced,
and Janice, realising how deeply her step-daughter feels about
the whole issue, tells Les that he should go and have words with
Supercamp (Tilly).
Out in the Street, Gail and Martin are walking along,
discussing Martin's impending 30th birthday. "Do you want
a party," Gail asks him, "or would you prefer a surprise?"
(Which is exactly what my mother said to me on my 35th birthday
last year. I opted for a surprise. And the surprise was? Yes,
you guessed: no party. I think the fact that Princess Di got killed
on my big day had something to do with it. My mother had, in fact,
arranged a surprise party, but of course she cancelled it out
of respect. I had to phone around my relatives to thank them for
the presents they had sent on in advance, and to explain that
I would of course be keeping all of the presents as it was what
Diana would have wanted.) Anyway, Martin says he's far too old
for surprises or excitement, and will settle instead for a couple
of hours in the Rovers. (Quick, pass the embalming fluid!) As
they're chatting, Supercamp appears. He's down in the dumps and
Gail, clucking little mother hen that she is, wants to know what
is wrong with her little chick. (Isn't maternal concern touching?
Whenever I look down in the dumps, my mother just tells me to
"Buck up or sod off," before reminding me how many people
there are in the world worse off than I am. "Name one of
them," I challenge her. She never can. Funny that.) Anyway,
Supercamp glosses over the whole thing and minces off.
Shortly afterwards, we see Les accompanying Leanne
across the road to the Kabin. On the way, Greg appears. (In brown
again, I think. And even if it wasn't brown, it sure felt like
it). Once Leanne is out of earshot, Les tells Greg that she wants
a divorce from Supercamp. "She won't be the only one wanting
a divorce once Janice finds out what you've done," says Gregg.
"How will she find out?" asks Les. Greg tells him that
a drunk driving incident like Les's is bound to be reported in
the local paper. Cue Les turning his pants ochre as he dashes
to the Kabin to see whether the local rag has reported the incident.
In the Kabin, Ken Barlow is telling Rita that the garage
has a "Closed due to family bereavement" notice on it.
However, Les dashes past him to the counter to see whether there
are any local rags on it. There aren't, and so he leaves.
In another part of town, we join Des and Nastily (and
from this point onwards, I shall refer to her as Natalie. Yes,
the character transformation she has undergone of late has worked
its magic on me and I am now a convert. Natalie is a goddess in
the making and I take back everything I've said about her: especially
the bit about sex with her being like throwing a banana up the
High Street). Anyway, I was mulling over Natalie's transformation
so much in this scene that I missed the whole point of it! I think
it was mainly about Sam and her abortion. Des, I think, was unsure
of whether he agreed with it or not.
Back at the Kabin, Les has reappeared and wants to
know whether the local newspapers have been delivered. "What's
the rush?" asks Big Red. "I just like to keep abreast
of things," replies Les.
At Weatherfield General, Jim, who has just depressed
himself even more by reading the autobiography of Douglas Bader
- yes, Jim, you're even more of a loser than he was; okay, so
he only had one leg, but at least it worked - and is now talking
to La Mouton. La Mouton, who has clearly been going to town with
the L'Oreal of late, wants to know when Jim is to be discharged.
"The doctor says a couple of days, if there are no hitches,"
replies Jim. (Has anyone worked out yet why Jim is minus eyebrows?
And shouldn't he wait until they've grown back before he faces
the world again? And how long *do* eyebrows take to grow back?
Plus: why is the growth rate of eyebrows so much slower than the
hair on your head? Strange, the kind of questions that come to
mind when one is marking exam scripts). Jim says the doctor wants
to know who is going to be looking after him. Old "Red Cross"
Mouton says that she and Steve will do the honours. Jim says that
he doesn't want to be a burden. "Nonsense," says La
Mouton, "you're not a burden. Unless, of course, you start
wearing that manky tank-top again, in which case we'll paralyse
your arms as well as your legs." (Of course, she doesn't
say the bit about the tank-top, even though she should have).
Back in the Street, a concerned Big Red Spice is knocking
on the Websters' door, trying to unravel the mystery of Mr &
Mrs Birdseye and their fishfinger-eating girls. As she is knocking,
the newspaper van pulls up outside the Kabin with today's supply
of local rags. Les is over the moon, and immediately offers to
buy up the whole stock: 60 copies at 30p a throw. But not before
he is forced, of course, to come clean to Leanne about the drink-drive
incident. Leanne shakes her head in disbelief while Les rushes
out of the Kabin with half a hundredweight of newsprint.
As Les disappears into his house, Darren Whately saunters
along the street with a bunch of flowers in his hand and makes
a beeline for the House of Elliot. He knocks several times, but
to no avail. (I thought the floral element was rather a subtle
touch, didn't you? If you're gonna scare someone shitless, do
it with flowers).
Meanwhile, Les has taken the newspapers through his
living room and kitchen and out into the yard to burn them. What
he doesn't realise, however, is that he dropped one of them on
the way. And there it sits, on the living room floor, just waiting
for Janice to walk in and carry the plot on a little further.
At the Cafe, Gail is interrogating Toyah about the
strange behaviour exhibited by Leanne and Nick. She knows they're
both unhappy but needs to find out why. Toyah is reticent at first
but, since she is a girl after my own heart, she can't keep it
to herself for long and quickly dishes the dirt. "Leanne
told me not to tell you, because she say's you'll gloat,"
Toyah says to Gail. (Gloat? Gail? Perish the thought!) Anyway,
Toyah tells Gail that Nick has done something *so* terrible, *so*
heinous, *so* unforgivable that Leanne wants a divorce as soon
as possible. What passes as Gail's chin suddenly drops as the
beans spill, one by one. And as they spill, Darren Whateley sidles
into the Cafe and orders tea and cake. (At least I think there
were some cakes on display, but they might have been tarts. Then,
in true Peter Sutcliffe tradition, he might have said, "Ooh,
I could murder a tart!"). Toyah's revelation, and Gail's
increasing incredulity, is played out with Whateley in the background,
interposed in the distance between the two yakking females. Gail,
of course, cannot bring herself to belief that Supercamp could
have done something so terrible that it would make Leanne want
to divorce him. But mothers never want to believe the worst of
their sons, do they? (Unless it's my mother, of course, who not
only believes the worst of me, but also spreads the rumours in
the first place). Toyah's only concern seems to be Leanne's name.
"If she *does* get divorced," she asks, "will she
be able to change her name back to Battersby again, rather than
being called 'Leanne Tilsley'?" (Top girl, Toyah! You got
the priorities spot on there!)
Chez Battersby, but unbeknownst to Les, Janice is reading
the latest edition of the local rag...
And Les? Well he's out in the yard, setting fire to
the papers - all 59 of them - in an old rubbish bin. As they burn,
Vera, who has spotted the conflagration, hurries along the back
passage to castigate Les for burning rubbish and ruining her washing.
Back inside, he is shocked to see a copy of the latest edition
in Janice's hand. "Where the 'eck did you get that from?"
he splutters. "It was on the floor, where you left it!"
she says. "You really should make an effort to keep this
place tidy, Les." She then goes all sentimental as she reads
on the front page that the council are about to demolish Newport
Street, where, it appears, she grew up. "Why can't they leave
things alone?" she moans. (Come on, Janice, we're talking
about local councils here. They are genetically programmed to
do everything you don't want them to do, and to ignore everything
you ask of them. Our local council has to be one of the worst
in this respect, and unless you're a blind, one-legged lesbian
from Bangladesh, they won't even reply to your letters in the
first place.) Les snatches the paper from her before she can open
the pages and see the incriminating article inside. And he refuses
to give it back to her, telling her that she she has to go back
to work anyway and has no time to read newspapers."You're
a pig, Les Battersby," says Janice, Queen of Stating The
Obvious. "You're a selfish pig!" Les pretends to be
engrossed in the paper while Janice storms out of the door and
back to work.
At the Rovers, Big Red Spice and Ken "No-Honestly-I'm-Not-Boring-And-What's-More-I've-Got-Principles"
Barlow are chatting about the Websters' sudden disappearance from
the Street. Sam is there too, but not feeling too good it would
seem. Tearfully, she asks Betty Williams to cover for her while
she goes into the backroom. Betty tells Vera that all is not well
with Sam, and Vera duly follows the Orange One into the back.
Which is where Samantha reveals that she is pregnant, that Des
is the father, and that he wants her to have an abortion. (Incidentally,
what *do* you get if you cross a satsuma with a pineapple? Just
wondering...) Vera tries to comfort her as best she can, chivvying
her up with the possibility that Des will relent and take her
back, bump and all.
Meanwhile, across the Street, Darren Whateley is lurking
again. He sees Tilly cross the road to the House of Elliot, and
hides behind the wall as Supercamp goes in.
Chez Battersby, Janice is telling Les that he should
go and have a word with Nick. "For our Leanne's sake,"
she says. "Show her that you care, that you're concerned.
Nick likes you; he might tell you what it's all about. They're
just kids, Les, and they need our guidance, our help. They need
to know that there's someone there who's on their side, who knows
what they're going through." Janice's touching plea finally
melts Les's resistance and, with a tender touch of her cheek,
he promises that he will go and have a man-to-man chat with Supercamp.
Gail too is desperate to talk to her son, and the next
scene has her telling Martin as much in the Rovers. Martin, who
is almost 30 and thus Very Wise Indeed, realises that all Gail
wants to do is uncover dirt. "You can't wait to go round
there and start fanning the flames, can you?" he says, with
his customary tut-tut and shake of the head.
The Woodentops (Greg and Maxime) are also in the Rovers,
where Greg is talking business with Mike Baldwin. I do recall
what they were saying but I shan't repeat it. After all, I don't
want to confuse you with readers who *give* a toss...
Also in the Rovers, Vera tears a strip off Des for
his cavalier attitude to Orange Girl. "You ought to be ashamed
of yourself," she says. "To think how you and me fought
over RTommeh; now you've got the chance to have a kiddy of your
own and you want rid!" Des tries to tell her that there are
two sides to every story, and that it's not he himself but Samantha
that wants rid of the kiddy.
Steve and La Mouton are also in the Rovers, talking
about Jim's imminent discharge. (Try Canestan, Jim; it always
works for me). Steve suggests that they throw a party for Jim
when he comes out of hospital. (A party? At Jim's place? Ooh,
definitely one for the diary.) Liz doesn't seem so sure, but it
doesn't take her long to agree. After all, it will be a chance
for her to wear a tight top and a skimpy skirt, and since when
has she ever refused an opportunity like that?
Chez Elliot, Ashley is suggesting to Supercamp that
they have a night out. Supercamp declines, preferring to stay
indoors lest Darren Whateley return. And right at that very moment
there is a loud thumping at the door. Could it be Darren Whateley?
Or is it a fresh consignment of Clearasil? Actually it's Les Battersby,
come for that sensitive, man-to-man heart-to-heart with Nick.
Which begins with the sutble words:
"JUST WHAT THE HELL DO YOU THINK YOU'RE DOING?!!
I KNOW WHAT YOU'RE DOING: YOU'RE HAVING IT AWAY WITH SOMEONE ELSE,
AREN'T YOU? (Cue delicious thud as Les smacks Supercamp across
the head). WHO WAS IT, EH? WAS IT *HIS* BIRD (motioning to Ashley),
THE MENTAL ONE?"
Ashley tells Les to leave Zoe out of it, and that she's
not mental, receiving a hefty shove from Les as a response.
And Les, red of face and bulging of veins, rants on
and on while the terrified Supercamp looks on helplessly. Les
hollers that Supercamp should go and say sorry, because:
"NO-ONE MESSES WITH MY DAUGHTER, DO YOU HEAR?
NO-ONE"
And then he is gone, leaving a bewildered Supercamp
to utter: "That man is a psycho!" (Which is rich coming
from a mincing little nelly who has just jeopardised his wife's
life by playing her straight into the hands of a known murderer.
The words 'pot', 'kettle' and 'black' spring immediately to mind).
And finally, Des and Natalie have their own little
heart-to-heart. But unfortunately, Natalie's heart isn't in it,
because she has to face Des's pathetic about-turn re: Orange Girl.
Des's closing words? "That's my baby, and I want her to have
it."
Nuclear family, here we come...
And that's about all for this week, I'm afraid. Last
week, I promised to dish the dirt re: the London Ping. But in
reality, there was no dirt: only laughter, comradeship and joy.
It would be invidious of me to single anyone out: everyone I
met there was wonderful, and although much of it thannkfully
remains a blur, I had an excellent time. Roll on the next one!
(Sorry to disappoint those of you who thought I was about to
come clean with the revelation that Mike Plowman is a secret
cross-dresser, or that Glenda Young isn't actually a Dettol addict,
but I can't. The simple truth is that he isn't and she is, and
the Ping did nothing to disprove it!)
Until next time,
Love and hugs, CP
Friday 29 May
Well, here we are again... it's time for apologies...these
updates seem to get later and later. No excuses to offer there,
just had problems getting round to it. And if I'm in trouble
from you lot, it's nothing compared to what's been happening
at home! You see before you a guy, who is chastened and contrite,
complete with tin helmet.....
It all started when Roofy (Ruth Carey) and I got together
yesterday for our pre-ping sussing out session at York. We had
an absolutely brilliant time dishing the dirt and swapping scandal
stories and to make it more remarkable, we'd never met before
(even though we've spoken on the phone). Roofy adds that extra
dimension to life.. how do we explain.. well, an example may
illustrate the picture.
We were in a tea shop in York and the waitress asked
what she wanted and the order went along the lines of "six
foot four, blue eyes, body of a love god....!" And, as for
her appetite for alcohol, well let's put it this way... if she
were ever to go to Canada, then I can promise that she would
bring a new meaning to the phrase "Drink Canada Dry".....
Like I say, a lovely gal and we had a great time.
We surprised my fellow Updater rang CP, by ringing
him up... really nice to talk to the guy for the first time.
Obviously the guy has amazing abilities as can be testified by
the fact that, five minutes into our conversation, we'd cleared
the café (from which we'd made the call) of all its customers
and CP wasn't even in the room.. such is the force with which
we contend...
On and by the way, we also found a pub which serves
great beer and great food, of which more in due course....
Anyway, Roofy and I were pretty diligent in our approach
to researching suitable hostelries, as can be confirmed by the
extra unscheduled deliveries of replacement fluid, which the
various houses have had to organise...
So, I was poured onto my train at 1938 hours having
initially been at the wrong platform, unbeknown to me, staring
across the line at what was actually my train... fortuately,
I realised my mistake with only seconds to go before the departure.
Anyway, I rang up her downstairs to say what time I'd be at Stalybridge
station, as she'd agreed to give me a lift back home. For those
who don't know the geography, Stalybridge is some 6 miles from
home and is on the line to York.
Well, let's put it this way... I do remember Huddersfield
station, which is about 30 minutes away from Stalybridge.....
the next thing, I wake up and we are about 35 minutes on, speeding
towards Manchester, which is about a further 8 miles on from
Stalybridge. Thank heavens, I woke up when I did, because the
ultimate destination of the train was Liverpool, some 30 miles
further on yet again.... Well, I ring home from my mobile to
talk to my son, but what can he do? ... my wife doesn't have
mobile phone hers elf, so there is no way to contact her!
Anyway, I get to Manchester and I have a decision
to make. I could go back on the line on which I came and get
off at Stalybridge, hoping that Trude has waited or even called
home to see if there was a delay....... Alternatively, as Stalybridge
is a fair way from home, I can take another line, this one leading
direct home to Glossop, where the station is only about a mile
away. I decide on the latter option... I keep making anxious
calls home to my son, but no, my wife has not rung in! Oh dear.
Anyway about 90 minutes after I should have got home had I done
it all properly, I finally arrive back home.. to find Trude's
car on the drive and my son greeting me with the news that she's
had a sense of humour breakdown, ... So I am well and truly in
the doghouse about my thoughtlessness and spending too much time
on the computer, etc. etc. What can you say??? Not a lot! Just
hoping that the bullet proof clothing has been adequately tested.......
So, I should have finished typing up this episode
last night, but was too tired to do so.... I guess that in the
interests of getting this one out, then, as prologues go, it
will be a short one, not so much a pole-logue, more of a stump-logue,
I guess....
The programme starts with a loud knocking on the door.
Nick gets up with a fright. He wonders if it is Darren Whateley.
Not this time, it's Gail, his mother. She passes comment that
he's not at college today. Then she tells him that she has heard
that Leanne is back at the Battersby's. Nick makes out it was
no big deal, she was merely staying overnight with Toyah. Gail
tells him that she is not there to gloat and asks him what the
problem is. Nick replies that it is their business. Gail apologises
for the intrusion and asks if the problem is serious. Nick braces
himself and tells her that Leanne wants a divorce. "So it's
true?" replies Gail, "Toyah told me!" "Don't"
says Nick, "don't stand there and pretend you're sorry. I
bet you've been praying for this all along. I bet you can't wait
to get back and start celebrating with Martin, so, so don't let
me keep you! Just, get out Mum, all right!"
We are at the Battersby's. Leanne is irritated by some
music that Toyah has on and switches it off as it is getting on
her nerves. Toyah tells her that she was listening to that and
quips "split up from your old man for five minutes and you're
already sounding like an old widow!" They then start arguing.
Toyah her remarks that the sooner they get back together again,
the sooner she'll be able to have her room back. Janice comes
in and tells Toyah to have some sympathy for her sister. Toyah
complains "the w orld's gotta stop just because she's had
a row with Nick!" Les then joins in the row, saying it's
not fair for him to have to listen to them on his day off, "have
you seen it out there? Beautiful weather - almost worth going
to work to have the day off!" He puts the TV on and Janice
asks if this is what he is planning to do all day. "Expanding
me mind, love" he explains, "some of these American
chat shows are the very educational. Do you know, they had a bloke
on here the other day, they reckoned he was abd ucted by orange-skinned
aliens and made to impregnate two dozen of them." "Well,
you never know your luck, maybe they'll beam me up as you push
your trolley round Firmans" is the Janice's pithy reply.
She throws him a list of shopping items. He says that he'll never
be able to carry all of this lot. So she tells him that he will
just have to take the car. "Oh, yeah, right, yeah!"
is his meaningful response.
Des has popped round to Samanfa's. He thanks her for
letting him in. "Just say your peace, Des, I've got things
to do" is her reply. He tells her that he's been thinking
about this baby being his. He tells her she does not have to go
through with the abortion and that he will not run away from his
responsibilities. He tells her that he has wanted a baby long
enough - although this may not be the way he wanted it, that is
not the kid' fault. Irrespective of what has gone on between him
and her, he tells Sam that he will always love the baby. He offers
to help with the money and confirms he will always be there for
it. Samantha says that he means he will be over the road, leaving
the Des Barnes bachelor life, posting a cheque through the letterbox
once a month, taking the kid out for a walk every Sunday - she
tells him to forget this. He disputes it will be like this. She
tells him that she will give it the chance.
Janice has come back home. She warns him that she expects
the shopping to have been done by the time she comes back from
work, or there will, be trouble. Ooh, I like a dominant woman
and she certainly knows how to flex her muscles. She asks him
what he is up to. He comes down the stairs carrying a box and
tells her that, no, he has not gone back to bed, he thought he'd
make the most of his day off and clear all the junk out of the
loft. His plan was to put it into the skips on his way to the
shops. Janice expresses surprise that he has started to clear
away anything, except her purse. "That's gratitude for you,
that is!", he replies. She asks him if he was trying to clear
something out of the house and accuses him of holding onto some
stolen gear for someone else. She decides to have a look at the
contents of the box and rummages through it, but is unable to
find anything suspicious. In the scuffle, Les' back gets hurt,
or so he makes out! She apologises for disbelieving him. She offers
to ring of the doctor , but he declines, telling her that he will
contact the doctor himself. She offers to make it up to him, but
when she leaves the house, he reverts back to normal behaviour
and breathes a big sigh of relief.
We are at Jim McDonald's. Gary has given Steve a hand
in bringing the bed downstairs. Gareh offers to help in any further
way, "apart from a bed bath!" After Gary has gone, Steve
remarks to the Liz that, seeing the bed downstairs brings it all
home to him. She comments that Jim was never the best patient
even when he had the flu. "God knows what this is going to
be the like" she says. Steve consoles her with the news that
she will not have to cope on her own and that he will do all he
can. Steve then leaves to pick up Jim from the hospital.
Judy has gone up round to see her boss - Paul has failed
to open up the arcade. After banging on the door loudly, she manages
to get a response from him. He looks in a terrible state. He tells
her that he is not feeling so well. She asks him if he has been
drinking and he confirms that he had "one or two" last
night. He tells her to get on with opening up the place.
Back at the Webster's, Kevin and Sally have come home
after her mother's funeral. She cannot believe that she will never
see her mother again. Kevin tries to console her by saying that
her mother had not been expected to survive the stroke she had
suffered last year and comments that, at least she had had a bit
of extra time. "It's my mum's life not a cup final!",
she snaps back. He apologises to her saying that this is not to
what he meant - she realises that she has over-reacted and apologises
herself. He tries to bring her back to reality by saying they
need to be practical, for a start, the house cannot be left standing
empty, anything could happen to it, maybe they should out it on
the market, he suggests.
We are back at Ashley's. Leanne has come home to pick
up her things and is clearly surprised to find Nick not at college.
He tells her that they have up been invited to Martin's birthday
party, her and him, he tells her he didn't know what to say. She
tells him that there is nothing to stop him going and asks why
he is not at college - he replies that he couldn't face it. Ashley
comes home and says to her, "You have come to talk some sense
into him, have you? Him, he's been waiting in for that Whateley
blok e to turn up". Nick asks her to listen to him but she
refuses - she tells him that she listened to him "in the
first place when you talked me into all this madness, I listened
to you when you asked me to marry you and I wish that I never
had." She accuses him of obsessed and tells him that she
is going upstairs to collect her stuff and than she is "out
of here, for good!"
Natalie has come to see Des - he thanks her for coming
to see him and tells her he needs someone to talk to. He confirms
that that he has spoken to Samantha and offered to be there for
her and the kid, that he did everything but get it down on his
hands and knees and beg her not to have an abortion, but she just
threw it back in his face. He tells Natalie that it looks as if
he has really blown it this time. He feels like he is getting
robbed with a shotgun in his face. Natalie commiserates and tells
him sh e knows how he must feel, bought it is her choice. He clearly
resents not having a say in the matter, but Natalie points out
that he cannot force Samantha to have a baby, if she doesn't want
to. He asks Nat what he should do and tells her that this driving
him round the bend.
Jim has been brought home by Steve. There are a number
of well-wishers at the front door - Liz comes out, greets him
and tells him, jokingly, that she had almost given up on him.
He tells her that it is harder to get out of hospital than prison.
Gary is in the crowd to greet him and tells him that it is good
to have him back, but Jim replies that he wishes it felt good.
Kevin pops his face into through the car window. Just as he is
about to get out of the car, the crowd seem to descend on him,
everyone want ing to lend a helping hand. Ken dives in with help,
despite Jim's protestations, which are ignored. We see a totally
exasperated Jim being carried into the house by the mob....
as the theme tune comes in on cue for the End of part
1...
The notable feature was the last in the Renault Clio
"Papa and Nicole" series, with a highly amusing and
unexpected climax, featuring Bob Mortimer and Viv Reeves. I can't
believe that I as the only one who smiled at this witty ending
to this highly successful campaign.....
Part 2
Back at the Rovers, Natalie has a quick word with Samantha to
tell her that Des has informed her of Sam's abortion. Sam gets
all huffy, saying it's no-one else's business. Nat tries to tell
her that she understands how upset Sam must feel, after all, it's
not easy making a decision like that. Sam blows up (if only!..)
in her face and tells Nat that Nat's only motive for saying what
she did, was to make sure that she and Des were not lumbered with
any children of Des and Sam running around.. but not to worr y,
she'll make sure that won't happen. When Nat maintains that she
doesn't know what Sam is talking about, Sam tells her to cut the
pretence - she knows Nat is in love with Des.....
Gail is telling Martin how devastated Nick is, at Leanne
asking for a divorce. Martin expresses surprise at Gail's concern,
after all, wasn't this what she wanted? However, Gail maintains
that she didn't want Nick to get hurt. Les barges into the conversation
to give them a mouthful of how Nick has been mistreating Leanne.
Gail asks him whether he has any idea of what is actually going
on, but he tells them that you don't need to be a brain surgeon
to work it out. Gail tells him that he hasn't a clue, just like
them and he needs to keep his "dirty smutty little ideas"
to himself, adding that everyone would be a lot better off, including
Nick and Leanne.
Back at Jim's, he is apprehensive at the impending
"wake" and wishes Liz hadn't set it up, be she tells
him it is not a wake, it's just some mates coming around. Jim,
hough, cannot see it any other way, " a load of people, coming
round telling you how sorry they are." Liz offers to cancel
it, maybe under the excuse of being tired or under the weather
and Jim seizes on this. "Under the weather? Hmm, stuck in
a wheelbarrow with a pair of legs that don't work. Under the weather.
It's just about dead on, don't you think?" Liz apologies,
saying that all this is as hard for her as for him, when there
is a knock on the door - it's Party time! She asks him what he
wants her to do.. .faced with no real alternative, tells her to
let in his friends.....
Judeh finds her boss, Paul, hitting the bottle in his
office. She is exasperated, as she has been rushed off her feet
while he has been getting himself drunk. He tells her that they
need to talk about "that night"! She is angry and wants
to out it out of her mind, saying that, as far as she's concerned,
it never happened, she was desperate for cash. He likens her desperation
to his state now, but she no time for this sort of talk and tells
him to sort himself out.
Back at Jim' party, Jack is asking what are the plans
for getting Jim back on his feet, to which comes Jim's reply that
the best available is to "take it day by day...quite frankly
that is no use to me..." Kevin tries to reassure Jim by saying
that there will be a job waiting for him at the garage, but Jim
thanks him for the consideration, pointing out that he can hardly
see himself getting to grips with an engine while he's in a wheelchair.
Gareh tries to point out that Jim is a fighter. A knock on the
doo r precedes Steve's arrival and while Liz goes to answer the
door, Jim asks for a slug of whisky. Whe Jack points out that
he is not supposed to be drinking, Jim tells him in no uncertain
terms that he does not care about what he should or should not
be doing, it's all he's got. Steve comes in with Fiona, apologising
for his late arrival, but Jim is glad he's there. Steve tells
off his father for drinking, but Jim goes into a rage - when Gareh
tells him that he will need to listen to the doctor, if he wishes
to get out of the chair, Jim gets very angry, "as if you'd
know anything about being in a chair" Liz hears raised voices
and asks Jim whether he is fine. He tells he that he is, raising
his voice further, but then admits that he sin't - he needs to
go to the toilet. "You see, that's how good it gets boys,
I have to get my wife - my ex-wife - to go and get a potty for
me, so I can go to the toilet. So, I think you've all seen enough.
I'd be very grateful if you left me in peace. The freak show is
over...." With that, the guests make an embarrassed exit.
At the Rovers, Les is on the cadge again, inviting
his son, Greg, to buy him a drink. Sam expresses surprise that
Les "can feel his legs, never mind his bad back, the amount
he's had to drink." When Greg asks his dad what he's done
with his back, Les tells him that he has won an Oscar!!!
Jack, Gareh and Kevin are discussing Jim's plight -
Jack comments "one day you're on top of the world with everything
to live for. The next, you're cut down in your prime." Gareh
points out though, that it has been one thing after another for
Jim, one long downward spiral. Kevin adds that, judging by tonight's
performance, it is evident that Jim has not hit the bottom yet.
Les is continuing to tell Greg, about how he has had
a dodgy back for years, so Janice doesn't suspect anything. Greg
points out that the court took Les' licence away for 18 months
and he cannot keep up the pretence that long. But Les is optimistic,
after all "bad backs are funny things", he's made a
study of them and he wouldn't be surprised if he could do everything
within reason, except drive!!!
Maxine tries to chat up Greg for a date as Fiona's
place is available, but he's trying to play it all cool, saying
they are not shackled to each other, "so let's keep it fresh,
keep the fires burning." To Maxine's delight, he suggest
putting a couple of logs on the fire tomorrow night and her face
perks up.
Sally is reading a letter from her mum.. this was her
final letter, which had arrived a few days before she died. She
bursts into tears, saying that her mother had asked her to bring
the kids, as it was ages since she had seen them or Sally. Kevin
tries to tell he not to feel guilty, but to no avail. She wasn't
there for her mum - she comments that the last time she spent
any time with her, was when Kevin ran off with Natalie, "That's
something to remember her by, isn't it? That and a letter begging
to see her grandchildren..." Kevin asks her to come to bed
as she is tired, but Sally is distraught. "What difference
will that make? She'll still be dead in the morning, won't she?"
She apologises and tells Kevin to go up, that she wants to be
on her own.
Natalie calls in on Des, telling him she'd stopped
by after seeing his light on and asks about the latest news. Des
tells her that he's been wrestling with the issue all day. He
tells her how Sam thinks he'll be just a part-time dad and reminds
himself that he used to worship her and that they could make a
go of it again. "You mean, marry her?" asks an incredulous
Natalie. "Yes, if that is what she wants, live with her,
it doesn't really matter, as long as we're together" is his
response. Nat tells him that she is not the right person to ask,
but Des says that she knows Samantha, who else can he ask? "Not
me, not this" says Natalie. She then tells him that she doesn't
want to share him with anybody, let alone a kid... and that she
loves him....
Jim is looking, wistfully, at an old photo of himself
in army uniform, thinking of the past. Liz apologises for the
party saying that maybe it wasn't a good idea. Jim tells her that
it should be him doing the apologising, but Liz will have none
of it. Jim doesn't want to be mollycoddled and says that he was
out of order. He points to his old photo and asks whether she
remembers the person in the picture. She tells him that he always
looked good in dress uniform. He continues "after all we've
been through in the army, to finish like this.. a drunk, on a
building site falling off scaffolding.." Although, Liz tells
him that nothing has finished, he doesn't hear her "I wonder
what he'd make of me, legless, washed up, no hope, that's all."
Liz tells him that there is a long way to go, but he asks whether
it is worth it. Liz cannot cope any more with the pity and snaps
"I don't wanna hear this.. I'm tired, I need to go to bed...come
on..." She looks to help him from his chair into the bed,
but doesn't know quite ho w to go about it and asks him how to
do it. He lifts his body from the chair using his hands and manoeuvres
himself clumsily onto the bed. He lies on top of the sheets in
his dressing gown. She wishes him goodnight. As she leaves the
room he asks, "what's gonna happen to me, Liz", but
she is on her way upstairs, having turned the light off. He starts
sobbing inconsolably, as he considers his fate, as we hear Liz'
voice from upstairs saying "Just shout if you need me......"
Cue music and credits
Episode written by Phil Ford
Script Copyright ITV Television
Well, how was it for me?
A nice mix of drama and comedy.
The comedy provided by Les and Toyah, who continue
to have some great lines.....
The drama by some moving scenes, firstly with Sally,
portraying so accurately the guilt following a bereavement, the
regret for opportunities lost. Secondly, a classic performance
from Jim, as he realises the implications of his disability,
loses hope and snaps... Tear-provoking scenes from both.....
And that's about it, apart from the fact that the
Teletubbie saga continues at home... last week my wife bought
me a purple dressing gown. Also, my son saw some Teletubbie bath
sponges at the local chemists and proceeded to tell them the
whole story and they thought the whole thing was a real scream...
I can see I'm going to be in for some merciless ribbing when
I go there again. Anyway, after that, my wife got me a Tinky
Winky sponge..... I asked her how far the saga would run, and
her reply was that "it'l l run and run and run....."
So, without further ado, I suppose that I'm now to
be officially known in ratucs/irc-land as Tinky^.....
...so until I see ya next week, take care...
Hugs and kisses from Tinky^
Regards, Alan
Sunday 31 May
Good morning, campers !! Yes, we've been to Butlins.
Well, not really Butlins, more Center Parcs. Same idea but a
little more panache, and a lot more cash. With my debts, I will
be joining the league of third world nations soon. Just as long
as I can reschedule the repayments for the 22nd century, I can
live with the shame.
In keeping with the now austere regime at Laird Towers,
this will be a suitably meagre introduction. (Actually, it's
mostly because we're running late at the moment, and I do not
intend to be held to blame any more than strictly necessary.
So, no lengthy recap of the backwaters of East Anglia, or the
sexual preferences of most of Durham.)
So, arm yourself with some stale dry biscuits and
a glass of tepid tap-water as we settle down to view the latest
goings-on down our favourite Street...
Act 1
We open with the unedifying spectacle of Liz putting on Jim's
socks. Tactfully, she suggests that his toenails could do with
"a trim", an idea that he does not greet with much enthusiasm.
[Sorry, did I forgot to say you are advised not to actually eat
*while* reading. Munch away between the paragraphs instead.] She
leaves for a day's overtime at Baldwin's factory, the door shutting
just moments before Jim's newspaper drops through the letter-box.
Jim goes to wheel himself to the front door to pick it up, but
gets his wheelchair stuck in the door-frame to the front room.
[Strange how he's got through in the other direction...]
Les is adjusting his beloved TV by way of bashing it
hard on the top. Hearing Janice approach with his full English
breakfast, he quickly sits down again in his own sick-bed, the
armchair in front of the box. Janice asks how he is, to learn
that his back is still bad. [I presume he intends to keep up this
act for the full year until he can drive again, or is this a temporary
bout of bone-idleness ?] After a brief exchange about the lack
of fried bread on his plate, Janice leaves for work - another
stalwart at the lingerie factory it seems. But not before she
asks him to "do one thing for me." "Blimey, I have
got a bad back you know !", responds one-track mind Les.
Not that you cretin, keep an eye on R Leanne.
What next, but yet another Street resident off to work
on a weekend ! Sally too, is packing in the overtime, as Kevin
bundles the girls off in the car to the swimming pool. Kevin apparently
has a great idea, but it will have to wait until later.
At Ashley's house, our hero is trying to cheer up Nick,
by offering to take him out for the evening. But apparently Nick
is already going to the Rovers as it is Martin's birthday drinks
that night. Ashley has a go at Nick about the Darren/Leanne situation,
thinking it might be best if he tries to make up with his wife,
but son of Brian shoots him down, telling him that it is none
of Ashley's business.
Judy is off to work too, leaving Gary to deal with
his hangover. Apparently, Paul, the arcade manager, has been having
drink problems too, of a more serious nature. Gary pops in to
see Jim, picking up the newspaper from the doormat on the way.
Realising why Jim had not collected it himself, he offers to sort
out the doorframe. Jim tells him that any mess in the process
wouldn't be a problem as he's pretty much stuck with staring at
his four walls anyway. Gary sympathises, saying how he is sure
*he* wouldn't cope well at all. "Don't worry, Gary",
says Jim, "I can't even get into the kitchen to stick my
head in the oven, or upstairs to swallow pills from the medicine
cabinet !".
Des has come to see Samantha. The fool has decided
that he does want them to get back together after all. She decides
that this might be OK, and he offers to see her that evening,
cook them both a meal sort of thing. Sam agrees. [During most
of this conversation, Des is talking to Samantha's back. No, no,
there's nothing dodgy going on ! She just doesn't want him to
see her lying face, that's all. Des really is stupid, isn't he
?]
Time flies when you're having fun, and seemingly moments
after starting work, Liz, Janice and Sally are leaving Underworld
at lunchtime. Liz is off to see Jim, while the other two adjourn
to the Rovers for a well-earned drinkie or two. Somehow [er, because
I wasn't paying enough attention, sorry] the subject of Sally's
Mum comes up. Janice tells Sally that Les would be hopeless in
a similar situation - "he'd only be bothered about who was
paying for the funeral and whether there would be an inheritance
coming his way".
And who's already at the bar, but Les "missing-link"
Battersby himself. Seemingly recovered somewhat, he informs Janice
that he has in fact felt worse, and has been to the doctor's already.
[What, on a Saturday ? Without 3 weeks prior notice ?? Methinks
not.] Furthermore, some strange interaction between Les' left
foot and his sore back means he might not be able to drive for
a year, maybe more ! Les commiserates with Sally's bereavement,
before asking her if she has any siblings. This starts to come
across as some genuine concern, before he ruins it by suggesting
that there will be plenty coming her way as her Mum's money will
only be split two ways ! Janice shoves him away and gives him
a hard kick for his trouble. Greg leaves, asking Les to pop over
to see Maxine and tell her he can't make their date that night,
but not before he and Sally have been introduced and have made
some very interesting looking eyes at one another. [There'll be
trouble here. Mark my words !]
Des arrives to tactfully inform Natalie that he and
Sam are going to make a go of it. [Somewhere in a universe far
far away, please. Walford will do nicely.] Natalie takes it on
the chin, but looks upset.
At Jim's house, Jack and Gary have arrived with some
canned liquid refreshments for Jim. He looks much better as they
share a drink and a chinwag, but Liz spoils it by arriving and
going off the deep-end about Jim drinking again. Jack and Gary
shuffle off in an excruciatingly embarrassing scene. You really
felt sorry for them. "It's for your own good", Liz McNightingale
tells the big man. Jim doesn't look convinced.
Sally is back at home, talking to Rita about her Mum's
death. After a spot of sympathy, the girls rush in with some play
food for Rita. She takes this as he cue to leave [before she has
to stay for spaghetti on toast !], as Kevin enters. He has offered
Rowsie and Surphie a takeaway pizza - "what's wrong with
one from our freezer ?" asks Sally. Kevin replies that they
can surely afford a treat from time to time before spilling the
beans on his great idea. They can use Sally's Mum's money to buy
out Natalie's share of the garage. Can't they ?
Gary bumps into Des who is carrying a bunch of flowers,
and learns that not only is he getting back together with the
Orange Girl, but that she is with Satsuma ! [Just ready for Xmas,
too.] Plainly, Des is no Jaffa. Gary offers his congratulations,
but warns Des that this is not the best idea if the baby is the
only reason.
Leanne is returning home from the Kabin, passing Janice
and Les who are off for a curry, but declines to join them. She
is followed across the road by that darling of the 70's glamour
scene, Darren Essex. He knocks on her door, and forces his way
in as she tries to keep him out.
Intermission
A fairly bum assortment tonight. Would that I were the one to
tell you what happened in the next instalment of the Renault Clio
ads, but that honour falls to Alan "Tinky" Me-left-cheek.
Uvavu, is my only comment !
Act 2
We take up where we left off, in the Battersby home, with Darren
revealing to Leanne that he knows she is married, and who to.
"Why are you making a fool of me like this ?", he wants
to know. [Come on Mr Essex, it's not Leanne's fault, it's your
hairdresser - it's as plain as day that your hairline is halfway
back to your arse but that attempt to brush a few stray locks
forward over your eyebrows in a gypsy fashion is just laughable
!] Leanne breaks down as he continues to press her for information.
Darren seems to be a little bit shocked at her frightened state.
In the Rovers, R Nicky and Ashley look as morose as
a morose thing. Nick in particular appears several sheets to the
wind as Ashley is apparently spiking his drinks. His state does
not go unnoticed by his Mum, who is at the bar with Martin. Martin
is apparently 30. [30... seems *such* a long time ago, now. Sniff.]
Gary has a playful josh with Natalie about looking no older than
29 herself, then remarking that it must be the light because Audreh
looks exactly the same ! [29 decades in her case.]
Kevin and Sally air their dirty laundry about the garage,
in front of Rita. Sally really isn't happen about the idea at
all. Kevin isn't happy that she isn't happy.
Maxine discovers that no-one has seen Greg that evening.
[Well, in a wood-panelled saloon, who would have noticed him ?]
Gail and Audrey wander over to see Nick and Ashley.
In a blinding display of tactlessness, Audrey wonders why Nick
isn't out on the town enjoying himself, seeing as he is a single
man once more. Nick reminds everyone that "she walked out
on *me*", before doing the same to the regulars in the bar.
Leanne admits to Darren that the letters were all Nick's
idea, and that she doesn't really know why he was writing them.
Outside, Nick lurches to the front door before turning and heading
for his own house. Is he ever going to get there on time to save
poor Leanne ?
Samantha arrives for her cosy evening with Des. She
tells him that she wants things absolutely straight between them,
and that Natalie has to be out of the way. Des protests that Nat
was just a friend, although Sam thinks there was more to it. Pretty
soon, the clown Desmond is practically begging to be allowed to
be a part of Samantha's little, but ever-growing family unit.
A reconciliatory kiss ensues, but if Des had just managed to open
his eyes, he might have seen Samantha staring distractedly at
the ceiling. [She's a nutter, that one.]
Nick appears to have struggled with his conscience
long enough, and is returning to Leanne's house. Hearing her voice
raised, he rushes round the back and in through the kitchen door,
realising who is inside. Sadly, he comes off rather badly in a
brief struggle with Darren, and it looks like he copped one in
the underwear department. He eyes the bread-knife on the table,
but Darren sees it too, and tells him he'd be a fool to try. Nick
duly obliges, and is easily fended off again by Darren. In a neat
twist, Darren turns the tables on Nick by telling him that that
was what happened to him when he was about the same age, "two
minutes of madness" when he stabbed Brian. And now he has
lost nearly 10 years of his life, and will forever be seen as
a murderer. Before leaving, he tells Nick that "I came here
to see what you wanted - but you don't really know yourself, do
you ?". He leaves a catatonic pair - Leanne with fright,
and Nick apparently as a result of holding his breath for too
long. [Another gem of a facial grimace tonight.]
This episode was written by David Lane.
Getting better again, imho. The producers are really
packing in scenes at the moment (although I have sometimes taken
liberties and compressed a few together or left others out),
and the "pace" is picking up as a result.
Overall rating (out of 5 stars): ***1/2
Best line: As Janice cops Les one in the shins after
his remark to Sally, she adds "I wish the doctor had given
you something for your mouth, not your back !". Delivered
in a wonderfully rounded Lancashire accent. (In the not-far-north-of-Manchester
area, but some anorak will supply a more precise locality I'm
sure !)
Best scene: Leanne with Darren. Jane Danson put in
a terrific display of looking truly petrified before finally
bursting into tears.
And that's yer lot, as they say. I'll be back in a
more timely fashion later this week, all being well with the
rest of the updaters.
Ta-ra, John
Written by John
Laird, Peter Dewhirst,
CP Turner and Alan Milewczyk